Attributed To: CHARINOS by SIGNATURE TRIPTOLEMOS P by GUY
Decoration: Figure: HEAD OF RAM Neck: SYMPOSIUM, YOUTH, MEN, OLD MEN, WITH LYRES, CUP AND OINOCHOE, ONE PLAYING KOTTABOS (KEKROPS, THESEUS, PANDION ?)
Last Recorded Collection: Richmond (VA), Museum of Fine Arts: 79.100
Publication Record: American Journal of Archaeology: 113 (2009) 16, FIG.9 (N) Apollo, The International Art Magazine: 120 (DEC., 1985), 429, FIG.6 Arts in Virginia: 21 (1981) 2, 3-5, FIGS.2-6 Avramidou, A. and Demetriou, D. (eds.), Approaching the Ancient Artifact, Representation, Narrative, and Function. A Festschrift in Honor of H. Alan Shapiro (Berlin and Boston, 2014): 142, FIG.1 (N) Boreas: 5 (1982), PL.4.1, 3 Bundrick, S.D., Music and Image in Classical Athens (Cambridge, 2005): 81, FIG.49 (N) Coulson, W.D.E. et al. (eds.), The Archaeology of Athens and Attica under the Democracy (Oxford, 1994): 77, FIG.5 (N) Dickmann, J-A. and Heinemann, A., Vom Trinken und Bechern, Das antike Gelage im Umbruch (Freiburg, 2015): 21, FIG.5 (N) Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 226, FIG.92 (N) Greek Vases in the J.Paul Getty Museum: 4 (1989), 149, FIGS.17A-B Kressirer, K., Das Greisenalter in der griechischen Antike. Untersuchung der Vasenbilder und Schriftquellen der archaischen und klassischen Zeit (Hamburg, 2016): 240, NOS.238-239 (N) Lexicon Iconographicum Mythologiae Classicae: IV, PL.635, ERECHTHEUS 78 (PART) Matheson, S.B. and Pollitt, J.J., Old Age in Greek and Roman Art (Yale, 2022): 239, APP.149 (COLOUR OF N) Mediterranean Historical Review (Tel Aviv University): 7 (1992) 1, 45, FIG.8 (DRAWING OF PART) Metropolitan Museum Journal: 26 (1991), 81, FIG.58 (PART) Neer, R.T., Art and Archaeology of the Greek World, a new history, c.2500-c.150 BC (London, 2012): 216, FIG.8.28 (COLOUR OF N AND FIG) Neer, R.T., Style and Politics in Athenian Vase-Painting, The Craft of Democracy, ca.530-460 B.C.E. (Cambridge, 2002): 161, FIGS.74-75 (FIG, N) Neils, J., The Youthful Deeds of Theseus (Rome, 1987): FIG.50 (N) Revue Archéologique: 1982, 233-234 Schefold, K. and Jung, F., Die Urkönige, Perseus, Bellerophon, Herakles und Theseus in der klassischen und hellenistischen Kunst (Munich, 1988): 67-68, FIGS.66-67 Servadei, C., La figura di Theseus nella ceramica Attica, Iconografia e iconologia del mito nell' Atene arcaica e classica (Bologna, 2005): 185, FIG.82 (PART OF N) Shapiro, H.A. (ed.), Art, Myth and Culture, Greek Vases from Southern Collections (Tulane, 1981): 85-87, NO.32 Steinhart, M., Das Motiv des Auges in der griechischen Bildkunst (Mainz, 1995): PL.33.1 (PART) Topper, K., The imagery of the Athenian symposium (Cambridge, 2012): FRONT COVER, 25, FIG.10 (PARTS, COLOUR OF PARTS)
CAVI Subject: NECK: RF: SYMPOSIUM OF ATTIC KINGS: IN THE CENTER, A BEARDED LYRE PLAYER; AT
LEFT, A BEARDED MAN AND A WHITE-HAIRED BEARDED MAN RECLINING; AT RIGHT, A YOUTH
AND A BEARDED MAN RECLINING. BETWEEN THE FIGURES, THREE LYRES HUNG UP.
CAVI Inscriptions: ABOVE THE HEAD OF THE LEFT-MOST SYMPOSIAST: Κεκροφς. THE SECOND FIGURE'S NAME
IS LOST; NEILS THINKS HE MIGHT BE ERECHTHEUS, GUY THAT HE MIGHT HAVE BEEN
AEGEUS, LESS LIKELY ERICHTHONIOS. THE LYRE PLAYER: [--]υποπ[--], WHICH CANNOT BE
RESTORED AS A KING'S NAME, UNLESS IT IS BADLY MISWRITTEN FOR HIPPOTHOON; NEILS
THINKS IT MAY BE THE NAME OF AN UNKNOWN BARD WHO IS CALLED IN FOR ENTERTAINMENT;
GUY SUGGESTS TENTATIVELY [Ε]υπο[μ]π[ος], AS THE NAME OF A BARD OR AMATEUR
PERFORMER. ABOVE THE FOURTH SYMPOSIAST: Θεσευς. THE FIFTH FIGURE (WITH WHITE
HAIR AND BEARD) HAS: [--]ον, PERHAPS [Πανδι]ον, THESEUS' GRANDFATHER. ALONG THE
MIDDLE OF THE RAM'S HEAD, DOWN, DIP.: Χαρινος με εποιεσεν.
CAVI Comments: A SIMILAR, BUT MORTAL, SYMPOSIUM IS FOUND ON BERLIN 2298, ARV[2] 364/52, BY
THE SAME PAINTER. COHEN SAYS THE SIGNATURE WAS WRITTEN BY THE TRIPTOLEMOS
PAINTER, NOT BY CHARINOS.
CAVI Number: 6928
AVI Bibliography: BADB 7537 (MUCH BIBL.). — GUY (1981), 2,3-5, FIGS. 2-6. — NEILS (1981),
84/32. — LIMC IV (1988), PL. 635, ERECHTHEUS 78 (PART). — SCHEFOLD–JUNG (1988),
67-68, FIGS. 66-67. — ADD.[2] (1989), 402. — HOFFMANN (1989), 149, FIGS. 17,A-B.
— COHEN (1991), 80 AND NN. 169-172, FIG. 58. — COULSON (1994), 77, FIG. 5
(NECK).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
