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301539, ATHENIAN, London, British Museum, London, British Museum, London, British Museum, 1849,1122.1

  • Vase Number: 301539
  • Fabric: ATHENIAN
  • Technique: BLACK-FIGURE
  • Shape Name: PSEUDO-PANATHENAIC AMPHORA
  • Provenance: ITALY, ETRURIA, VULCI
  • Date: -550 to -500
  • Inscriptions: Inscription: DYNEIKTEY HIPOS NIKAI
  • Attributed To: SWING P by BEAZLEY
  • Decoration: A: ATHENA, DEVICE, STAR, BETWEEN HERMES AND DRAPED MAN WITH SPEAR
    B: VICTOR, HORSEMAN, BETWEEN YOUTH WITH TRIPOD AND WREATH, AND DRAPED MAN
  • Last Recorded Collection: London, British Museum: B144
  • Previous Collections:
  • Publication Record: American Journal of Archaeology: 106 (2002) 369, FIG.19 (B)
    Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 307.59
    Bentz, M. and Eschbach, N. (eds.), Panathenaika, Symposion zu den Panathenäischen Preisamphoren, Rauischholzhausen 25.-29.11.1998 (Mainz, 2001): 189, NO.238 (NOT ILLUSTRATED)
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 82
    Corpus Vasorum Antiquorum: LONDON, BRITISH MUSEUM 1, IIIHe.4, PL.(30) 6.2A-B View Whole CVA Plates
    Deacy, S. and Villing, A. (eds.), Athena in the Classical World (Leiden, 2001): PL.4B (A)
    Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 485, FIG.317 (B)
    Gerhard, E., Auserlesene Vasenbilder (Berlin, 1840-58): IV, PL.247 (COLOUR DRAWINGS OF A AND B)
    Hesperia, The Journal of the American School of Classical Studies at Athens: 90 (2021) 675, FIG.20A-B (COLOUR OF B AND PART OF B)
    Immerwahr, H., Attic Script, A Survey (Oxford, 1990): PL.15.70 (PART OF B)
    Kaltsas N. (ed.), Agon, Exhibition catalogue (Athens, 2004): 324, NO.195 (COLOUR OF B)
    Kephalidou, E., Nikitis, Eikonographiki meleti tou archaiou ellinikou athlitismou (Thessaloniki, 1996): PL.8.I2 (COLOUR OF B)
    Maul-Mandelartz, E., Griechische Reiterdarstellungen in agonistischem Zusammenhang (Frankfurt, 1990): PL.32 (A, B)
    Oakley, J.H. and Palagia, O. (eds.), Athenian Potters and Painters, Volume II (Oxford, 2010): 300, FIG.5 (A, B)
    Schertz, P. and Stribling, N. (eds.), The Horse in Ancient Greek Art, National Sporting Library & Museum Middleburg, Virginia (Middleburg and Richmond, 2017): 54, FIG.40 (COLOUR OF B)
    Shapiro, H.A., Art and Cult under the Tyrants in Athens (Mainz, 1989): PL.12A (A)
    Stuttard, D., Power Games, Ritual and Rivalry at the Ancient Greek Olympics (London, 2012): 172, FIG.62 (COLOUR OF B)
    Tzachou-Alexandri, O., Mind and Body, Athletic Contests in Ancient Greece (Athens, 1988): 310, NO.198 (B)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=4413
  • AVI Record Number: 4241
  • LIMC ID: 25307
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-750a4d315e047-7
  • British Museum Link: https://www.britishmuseum.org/collection/object/G_1849-1122-1
  • CAVI Collection: London B 144.
  • CAVI Lemma: BF Panathenaic amphora. From Vulci. Swing Painter{1}. Third quarter sixth. Ca. 530.
  • CAVI Subject: A: Athena between Hermes and a bearded man{2}. B: the winner in the horse race: a boy jockey(3) on a horse, led by a bearded man and followed by a youth carrying a tripod.
  • CAVI Inscriptions: B: From the mouth of the man, curving down: Δυν[ν]εικετυ : hιπ[π]ος : νικαι. [Under foot,] Gr.: hϝ. See Johnston (1979), 22 and fig. 14,b (facs).
  • CAVI Footnotes: {1} so Beazley; near the Princeton Painter, Böhr. {2} Shapiro thinks the man is Dysniketos and Hermes is greeting him, not Athena who is a statue (Athena Promachos). {3} Webster (1972), 64 suggested the jockey is Dynniketos' son; and Shapiro thinks D. might be a nickname rather than a proper name, see n. 114. I doubt this: the vase commemorates the omen of the name. {4} Shapiro accepts Webster's answer to Beazley's statement that it cannot be a victory at the Panathenaea, since the prize on B is a tripod: Webster had said that the tripod was here a generalized token of victory; all other elements fit the Panathenaea.
  • CAVI Comments: = 1849.11-22.1. - Δυνεικετυ for Δυννικετο = Δυσνικητου; see Immerwahr (1971), and Threatte (1980), 260. The same sp. in IG i/2. 1002 corrected to omicron (cf. Threatte (1980), 239). Δυννικητος: see PA 4580, IG II(2) 1436,13, Hesp. 7 (1938) 281/16, A 31. -Probably not a Panathenaic victory, since tripods were not awarded there as prizes (Neils); but Kyle (1992), 207 n. 120 says: "possibly in the Panathenaia ca. 530-525."{4}.
  • CAVI Number: 4241
  • AVI Bibliography: Kretschmer (1894), 88 and 135. — A.H. Smith, CVA London 1, Great Britain 1 (1925), III H e, pl. 6,2a-b. — Dev.[1] (1951), 92-93 (B). — ABV (1956), 307/59. — Immerwahr (1971), 57/5. — Brandt (1978), 5 n. 2 and 12 n. 4. — Böhr (1982), 110/P 4, pls. 170-71 (A, B); p. 110 has a sketch of the inscription. — Kyle (1987), 200-201/A 21. — Add.[2] (1989), 82 (much bibl.). — Shapiro (1989), 32. — Tzachou-Alexandri (1989), 310-11, no. 198. — AttScr (1990), no. 298, fig. 70. — Kyle (1992), 207 n. 120; cf. also [[ibid. Neils (1992a),]] 172, under no. 41. — Neils (1992), 198 n. 72.
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
  • Pleiades URI: https://pleiades.stoa.org/places/413393
  • Coordinates: 42.421429,11.702499
  • Pleiades Coordinates: 42.419009,11.6298975
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Last updated 26/07/2024 18:44:00 by Parker, Greg. Approved by Mannack, Thomas. Copyright © 2003-2025 Classical Art Research Centre, University of Oxford.

Link to this record using the address https://www.beazley.ox.ac.uk/record/F80D2620-257D-4083-A51A-E2477EA5D514

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