Decoration: A: DIONYSOS SEATED WITH DRINKING HORN AND GRAPEVINE, MAENAD AND SATYRS WITH WINESKIN AND DRINKING HORN, MULES B: SATYRS AND MAENADS WITH KROTALA AND THYRSOS I: ATHLETE, JUMPING WITH HALTERES, DISKOS IN BAG SUSPENDED
Last Recorded Collection: Paris, Musée du Louvre: G94TER
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 80.2, 1624 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 53.9 Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 83 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 169 Corpus Vasorum Antiquorum: PARIS, MUSEE DU LOUVRE 19, 46, PLS.(1275,1276) 70.1-3, 71.1-3 View Whole CVA Plates Crowther, N.B., Sport in Ancient Times (Westport, 2007): 64, FIG.7.2 (I)
CAVI Lemma: RF cup. Unattributed{1}. Last quarter sixth. Ca. 510 (Giroux).
CAVI Subject: Int.: a jumper. A: in the center, Dionysus seated between satyrs, a maenad
and donkeys. B: satyrs and maenads dancing.
CAVI Inscriptions: Int.: in blotchy letters: at the youth's right: κ(α)λο(ς) and a blotch. Two
more blotches to left of the youth. A: nonsense: λολοκλ{2}. B: not inscribed?
CAVI Footnotes: {1} recalls Epiktetos (Beazley): the outside is near Epiktetos, the inside
not, but both are by the same hand. On p. 1624 Beazley further compares the vase
with Vatican, Astarita 585, and Athens 17,303, CAVI 922, while Giroux says it is
by the same hand as New York 22.139.38, attributed to the Circle of the
Nikosthenes Painter, ARV[2] 133/15, which makes better sense. {2} so CVA, text.
CAVI Comments: Formerly listed as Louvre G 94 bis, ARV[2] 80/2 (the same number is on
66/133).
CAVI Number: 6443
AVI Bibliography: Blösch (1940), 57/11. — ARV[2] (1963), 80/2, 1624. — H. Giroux, CVA Louvre
19, France 28 (1977), pls. 70,1-3 and 71,1-3; foot profile p. 46. — Add.[2]
(1989), 169.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
