Attributed To: HIERON by SIGNATURE MAKRON by BEAZLEY
Decoration: A: CULT (?), MAENADS WITH THYRSOS, ONE PLAYING PIPES, DANCING AT ALTAR AND STATUE OF DIONYSOS B: MAENADS DANCING WITH KROTALA, THYRSOI, DEER, SKYPHOS DECORATED WITH FIGURE DANCING BETWEEN PALMETTES I: DIONYSOS WITH THYRSOS AND GRAPEVINE, SATYR PLAYING PIPES Under handle: COLUMN KRATER
Last Recorded Collection: Berlin, Antikensammlung: F2290
Previous Collections:
Rome, Mus. Naz. Etrusco di Villa Giulia
Berlin, Schloss Charlottenburg: F2290
Publication Record: Antike Kunst: 49 (2006) PL.6.3-5 (A, B, PART OF A) Antike Welt: 39.5 (2008) 40, FIG.2 (COLOUR OF A) Avramidou, A. and Demetriou, D. (eds.), Approaching the Ancient Artifact, Representation, Narrative, and Function. A Festschrift in Honor of H. Alan Shapiro (Berlin and Boston, 2014): 278, FIG.4 (A) Backe-Dahmen, A. et al., Greek Vases, Gods, Heroes and Mortals (London and Berlin, 2010): 20-21, NO.8 (COLOUR OF A, B, UH AND I) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 462.48, 481, 1654 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 213.26 Beazley, J.D., Paralipomena (Oxford, 1971): 377 Benndorf, O., Wiener Vorlegeblätter für archäologische Übungen (Vienna, 1888-1890/91): A, PL.4 Berard, C. (ed.), Images et societe en Grece ancienne, L'iconographie comme methode d'analyse, Cahiers d'Archeologie Romande 36 (Lausanne, 1987): 95, FIG.9 (DRAWING OF A AND B0 Borgers, O., The Theseus painter, style, shapes and iconography, Allard Pierson Series 16 (Amsterdam, 2004): FIG.82A (DRAWING OF PART OF A) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 120 Buschor, E., Griechische Vasenmalerei (Munich, 1914): 177 (B) Carpenter, T.H., Dionysian Imagery in Fifth-Century Athens (Oxford, 1997): PLS.20B, 21 (PART OF A, B) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 244 Corpus Vasorum Antiquorum: BERLIN, ANTIQUARIUM 2, 34-35, PLS.(1016,1017,1018) 87.1-2, 88.1-4, 89.1-5 View Whole CVA Plates Corpus Vasorum Antiquorum: BERLIN, ANTIQUARIUM 3, 19, PL.(1057) 128.1.5 View Whole CVA Plates Docter, R.F. and Moormann, E.M. (eds.), Proceedings of the 15th Int. Congress of Classical Archaeology, Amsterdam, July 12-17, 1998 (Amsterdam, 1999): FIG.19 (DRAWING OF PART) Duby, G., Perrot, M. (eds.), Histoire des femmes (Plon, 1991): 210-211, FIG.32 (A) Estienne, S. et al. (eds.), Figures de dieux. Construire le divin en images (Rennes, 2014): PL.26A-B (COLOUR OF A AND B) Gerhard, E., Trinkschalen und Gefässe des Königlichen Museums zu Berlin und anderer Sammlungen (Berlin, 1848-1850): PLS.4-5 Griesbach, J. and Knauß, F.S. (eds.), Wein & Sinnlichkeit, Der Fotograf Johann Willsberger entdeckt das griechische Symposion, 11.07.2024 - 20.10.2024, Staatliche Antikensammlungen (Munich, 2024): 66, FIG.4.8 (COLOUR OF PART OF B) Heilmeyer, W-D. et al., Antikenmuseum Berlin, Die ausgestellten Werke (Berlin, 1988): 124, NO.3 (I) Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 129, 493, FIGS.69, 338 (PART OF B, DRAWING OF A AND B) Hephaistos: 14 (1996) 88, FIG.2 (PART OF A) Hephaistos: 9 (1988) 70, FIG.11 (DRAWING OF A AND B) Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): II, 41 (A) Hornblower, S. and Spawforth, A. (eds.), The Oxford Companion to Classical Civilization (Oxford, 1998): 440 (DRAWING OF A) Hornblower, S. and Spawforth, A. (eds.), The Oxford Companion to Classical Civilization, Second Edition (Oxford, 2014): 486 (PART OF A) Huf, L., Frauen jenseits der Konvention, Alterszüge, Tätowierungen und afrikanische Physiognomien im Frauenbild attischer Vasen des 5. Jahrhunderts v. Chr. (Munich, 2018): 89, FIG.30 (COLOUR OF B) International Congress of Classical Archaeology, 12, Athens, 1983. Praktika, 2-3 Tou XII Diethnous Synedriou Klasikes Archaiologias, Athena, 4-10 Sep: VOL.B, PL.19.1-2 (A, B) Isler-Kerenyi, C., Dionysos in Classical Athens. An Understanding through Images (Leiden and Boston, 2014): 126, FIG.69 (DRAWING OF A AND B) Jahrbuch des Deutschen Archäologischen Instituts: 112 (1997) 