Attributed To: HIERON by SIGNATURE MAKRON by BEAZLEY
Decoration: A: AGAMEMNON (NAMED) LEADING BRISEIS, TALTHYBIOS WITH KERYKEION, DIOMEDES (BOTH NAMED), TREE B: MISSION TO ACHILLES, SEATED, AJAX, ODYSSEUS, PHOINIX (ALL NAMED) Under handle: STOOL
Last Recorded Collection: Paris, Musée du Louvre: G146
Publication Record: American Journal of Archaeology: 113 (2009) 618, FIG.17 (A) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 458.2, 1654, 481 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 460.16-18 BELONG Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 211.1 Beazley, J.D., Paralipomena (Oxford, 1971): 377 Benndorf, O., Wiener Vorlegeblätter für archäologische Übungen (Vienna, 1888-1890/91): C, PL.6 Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 119 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 243 Hedreen, G., Capturing Troy, The Narrative Functions of Landscape in Archaic and Early Classical Greek Art (Ann Arbor, 2001): FIGS.2A-C (A, B, UH) Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): II, 81 Kunisch, N., Makron (Mainz, 1997): 33, FIG.18, 68, FIG.31.331, PL.110.331 Lexicon Iconographicum Mythologiae Classicae: VII, PL.584, TALTHYBIOS 4 (A) Monumenti inediti pubblicati dall'Instituto di Corrispondenza Archeologica (Rome, 1829-91): VI-VII, PL.19 Müller, F.G.J.M., Iconological Studies in Roman Art (Amsterdam, 1994): II, FIG.22 (A) Oakley, J.H. and Palagia, O. (eds.), Athenian Potters and Painters, Volume II (Oxford, 2010): 149, FIG.3C (DRAWING OF PART OF A) Perrot, G., Chipiez, C., Histoire de l'art dans l'antiquite, vols. IX-X (Paris, 1911-14): X, 484-485 Pottier, E., Vases antiques du Louvre (Paris, 1897-1922): PL.118 Reeder, E.D. et al., Pandora, Women in Classical Greece (Baltimore, 1995): 68, FIG.12 (A) Revue du Louvre: 41 (1991) 5-6 19, FIG.17 (COLOUR OF B) Salvadori, M. and Baggio, M. (eds.), Gesto-immagine, tra antico e moderno, riflessioni sulla comunicazione non-verbale, giornata di studi, Isernia, 18 Aprile 2007 (Rome, 2009): 20, FIG.2 (B) Schefold, K., Jung, F., Die Sagen von den Argonauten, von Theben und Troia in der klassischen und hellenistischen Kunst (Munich, 1989): 179, FIG.159 (A) Shapiro H.A., Myth into Art, Poet and Painter in Classical Athens (London, 1994): 15, 17, FIGS.7-8 (A, B) Small, J.P., The Parallel Worlds of Classical Art and Text (Cambridge, 2003): 18, FIG.7 (A) Studi Etruschi: 74 (2008) 54, FIG.1 (DRAWING OF B) Transactions of the American Philological Association: 127 (1997) 76, FIG.6 (A) Villing, A. et al., Troy, myth and reality (London, 2019): 44, FIG.29 (COLOUR OF A)
CAVI Lemma: RF SKYPHOS. MAKRON. FIRST QUARTER FIFTH. 490-480. HAUPTWERK II (KUNISCH).
CAVI Subject: A: BRISEIS LED AWAY: AGAMEMNON LEADING BRISEIS TO LEFT; TALTHYBIOS WITH
KERYKEION TO LEFT; DIOMEDES TO LEFT BUT LOOKING BACK; TREE. B: MISSION TO
ACHILLES(1): AJAX TO RIGHT, LEANING ON HIS STICK; ODYSSEUS, ARMED, TO RIGHT,
LEANING ON TWO SPEARS; ACHILLES SEATED TO LEFT; PHOENIX TO LEFT, LEANING ON HIS
STICK; UNDER THE HANDLE, STOOL WITH CUSHION.
CAVI Inscriptions: ON HANDLE A/B, [ON THE LEFT HASTA, IN THE BG AREA], GR.: Hιερον επο{2}. A:
Αγ[α]μεσμο[ν]. Θαλ(θ)υβιος{3}. Διομεδες. B: Αιας. Ὀλυττευς. [Α]χιλλευς.
Φοινι[χ]ς.
CAVI Footnotes: {1} HEBERDEY ARGUES THAT B CONTINUES A, WHICH WOULD DIFFER MUCH FROM HOMER.
{2} SO KUNISCH IN CAT.; ON P. 8 N. 35 K. NOTES THAT POTTIER AND BEAZLEY DIFFER
IN THE RENDERING OF THE SIGMA (P.: THREE-STROKE), B.: FOUR-STROKE), BUT THAT HE
HIMSELF COULD READ NOTHING, BECAUSE OF THE `STARKEN AUSPLATZUNGEN' OF THE BG.
THE PH. ON PL. 110 DOES NOT SHOW ANYTHING CLEARLY. {3} THE THETA DRAWN = CLOSED
HETA. KRETSCHMER MAKES MUCH OF A SUPPOSED READING ΘαλHυβιος. SEE KRETSCHMER
(1894), 150 AND 231 (IN THE LATTER PASSAGE A LINGUISTIC EXPLANATION IS GIVEN,
WHICH I WOULD QUESTION; SEE ALSO THREATTE (1980), P. 460.)
CAVI Comments: + UNPUBLISHED FR. FROM THE LOUVRE. FOR THE HANDLES (OF CUP-TYPE) SEE KUNISCH,
P. 15. THE INSCRIPTIONS HERE DONE MAINLY FROM THE SKETCHES ON P. 195 OF KUNISCH.
BRISEIS IS APPARENTLY NOT NAMED. PROBABLY ATTIC ALPHABET. FOUR-STROKE SIGMA IN
THE SIGNATURE (ARV[2] AND KUNISCH, P. 8).
CAVI Number: 6487
AVI Bibliography: MONINED 6-7 (1863), PL. 19. — KRETSCHMER (1894), 150 AND 231, 168-69 AND 236.
— KRETSCHMER (1896), 414, N.3. — HEBERDEY (1934), 133, PL. 14 (AFTER MON.). —
ARV[2] (1963), 458/2, 481, 1654. — PARA. (1971), 377. — HORNBOSTEL (1979), 34,
FIG. 1 (A). — LIMC I (1981), ACHILLEUS 447*, AGAMEMNON 52*. — LIMC III (1986),
BRISEIS 2, DIOMEDES I P. 407 (II). — ADD.[2] (1989), 243 (BIBL.). — ATTSCR
(1990), NO. 565. — COHEN (1991), 70 AND N. 122. — DENOYELLE (1994), NO. 61. —
LIMC VII (1994), 838, TALTHYBIOS 4* (PL. 584). — PAPADAKIS (1994), 27/A 4, 34,
42. — SHAPIRO (1994), 15FF., FIGS. 7 AND 8. — KUNISCH (1997), 7, 8 AND N. 35,
15, 100 N. 402, 133F., 195/331, FIG. 18 (DETAIL), PL. 110 (SHOWS PART OF
SIGNATURE AND TRACES OF INSCRIPTIONS) (BIBL.).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
