Decoration: A,B: ATHLETES, JUMPING, AND DRAPED YOUTH, PLAYING PIPES
Last Recorded Collection: Boston (MA), Museum of Fine Arts: 1973.88
Publication Record: Antike Kunst: 21 (1978), PL.18 (A, B) Burlington Magazine: 119 (1977) 78F, FIGS.1, 8-13, 16-17 (A, B, PARTS, UNDER FOOT) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 397 Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 305, FIG.160 (A) Herrmann, J. and Kondoleon, C., (eds.), Games for the Gods, The Greek Athlete and the Olympic Spirit (Boston, 2004): 124, NO.129 (COLOUR OF A) International Congress of Classical Archaeology, 12, Athens, 1983. Praktika, 2-3 Tou XII Diethnous Synedriou Klasikes Archaiologias, Athena, 4-10 Sep: VOL.B, PL.28.3-4 (A,B) Oakley, J.H. et al., Athenian Potters and Painters, The Conference Proceedings (Oxford, 1997): 143, FIG.3 (A) Prodi, E.P. and Vecchiato, S. (eds.), Phaidimos Hektor, Studi in onore di Willy Cingano per il suo 70 compleanno, Antichistica 31 (2021): 126, FIG.4 (A) Prodi, E.P. and Vecchiato, S. (eds.), Phaidimos Hektor, Studi in onore di Willy Cingano per il suo 70 compleanno, Antichistica 31 (2021): 126, FIG.4 (A) Robertson, C., A Shorter History of Greek Art (Cambridge, 1981): 64, FIG.90 (A) Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 33, FIG.24 (A) Rodriguez Perez, D. (ed.), Greek Art in Context. Art Historical and Archaeological Perspectives (Oxford and New York, 2017): 107, FIGS.7.5A AND B (A AND B) Simon, E., Ausgewählte Schriften, I, Griechische Kunst (Mainz, 1998): 26, FIG.2.3 (A) Steiner, A., Reading Greek Vases (Cambridge, 2007): 2-3, FIGS.1.1-1.2 (A, B)
CAVI Lemma: RF PELIKE. EUTHYMIDES. LAST QUARTER SIXTH. 520-510. VERY EARLY (?){2}.
CAVI Subject: A: TWO BOY JUMPERS SEEN FROM THE FRONT, WITH A YOUNG FLAUTIST. B: TWO BOY
JUMPERS SEEN FROM THE BACK, WITH A YOUNG FLAUTIST.
CAVI Inscriptions: A: THE RIGHT JUMPER: Καλ[λ]ιπ[π]ιδες. THE FLAUTIST: Αινεα[ς]. BELOW: Λεαγρος
καλος. B: THE FLAUTIST:(Σ)μικυθιο(ν), RETR. Λεαγρος καλος, ναιχι, RETR. UNDER
THE FOOT, GR.: UPSIDE-DOWN TRIDENT; OR EPSILON WITH EXTENDED MIDDLE HASTA?
SAMPI. JOHNSTON (1979): 2 NON-ALPHABETIC MARKS{3}.
CAVI Footnotes: {2} ROBERTSON (1977); WORKSHOPS OF EUPHRONIOS, PERHAPS VERY EARLY EUTHYMIDES
(ROBERTSON (1992), ). {3} A PARALLEL IS PALERMO 1820 (= 1110), BY PSIAX, FIG.
14,E (FACS.); SEE JOHNSTON (1979), P. 2, FIG. 14,E, ABV 292/4, ADD.[2] 76.
DELETE NOTE 1. {1} I READ THE NUMBER IN THE MUSEUM WRONGLY AS 1971.10.
CAVI Comments: ROBERTSON READS Σμικύθιον, BUT Σμικυθίων IS ATTIC (PA 12,766-71). R.'S TEXT
GIVES ναικι, BUT THE DR. SHOWS ναιχι. THE MUSEUM NO. IS NOT GIVEN BY ROBERTSON
(1977) OR IN ADD.[2], BUT IN ROBERTSON (1992), R. GIVES THE NUMBER AS 1973.88. -
A SIMILAR JUMPER (HIGH UP, WITH LEGS DRAWN UP): CORINTH CCP-2621, HESP. 49
(1980) 304/27, PL. 87. - COHEN SAYS THE VASE IS `RELATED TO EUPHRONIOS' WORK'.
CAVI Number: 2824
AVI Bibliography: BADB 4437. — ROBERTSON (1977), 78-86 (ILL.), DRS. OF INSCRIPTIONS, 78, PHOTOS
OF GRAFFITI UNDER THE FOOT, FIGS. 16-17. — SIMON (1978), PL. 18 (A, B). —
JOHNSTON (1979), 40 AND 64, CH. 9 N. 6. — ROBERTSON (1981), 64, FIG. 90. —
ADD.[2] (1989), 396. — ATTSCR (1990), NO. 416. — ROBERTSON (1992), 33-34 AND
FIG. 24 (A, PART). — COHEN (1997), 144, FIG. 3 (A).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