300, FIG.20B (PART OF A) Jahreshefte des Österreichischen Archäologischen Instituts in Wien: 76 (2007) 366, FIG.10 (B) Kalogeropoulos, K., Vassilikou, D., and Tiverios, M. (eds.), Sidelights on Greek Antiquity, Archaeological and Epigraphical Essays in Honour of Vasileios Petrakos (Berlin, 2021): 366, FIG.3 (A) Kaltsas, N. and Shapiro, A., Worshiping Women, Ritual and Reality in Classical Athens (Athens and New York, 2008): 274, FIG.5 (COLOUR OF A) Kunisch, N., Makron (Mainz, 1997): 36, 69, FIGS.19, 32.345, PLS.116-117.345 Kurtz, D.C. (ed.), Greek Vases, Lectures by J.D. Beazley (Oxford, 1989): PL.74 (DRAWING OF A AND B, A) Kéi, N., L'esthétique des fleurs, kosmos, poikilia et kharis dans la céramique attique du VIe et du Ve siècle av. n. ère, ICON 22 (Berlin and Boston, 2022): 143, 148, FIGS.110, 115 (PART OF A, B) Manakidou, E., Frauentänze fur Dionysos in der spätarchaischen Vasenmalerei (Athens, Kilchberg-Zurich, 2017): 84, FIG.46 (B) Mannack, T., Griechische Vasenmalerei, Eine Einführung, 2nd edition (Darmstadt, 2012): 144, FIG.89 (A) Metropolitan Museum Journal: 26 (1991) 71, FIG.36 (OH) Morais, R., Leao, D., and Rodriguez Perez, D. (eds.), Greek Art in Motion, Studies in Honour of Sir John Boardman on the Occasion of his 90th Birthday (Oxford, 2019): 120, FIG.6, 156, FIGS.3-4 (COLOUR OF A AND PART OF A) Moraw, S., Die Mänade in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v.Chr. (Mainz, 1998): PL.13.34 (A, B) Oakley, J.H., A Guide to Scenes of Daily Life on Athenian Vases (Madison, 2020): 114, FIG.6.1 (A) Osborne, R., Archaic and Classical Greek Art, Oxford History of Art (Oxford, 1998): 133, 150-151, FIG.81 (COLOUR OF I, B AND PART OF B) Pallas, Revue d'etudes antiques: 115 (2021) FIG.4A-B (COLOUR OF A AND B) Panto, G. (ed.), I modi dell'Eros. Reperti archeologici a tema erotico del Museo di Antichita di Torino (Turin, 2011): 72, UNNUMBERED (COLOUR OF A) Panto, G. (ed.), I modi dell'Eros. Reperti archeologici a tema erotico del Museo di Antichita di Torino (Turin, 2011): 73, UNNUMBERED RIGHT (COLOUR OF I) Pelling, C. (ed.), Greek Tragedy and the Historian (Oxford, 1997): PL.9 (A, B) Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.438 (B) Philipp, M. et al., Dionysos, Rausch und Ekstase (Munich, 2013): 58, FIG.3 (COLOUR OF B) Platt, V. and Squire, M. (eds.), The Frame in Classical Art, A Cultural History (Cambridge, 2017): 162, FIG.3.3 (A) Reeder, E.D. et al., Pandora, Women in Classical Greece (Baltimore, 1995): 384-385, NO.123 (COLOUR OF A, B, I) Revue des Etudes Anciennes: 94 (1992) 148, FIG.12 (A, B) Revue des Etudes Grecques: 126 (2013) 48, FIG.18 (A, B) Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 102, FIGS.97-98 (A, B) Sakellarake, G., Idaio Antro, hiero kai manteio (Athens, 2013): 192, FIG.141 (DRAWING OF I) Schlesier, R. (ed.), A Different God? Dionysos and Ancient Polytheism (Berlin and Boston, 2011): PLS.14, 39, FIG.3 (COLOUR OF I AND B) Schlesier, R. and Schwarzmaier, A. (eds.), Dionysos, Verwandlung und Ekstase (Berlin, 2008): FRONT COVER, 25, 66, 82, 152-3, NO.1, FIGS.7, 8, 2-3 (COLOUR OF I, A, B AND PARTS) Soar, K. and Aamodt, C. (eds.), Archaeological approaches to dance performance (Oxford, 2014): 88, FIG.2 (DRAWING OF PARTS) Thesaurus Cultus et Rituum Antiquorum: II, PL.89.GR330 (A) Vierneisel, K., and Kaeser, B. (eds.), Kunst der Schale, Kultur des Trinkens (Munich, 1990): 439-441, FIGS.80.1A-G (A, B, I)
CAVI Lemma: RF cup. From Vulci. Makron. Hieron, potter. First quarter fifth. 490-480.
Hauptwerk II (Kunisch).
CAVI Subject: Int.:Dionysus and satyr. A-B: maenads dancing at the image of Dionysus.
CAVI Inscriptions: On handle B/A in BG area of right hasta, Gr.: hιερον εποεσεν.
CAVI Footnotes: {1} shows A augmented by fr. in Villa Giulia.
CAVI Comments: Berlin West. + Rome, Villa Giulia. epoesen also on Louvre G 143. For the
tailed rho see Cohen, n. 125. Attic with four-stroke sigma. Kunisch notes the
omission of iota in n. 37.Four-stroke sigma: see also Kunisch, p. 8.
