Decoration: A: DIONYSOS SEATED ON STOOL WITH IVY AND KANTHAROS, SATYR, MAENADS DANCING IN NEBRIDES B: MAENADS, ONE IN LEOPARD SKIN, ONE IN NEBRIS, AND SATYRS DANCING
Last Recorded Collection: Frankfurt, Museum für Kunsthandwerk: WM03
Publication Record: Beazley, J.D., Paralipomena (Oxford, 1971): 140.9BIS Corpus Vasorum Antiquorum: FRANKFURT, FRANKFURT AM MAIN 1, 28, PLS.(1198,1205) 26.1-4, 33.1-3 View Whole CVA Plates Lexicon Iconographicum Mythologiae Classicae: IV, PL.31, EUPNOUS 1 (PART OF A) Lexicon Iconographicum Mythologiae Classicae: VII, PL.317, PHANOS 1 (B) Lexicon Iconographicum Mythologiae Classicae: VII, PL.560, SIMIS, SIMON, SIMOS 3 (PART) Lissarrague, F., La cite des satyres. Une anthropologie ludique (Athenes, VIe-Ve siecle avant J.-C.) (Paris, 2013): 46, FIG.19 (DRAWING OF A) Stutzinger, D., Griechen, Etrusker und Römer, Eine Kulturgeschichte der Antiken Welt im Spiegel der Sammlungen des Archäologischen Museums Frankfurt (Regensburg, 2012): 82, FIG.73 (A)
CAVI Subject: A: DIONYSUS AND ARIADNE, WITH SATYRS AND MAENADS IN A GRAPE ARBOR. B: SATYRS
AND MAENADS DANCING.
CAVI Inscriptions: A: BEHIND A MAENAD: Οπις, I.E., Ουπις{1}. IN THE LOWER FRONT OF A SATYR:
Σφο[--]{2}. IN A SIMILAR POSITION FOR A FLUTING SATYR: Ευπνος. IN FRONT OF A
MAENAD: Αντρο̅{3}. BEHIND THE SATYR WITH HER: [Φ]ανος. BETWEEN THE LEGS OF
ANOTHER SATYR: (Σ)ιμος, RETR. [LOESCHCKE'S READINGS WERE: SATYR: Σιμος. MAENAD:
Αντρο̅.]
CAVI Footnotes: {1} K.-D. READS Οπις, `DIE MIT DEM EINDRUCKVOLLEN BLICK,' AFTER GREIFENHAGEN,
AA, P. 12. {2} GREIFENHAGEN CONSIDERED σφοδρος, WITH THE POSSIBILITY THAT THE
TWO INSCRIPTIONS ARE CONTINUOUS. BEAZLEY SUGGESTED Χαρ]οφς, RETR. BUT K.-D. IS
PROBABLY RIGHT IN SUPPLYING Σφο[λεας], WHICH IS FOR Φσολεας; CF. CERVETRI, MUSEO
NAZIONALE, BF TYRRHENIAN AMPHORA, WHICH HAS THE SATYR NAME Σφολεας. SEE THE
DISCUSSION BY G. NEUMANN, IBID. {3} FRäNKEL 21 COMPARES THE HOMERIC AND HESIODIC
NEREID Σπεω.
CAVI Comments: EX ROMAN MARKET (PENELLI). FORMERLY KUNSTGEWERBE-MUSEUM INV. 1391. FOR THE
NAMES SEE GREIFENHAGEN'S DISCUSSION. HE RAISES THE QUESTION WHETHER THE PENELLI
VASE IS FRANKFURT/MAIN, MUSEUM FüR KUNSTHANDWERK WM 03, WHICH IS LISTED IN PARA.
140/9 BIS, AS THREE-LINE GROUP, WITH BIBL.: DIE KUNSTSAMMLUNG DES HERRN WILHELM
PETER METZLER (1897), PL. 1. AA 1957, 770. CVA, FRANKFURT/MAIN 1, PL. 33,1-3. [I
BELIEVE IT IS CLEARLY THE SAME VASE (LOESCHKE'S READINGS BEING INCOMPLETE) AND I
AM SO LISTING IT.] - ONE SIGMA SIDEWAYS.
CAVI Number: 3742
AVI Bibliography: C. FRäNKEL (1912), 21 AND 84/I (INFORMATION FROM G. LOESCHCKE). —
GREIFENHAGEN (1957), 6-14, FIGS. 1-5. — K. DEPPERT, CVA FRANKFURT 1, GERMANY 25
(1964), PLS. 26 AND 33,1-3. — PARA. (1971), 140/9 BIS. — LIMC IV (1988), EUPNOUS
(ILL.). — KOSSATZ-DEISSMANN (1991), 154 (EUPNOUS 1), 165 (PHANOS 1), 175 (ANTRO
1 = 2), CF. 170 (SIMOS 4 = 5).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
