Decoration: A: NAKED WOMAN WITH BOOTS, BETWEEN EYES, BETWEEN PALMETTES B: NAKED WOMAN WITH KROTALA, BETWEEN EYES, BETWEEN PALMETTES I: DRAPED YOUTH
Last Recorded Collection: Basel, Antikenmuseum und Sammlung Ludwig: KA401
Previous Collections:
Meggen, private, Käppeli
Publication Record: Allolio-Nacke, L., van Oorschot, J., and Verstegen, U. (eds.), Nacktheit, transdisziplinare anthropologische Perspektiven (Munster 2019): 84, FIGS.8A-B (COLOUR OF A AND B) Antike Welt: 5 (2011) 93, RIGHT (COLOUR OF A) Beazley, J.D., Paralipomena (Oxford, 1971): 325.49BIS Bignasca, A. et al., Sex, Drugs und Leierspiel, Rausch und Ekstase in der Antike, 20. Oktober 2011 bis 29. Januar 2012 (Basel, 2011): 85, NO.68 (COLOUR OF A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 159 Cohen, B., The Colours of Clay, Special Techniques in Athenian Vases (Los Angeles, 2006): 33-35, NO.3 (COLOUR OF A, B AND I) Corpus Vasorum Antiquorum: BASEL, ANTIKENMUSEUM UND SAMMLUNG LUDWIG 2, 13-14, BEILAGE 1.2, PLS.(258,287,294) 2.1-4, 31.5.7, 38.2 View Whole CVA Plates
CAVI Lemma: BF/RF eye cup. Unattributed (Beazley){1}. Last quarter sixth. Ca. 520
(Berger).
CAVI Subject: Int.: BF: youth in himation, bending. Ext.: RF: between eyes: hetaerae: A:
naked woman putting on boots. B: naked woman dancing with krotala.
CAVI Inscriptions: Under the foot: weak traces of an inscription, which Kunstw. thinks might be
a signature of Pamphaios. This seems unlikely. Mercantile?
CAVI Footnotes: {1} the author in Kunstw. says: Int.:Scheurleer Painter; Ext.: manner of
Oltos.
CAVI Comments: Beazley: a special foot as Munich 2603 (ARV[2] 41/39), which is not
attributed to a potter.
CAVI Number: 2018
AVI Bibliography: Berger (1963), D 5. — Para. (1971), 325. — V. Slehoferova, CVA Basel 2,
Switzerland 6 (1984), pls. 2,1-4, 31,5-7, and 38,2. — Add.[2] (1989), 159.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
