Decoration: A: DIONYSOS SEATED ON STOOL WITH IVY AND KANTHAROS, SATYR, MAENADS DANCING IN NEBRIDES B: MAENADS, ONE IN LEOPARD SKIN, ONE IN NEBRIS, AND SATYRS DANCING
Last Recorded Collection: Frankfurt, Museum für Kunsthandwerk: WM03
Publication Record: Beazley, J.D., Paralipomena (Oxford, 1971): 140.9BIS Corpus Vasorum Antiquorum: FRANKFURT, FRANKFURT AM MAIN 1, 28, PLS.(1198,1205) 26.1-4, 33.1-3 View Whole CVA Plates Lexicon Iconographicum Mythologiae Classicae: IV, PL.31, EUPNOUS 1 (PART OF A) Lexicon Iconographicum Mythologiae Classicae: VII, PL.317, PHANOS 1 (B) Lexicon Iconographicum Mythologiae Classicae: VII, PL.560, SIMIS, SIMON, SIMOS 3 (PART) Lissarrague, F., La cite des satyres. Une anthropologie ludique (Athenes, VIe-Ve siecle avant J.-C.) (Paris, 2013): 46, FIG.19 (DRAWING OF A) Stutzinger, D., Griechen, Etrusker und Römer, Eine Kulturgeschichte der Antiken Welt im Spiegel der Sammlungen des Archäologischen Museums Frankfurt (Regensburg, 2012): 82, FIG.73 (A)
CAVI Subject: A: Dionysus and Ariadne, with satyrs and maenads in a grape arbor. B: satyrs
and maenads dancing.
CAVI Inscriptions: A: behind a maenad: Οπις, i.e., Ουπις{1}. In the lower front of a satyr:
Σφο[--]{2}. In a similar position for a fluting satyr: Ευπνος. In front of a
maenad: Αντρο̅{3}. Behind the satyr with her: [Φ]ανος. Between the legs of
another satyr: (Σ)ιμος, retr. [Loeschcke's readings were: Satyr: Σιμος. Maenad:
Αντρο̅.]
CAVI Footnotes: {1} K.-D. reads Οπις, `die mit dem eindruckvollen Blick,' after Greifenhagen,
AA, p. 12. {2} Greifenhagen considered σφοδρος, with the possibility that the
two inscriptions are continuous. Beazley suggested Χαρ]οφς, retr. But K.-D. is
probably right in supplying Σφο[λεας], which is for Φσολεας; cf. Cervetri, Museo
Nazionale, BF Tyrrhenian amphora, which has the satyr name Σφολεας. See the
discussion by G. Neumann, ibid. {3} Fränkel 21 compares the Homeric and Hesiodic
Nereid Σπεω.
CAVI Comments: Ex Roman Market (Penelli). Formerly Kunstgewerbe-Museum inv. 1391. For the
names see Greifenhagen's discussion. He raises the question whether the Penelli
vase is Frankfurt/Main, Museum für Kunsthandwerk WM 03, which is listed in Para.
140/9 bis, as Three-line Group, with bibl.: Die Kunstsammlung des Herrn Wilhelm
Peter Metzler (1897), pl. 1. AA 1957, 770. CVA, Frankfurt/Main 1, pl. 33,1-3. [I
believe it is clearly the same vase (Loeschke's readings being incomplete) and I
am so listing it.] - One sigma sideways.
CAVI Number: 3742
AVI Bibliography: C. Fränkel (1912), 21 and 84/I (information from G. Loeschcke). —
Greifenhagen (1957), 6-14, figs. 1-5. — K. Deppert, CVA Frankfurt 1, Germany 25
(1964), pls. 26 and 33,1-3. — Para. (1971), 140/9 bis. — LIMC iv (1988), Eupnous
(ill.). — Kossatz-Deissmann (1991), 154 (Eupnous 1), 165 (Phanos 1), 175 (Antro
1 = 2), cf. 170 (Simos 4 = 5).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
