Decoration: A: ATHENA BETWEEN COLUMNS SURMOUNTED BY COCKS, DEVICE, PEGASOS B: CHARIOT
Last Recorded Collection: Madrid, Museo Arqueologico Nacional: L70
Previous Collections:
Madrid, Museo Arqueologico Nacional: 10900
Publication Record: Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 404.1 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 128.96 Bentz, M., Panathenäische Preisamphoren, Eine athenische Vasengattung und ihre Funktion vom 6.-4. Jahrhundert v. Chr. 18. Beih. zur Antiken Kunst (Basel, 1998): PLS.41-42.5004 (A, B) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 105 Corpus Vasorum Antiquorum: MADRID, MUSEE ARCHEOLOGIQUE NATIONAL 1, IIIHE.9, IIIHE.10, PLS.(45,46) 27.1A-B, 28.2 View Whole CVA Plates Greek Vases in the J.Paul Getty Museum: 4 (1989) 105, FIGS.8A-B (B, PART OF B) Kunze-Goette, E., Der Kleophrades- Maler unter Malern schwarzfiguriger Amphoren, Eine Werkstattstudie (Mainz, 1992): PL.18.2 (B) Ossorio, F., Vasos griegos, etruscos e italo-griegos que se conservan en el Museo arqueologico nacional (Madrid, 1910): PL.25
CAVI Lemma: BF PANATHENAIC PRIZE AMPHORA. KLEOPHRADES PAINTER. EARLY FIFTH.
CAVI Subject: A: ATHENA. B: CHARIOT.
CAVI Inscriptions: ALONG THE RIGHT SIDE OF THE LEFT COLUMN: τον Αθενεθεν αθλον.
CAVI Comments: CVA SAYS "SALAMANCA COLLECTION." THE FACS. IN CVA SHOWS THE SECOND THETA AS
AS HAVING SOMETHING LIKE A DIAGONAL STROKE, WITH A SLIGHTLY EXTENDING HASTA, BUT
THE PHOTO DISPROVES THIS.
CAVI Number: 4880
AVI Bibliography: LEROUX (1912), 47/70 (NOT ILL.). — J.R. MéLIDA, CVA MADRID 1, SPAIN 1 (1930),
III H E, PLS. 27,1 AND 28,2 (FACS.). — ABV (1956), 404/1. — ADD.[2] (1989), 105.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
