Publication Record: Barber, E.W., Women's Work, The first 20,000 Years, Women, Cloth, and Society in Early Times (New York, 1994): 38, FIG.1.3 (DRAWING) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 403.38, 405 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 188.7 British Museum, A guide to the exhibition illustrating Greek and Roman life (2nd ed., London, 1920): 143, FIG.171 Burke, B., From Minos to Midas, Ancient Cloth Production in the Aegean and in Anatolia (Oxford, 2010): 5, FIG.4 (BD) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 114 Cameron, A. and Kuhrt, A. (eds.), Images of Women in Antiquity (London, 1983): 95, FIG.7.3 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 231 Cohen, B., The Colours of Clay, Special Techniques in Athenian Vases (Los Angeles, 2006): 218-219, NO.60 (COLOUR OF BD AND UH) Gherchanoc, F. and Huet, V. (eds.), Vetements antiques, S'habiller, se deshabiller dans les mondes anciens (Arles, 2012): 156, FIG.9 (COLOUR OF BD) Giner, C.A., Tejido y cesteria en la Peninsula Iberica, Historia de su tecnia e industrias desde la prehistoria hasta la romanizacion (Madrid, 1984): 76, FIG.38 (DRAWING OF BD) Jahrbuch der Berliner Museen: 24 (1982) 18-21, FIGS.1-3, 27, 9-10 Jenkins, I. et al., Defining Beauty, The Body in ancient Greece (London, 2015): 160, UNNUMBERED (COLOUR OF BD) Mertens, J., Attic White Ground, its development on shapes other than lekythoi (New York, 1977): PL.18.1 Newton, C., The Castellani collection (London, 1874): PL.13 Oakley, J., The Greek Vase, Art of the Story Teller (London, 2013): 118, FIG.18 (COLOUR OF BD) Oakley, J.H., A Guide to Scenes of Daily Life on Athenian Vases (Madison, 2020): PL.2 (COLOUR OF PART OF BD) Olmos, R. (ed.), Coloquio sobre el Puteal de la Moncloa, Estudios de Iconografia II (Madrid, 1986): 177, FIG.66 (DRAWING) Pedley, J.G., Greek Art and Archaeology (New Jersey, 1993): 269, FIG.8.45 ((COLOUR) Pedley, J.G., Greek Art and Archaeology. Fifth Edition (London, 2011): 282, FIG.8.49 (COLOUR OF BD) Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 98, FIG.98 Schallin, A.-L. (ed.), Perspectives on ancient Greece, Papers in celebration of the 60th anniversary of the Swedish Institute at Athens (Stockholm, 2013): 139, FIG.1 (COLOUR OF BD) Schaltenbrand Obrecht, V. et al., Stilus, Kulturhistorische, typologisch-chronologische und technologische Untersuchungen an römischen Schreibgriffeln von Augusta Raurica und weiteren Fundorten, Textband (Augst, 2012): 56, FIG.49 LEFT (DRAWING OF BD) Weiss, C. and Simon, E. (eds.), Folia in memoriam Ruth Lindner (Dettelbach, 2010): 125, FIG.4 (COLOUR OF BD) Wiegand, T., Bronzefigur einer Spinnerin im Antiquarium der Königlichen Museen (Berlin, 1913): 6 di Vita, A., Da Siracusa a Mozia, Scritti di archeologia Siciliana (Padua, 1998): 174, FIG.6 (DRAWING OF BD)
CAVI Lemma: WG oinochoe. From Locri Epizephyrii. Foundry Painter; Brygos Painter (D.
Williams){1}. First quarter fifth.
CAVI Subject: A woman spinning.
CAVI Inscriptions: To right of the distaff, in dark brown: hε παις καλε.
CAVI Footnotes: {1} Beazley attributed the pot to the Foundry Painter, but Williams to the
Brygos Painter, with Robertson concurring.
CAVI Comments: Williams connects the inscription with the woman (whom he considers a free
woman). He compares Cab. Méd., ARV[2] 624/81, q.v., with the inscription
φιλεργος [I think he takes this as an adj.; I take it as a name].
CAVI Number: 4400
AVI Bibliography: C.H. Smith in BM Cat. E (1896), 394. — ARV[2] (1963), 403/38. — Boardman
(1975), fig. 267. — D. Williams (1982), 18-21, figs. 1-3, 27, figs. 9-10. —
Add.[2] (1989), 231. — Barber (1992), 105, fig. 64. — Robertson (1992), 98, fig.
93.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
