Decoration: A,B: HERAKLES (NAMED) IN THE GARDEN OF HESPERIDES SEATED ON BLOCK, MEN, SOME OLD (?), WITH STAFFS, ALL DRAPED, ATHENA (NAMED), WOMEN WITH SPRIGS (NAMED, OKEANOS, STRYMON) Shoulder: CENTAUROMACHY, CENTAURS, SOME WITH TREES, SOME WITH ROCKS, SOME FALLEN, THESEUS (NAMED) AND PERITHOOS (NAMED), ONE FALLEN, DEVICES, OCTOPUS, LION
Last Recorded Collection: Germany, private: 31
Publication Record: Agathos Daimon, Mythes et Cultes, Etudes d'iconographie en l'honneur de Lilly Kahil, BCH Supplement 38 (2000): 515, FIG.4 (PART) Christiansen, J. and Melander, T., Proceedings of the 3rd Symposium on Ancient Greek and Related Pottery, Copenhagen 31.8.-4.9.87 (Copenhagen, 1988): 108, 110-114, FIGS.1-9 (A,B,S) Eschbach, N. and Schmidt, S. (eds.), Töpfer, Maler, Werkstatt. Zuschreibungen in der griechischen Vasenmalerei und die Organisation antiker Keramikproduktion (Munich, 2016): 42, FIG.7 (A AND PART OF SH) Giudice, F. and Panvini, R. (eds.), Il greco, il barbaro e la ceramica attica, Immaginario del diverso, processi di scambio e autorappresentazione degli indegni, Volume Quarto, Atti del Convegno Internazionale di Studi 14-19 maggio 2001 (Rome, 2007): 51, FIG.2 (A) Guntner, G. et al., Mythen und Menschen, Griechische Vasenkunst aus einer deutschen Privatsammlung (Mainz, 1997): 104-107, 109, 111, NO.30 Journal of Hellenic Studies: 119 (1999) PL.10A-B (A, B) Kressirer, K., Das Greisenalter in der griechischen Antike. Untersuchung der Vasenbilder und Schriftquellen der archaischen und klassischen Zeit (Hamburg, 2016): 853, NO.499 (PART) Lexicon Iconographicum Mythologiae Classicae: VI, PL.81, LADON I1 (PART OF A) Lexicon Iconographicum Mythologiae Classicae: VII, PL.22, OKEANOS 4 (A) Lexicon Iconographicum Mythologiae Classicae: VII, PL.577, STRYMON 1 (PART) Lexicon Iconographicum Mythologiae Classicae: VII, PL.664, THESEUS 280 (PART) Mitteilungen des Deutschen Archäologischen Instituts, Athenische Abteilung: 106 (1991) PLS.22-25 Muth, S., Gewalt im Bild, Das Phänomen der medialen Gewalt im Athen des 6. und 5. Jahrhunderts v. Chr. (Berlin, 2008): 486, FIG.352 (PARTS OF SH) Smith, A.C., Polis and Personification in Classical Athenian Art (Leiden, 2011): FIGS.3.4-3.5 (A, B)
CAVI Subject: SHOULDER: CENTAUROMACHY, WITH THESEUS AND PEIRITHOOS. BODY: HERACLES IN THE
GARDEN OF THE HESPERIDES: HERACLES SEATED ON A BLOCK; MEN SEATED; ATHENA; WOMEN
WITH SPRIGS.
CAVI Inscriptions: SHOULDER: (Θ)εσ[ε]υς. Πε[--(?)]ιδος{1}. A WARRIOR: [--]δια{1}. BODY: SEATED
MAN WITH STAFF TO LEFT OF THE FIRST TREE (FROM THE LEFT): Οκεανος. TO RIGHT OF
THE FIRST TREE, A SIMILAR PERSON: Στρ[υ]μον. TWO PAIRS OF A MAN CONVERSING WITH
A WOMAN; THE FIRST WOMAN: Αμαναος. THE SECOND MAN: Nι[λ]ος{2}. SEATED TO RIGHT
OF A SECOND TREE: H[ερ]ακλεε(ς){3}. FACING HERACLES: Α[θ]εναια. A BEARDED MAN
SEATED TO RIGHT OF A THIRD TREE, HIS NAME MISSING (IT SHOULD BE ATLAS); A WOMAN
FACES HIM. YOUTH AND MAN CONVERSING; BETWEEN THEM: [--]ς. TO RIGHT OF THIS MAN
AND TO LEFT OF A WOMAN APPROACHING OCEAN: Ἀδρό{4}. AT THE LEVEL OF THE LAST
THREE HEADS: AN ETRUSCAN GR.{5}.
CAVI Footnotes: {1} SO CAHN. THE FIRST IS SUPPOSED TO BE FOR PEIRITHOOS. PROBABLY:
Πε[ρι](θ)ος. {2} GUY, WHO IDENTIFIED THIS FR. {3} POSSIBLY Hε[ρ]ακλεε(ς)
[[H(ε)]]. {4} SHOULD BE Ἁδρό. {5} SEE CAHN, P. 109. A SIMILAR GR. IS FOUND ON A
POINTED NECK AMPHORA BY THE COPENHAGEN PAINTER, ZüRICH, UNIVERSITY (LOAN): SEE
ISLER-KERENYI (1977), 7 AND 46 N. 88.
CAVI Comments: CAHN'S HANDLING OF THE INSCRIPTIONS LEAVES MANY QUESTIONS UNANSWERED.
TIVERIOS DISCUSSES THE RELATION TO PHERECYDES. MIXED ALPHABET?
CAVI Number: 3812
AVI Bibliography: BADB 30,676. — CAHN (1988), 107-109, FIGS. 1-9 (A, B, SIDE). — BOTHMER
(1990), 171 (MENTION). — TIVERIOS (1991), 129-36, PLS. 22-25. — LIMC VI (1992),
PL. 18, LADON II (PART OF A).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
