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200097, ATHENIAN, Berlin, lost, Berlin, lost, Berlin, Pergamonmuseum, Vatican City, Museo Gregoriano Etrusco Vaticano, Berlin, Pergamonmuseum, F2281

  • Vase Number: 200097
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: CUP, FRAGMENTS
  • Date: -550 to -500
  • Inscriptions: EUPHRONIOS
    Signature: EU[PH]RONI[OS...
  • Decoration: A: WARRIORS FIGHTING
    B: WARRIORS PURSUING WOMEN
    I: ILIOUPERSIS, PRIAM, ALTAR, ASTYANAX
  • Last Recorded Collection: Berlin, lost: F2280
  • Previous Collections:
    • Berlin, Pergamonmuseum: F2280
    • Vatican City, Museo Gregoriano Etrusco Vaticano
    • Berlin, Pergamonmuseum: F2281
    • Berlin, lost: F2281
  • Publication Record: American Journal of Archaeology: 124 (2020) 261, FIG.10A (DRAWING OF I)
    Archäologische Zeitung: 1882, PL.3
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 19.1-2
    Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 19.1, 20.2
    Boulter, C. (ed.), Greek Art, Archaic into Classical (Leiden, 1985): 25, FIG.2 (DRAWING)
    Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 74
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 153
    Corpus Vasorum Antiquorum: BERLIN, ANTIKENSAMMLUNG-PERGAMONMUSEUM 1, 87, FIGS.8-10, PL.() View Whole CVA Plates
    Hartwig, P., Die griechischen Meisterschalen (Stuttgart, 1893): 241, PL.24.2
    Heilmeyer, W-D. and Giuliani, L. (eds.), Euphronios, der Maler, eine Ausstellung in der Sonderausstellungshalle der Staatlichen Museen Preußischer Kulturbesitz Berlin-Dahlem, 20.3. - 26.5.1991 (Milan, 1991): 49, FIG.1 (DRAWING OF I)
    Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): I, 383
    Jahrbuch der Berliner Museen: 18 (1976) 11, 13-15, FIGS.1-7 (I,A,B, DRAWINGS OF I,A,B)
    Jufresa, M. et al. (eds.), Ouranos-Gaia, L'espai a Grecia III, anomenar l'espai (Tarragona, 2013): 109, FIG.6 (DRAWING OF I)
    Klein, W., Euphronios (1886): 160, 176
    Muth, S., Gewalt im Bild, Das Phänomen der medialen Gewalt im Athen des 6. und 5. Jahrhunderts v. Chr. (Berlin, 2008): 593, FIG.425 (DRAWING OF I)
    PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 5 (A, B, I, DRAWINGS)
    Staatliche Museen zu Berlin, Antikensammlung, Dokumentation der Verluste, V.1, Skulpturen, Vasen, Elfenbein und Knochen, Goldschmuck, Gemmen und Kameen (Berlin, 2005): 127, F2280 AND F2281 (BERLIN FRAGMENTS)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=2471
  • AVI Record Number: 2326
  • CAVI Collection: Berlin 2280 - 2281.+
  • CAVI Lemma: Frs. of RF cup. Manner of Euphronios{1}; Onesimos (Williams). Euphronios, potter (?). Early fifth. 500-490. Very early (Williams).
  • CAVI Subject: Int.: Neoptolemos slaying Priam on an altar, using Astyanax as a weapon; Hecuba; a dead body on the ground. Ext.: Iliupersis: Greeks pursuing women.
  • CAVI Inscriptions: Int.: N.'s shield device: lion, above which, in BG: καλος. On the altar in BG: Διος | hιερο[ν] | [τεμε]νος, the last word retr. [So Williams]. Below Astyochos' head: Αστυοχ[ο]ς{3}. In the exergue: Ευ[φ]ρ̣ον[ιος εποιεσεν]{4}. B: to right of a warrior's head: [Οδυσσ]ευς. A or B: W. says that the names of Diomedes (where?), Teukros (A), i.e., Τ̣ευκρ̣[ος], and Odysseus (B) can be made out. I thought it best to keep in addition the fragmentary letter groups I give in AttScr: --]ον. --]θο[--. B: --]ευς. An unplaced fragment has: --]δε[--.
  • CAVI Footnotes: {1} Close to Proto-Panaitian, ARV[2]. Onesimos (P), early (D. Williams); unclear if this is accepted by Robertson. {2} For the joints see Add.[2]. {3} The picture, fig. 1 in Williams, shows a clear omicron as the fifth letter; hence Αστυ[αν]αχς is excluded. I assume Astyochos is an error. {4} the verb in the signature is missing; hence restoration depends on attribution. The iota of the name is apparently not preserved.
  • CAVI Comments: + Rome, Vatican{2}. The Berlin frs. lost in the war, except for one handle fr. [--]νος could be the fallen warrior's name. Williams says the earliest work by Onesimos (Panaitios Painter). - Anderson says the woman on the Int. is Polyxena, not inscribed. [She is Polyxena on Malibu 83.AE.362, inscribed.] On p. 131 n. 6 A. suggests that Daiphonos [on the Malibu cup] is for Onesimos an alternative for Daiphobos. Hence he suggests (against Williams): Διος hιερο[ν], and separately [Δαιφο]νος for the fallen warrior on the Int.; it is written retr. because it originated from the warrior's head.
  • CAVI Number: 2326
  • AVI Bibliography: Furtwängler (1885), nos. 2280, 2281. — Stenico (1953), 497ff., pls. 1-2 (Vatican frs.). — Speier (1954), 113ff., pls. 21-26. — ARV[2] (1963), 19/1 and 2 (joining){2}. — D. Williams (1976), 13-15, figs. 3-7. — Add.[2] (1989), 153. — AttScr (1990), no. 418. — D. Williams (1990), 33 and 35, fig. 1 (restored dr.; upside down). — Robertson (1992), 44 and 45. — Anderson (1995), 131 n. 15.
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
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Last updated 26/07/2024 18:16:00 by Parker, Greg. Approved 19/09/2023 10:12:52 by Mannack, Thomas. Copyright © 2003-2025 Classical Art Research Centre, University of Oxford.

Link to this record using the address https://www.beazley.ox.ac.uk/record/FC70A5FF-D5DF-40F4-B53A-863415E681A7

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