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204333, ATHENIAN, New York (N.Y.), private, Shelby White & Leon Levy Collection, Switzerland, private, Geneva, market

  • Vase Number: 204333
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: CUP
  • Date: -500 to -450
  • Attributed To: BRYGOS by SIGNATURE
    FOURTEENTH BRYGOS, P OF by BEAZLEY
  • Decoration: A,B: RANSOM OF HEKTOR, ACHILLES RECLINING ON KLINE, PRIAM, HERMES, DRAPED YOUTHS AND WOMEN, WITH STOOL, PHIALAI, SWORD, SPEAR, PITHOI, BASIN, HYDRIAI, HELMET, COLUMN
    I: RANSOM OF HEKTOR, ACHILLES ON KLINE, PRIAM, SWORD SUSPENDED
  • Last Recorded Collection: New York (N.Y.), private, Shelby White & Leon Levy Collection
  • Previous Collections:
    • Geneva, market
    • Switzerland, private
  • Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 399, 1650
    Bothmer, D. von (ed.) Glories of the Past, Ancient Art from the Shelby White and Leon Levy Collection (New York, 1991): 158-161, NO.118 (COLOUR)
    Brijder, H.A.G., Ancient Greek and Related Pottery, Proceedings of Vase Symposium (Amsterdam, 1984): 276, FIG.3 (I)
    Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 114
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 230
    Carter, J.B. and Morris, S.P. (eds.), The Ages of Homer, A Tribute to Emily Townsend Vermeule (Austin, 1995): 454-455, FIGS.28.7-9 (A, B, I)
    Dörig, J., Art Antique, Collections Privées de Suisse Romande (Geneva, 1975): NO.209 (I,A,B)
    Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 230-231, FIGS.94A-B (A, B)
    Gebauer, J., Pompe und Thysia, attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen (Münster, 2002): 787, FIG.306 (A)
    Kressirer, K., Das Greisenalter in der griechischen Antike. Untersuchung der Vasenbilder und Schriftquellen der archaischen und klassischen Zeit (Hamburg, 2016): 830, NOS.68-69 (PART OF A, I)
    Lexicon Iconographicum Mythologiae Classicae: I, PLS.124-25, ACHILLEUS 661 (I,A)
    Morais, R., Centeno, R., and Freitas Ferreira, D. (eds.), Myths, Gods and Heroes. Greek Vases in Portugal – Mitos, Deuses e Heróis. Vasos Gregos em Portugal (Porto, 2022): I, 223, FIG.4, 231, FIG.3 (I, A,COLOUR OF B AND PART OF B)
    Numismatica e Antichita Classiche, Quaderni Ticinesi: 23 (1994) 39-40, FIGS.1-3 (A, B, I)
    Shapiro H.A., Myth into Art, Poet and Painter in Classical Athens (London, 1994): 43-44, FIGS.25-27 (A,B,I)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=5982
  • AVI Record Number: 5756
  • LIMC ID: 25129
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-7507c1ba3dd4d-8
  • CAVI Collection: New York, Leon Levy and Shelby White.(1).
  • CAVI Lemma: RF cup. Painter of Fourteenth Brygos{2}. First quarter fifth. 490-480.
  • CAVI Subject: Int.: The Ransom of Hector: Priam and Achilles. A-B: similar.
  • CAVI Inscriptions: On one handle: Βρυγος εποιεσεν.
  • CAVI Footnotes: {1} Add.[2] 230: New York, Levy. {2} see ARV[2] 1650: not by the Brygos Painter, "although the design may have been his." For other vases by the same hand see ibid.
  • CAVI Comments: Ex Geneva Market (Koutoulakis). Listed also as Swiss, Private. For Brygos signatures see AttScr (1990), 88.
  • CAVI Number: 5756
  • AVI Bibliography: ARV[2] (1963), 399, *1650, cf. — ARV[2] (1963), 399, *1650. — Para. (1971), 369 (?). — Dörig (1975), no. 209 (ill.). — Add.[2] (1989), 230. — Add.[2] (1989), 230. — AttScr (1990), no. 544. — Shapiro (1994), 42-45, figs. 25-27 (fig. 26 shows the signature except for the last letter). — M.C. Miller (1995), 454-55, figs. 28.7-9 (fig. 28.8 shows the signature well).
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
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Last updated 30/11/2024 04:12:00. Approved by Mannack, Thomas. Copyright © 2003-2025 Classical Art Research Centre, University of Oxford.

Link to this record using the address https://www.beazley.ox.ac.uk/record/E7120757-D78E-4FDA-954E-77E13E51B13C

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