Decoration: A,B: UNDECORATED I: ARTISAN, METAL WORKER, YOUTH SEATED ON STOOL, MAKING HELMET, FURNACE, TOOLS SUSPENDED
Last Recorded Collection: Oxford, Ashmolean Museum: V518
Previous Collections:
Oxford, Ashmolean Museum: G267
Publication Record: Anastasiadis, V.I. and Doukellis, P.N. (eds.), Esclavage antique et discriminations socio-culturelles, Actes du XXVIIIe Colloque International du Groupement International de Recherche sur l'Esclavage Antique (Mytilene, 5-7 decembre 2003) (Berne, 2005): 131, FIG.1 (I) Antike Welt: 24 (1993) 4, 340, FIG.6 (I) BEAZLEY NOTEBOOK: 127, 38 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 336.22, 1646 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 231.22 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 235.71 Bol, P.C., and Kreikenbom, D. (eds.), Polyklet, Der Bildhauer der griechischen Kunst, Ausstellung im Liebieghaus, Museum alter Plastik (Frankfurt,1990: 515, NO.14 (I) Born, H. and Hansen, S., Frühgriechische Bronzehelme III, Sammlung Axel Guttmann (Mainz, 1994): 105, FIG.88 (I) Born, H., Die Helme des Hephaistos, Handwerk und Technik griechischer Bronzen in Olympia (Munich, 2009): 26, FIG.26C (I) Burford, A., Künstler und Handwerker in Griechenland und Rom (Mainz, 1985): PL.31 (I) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 108 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 218 Chatzidimitriou, A., Parastaseis Ergasterion kai Emporiou stin Eikonographia ton Archaikon kai Klasikon Chronon (Athens, 2005): PL.25.X9 (I) Cloche, P., Les classes, les metiers, le trafic (Paris, 1931): PL.23.5 Collection d'antiquites, sculptures, vases peints ... le lundi 18 mars 1901 (Paris, 1901): 17 Colpo, I. et al. (eds.), Iconografia 2001, Studi sull'immagine, Atti del Convegno (Padova, 30 maggio - 1 giugno 2001) (Rome, 2002): 141, FIG.3 (DRAWING OF I) Corpus Vasorum Antiquorum: OXFORD, ASHMOLEAN MUSEUM 1, 6, PL.(94) 2.8 View Whole CVA Plates Distler, S.A., Bauern und Banausen, Darstellungen des Handwerks und der Landwirtschaft in der griechischen Vasenmalerei (Wiesbaden, 2022): PL.11.1 (I) Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): III, 81, FIG.41 (DRAWING OF I) Hedreen, G., The Image of the Artist in Archaic and Classical Greece, Art, Poetry, and Subjectivity (Cambridge, 2016): 229, FIG.47 (I) Jahrbuch der Berliner Museen: 64 (2023) 40, FIG.11 (COLOUR OF I) Jahrbuch des Deutschen Archäologischen Instituts: 126 (2011) 15, FIG.15 (COLOUR OF I) Journal of Hellenic Studies: 24 (1904) 305 Journal of Hellenic Studies: 24 (1904) 305 TOP Morris, S.P., Daidalos and the Origins of Greek Art (Princeton, 1992): FIG.2 (I) NOTES FROM BEAZLEY NOTEBOOK: SHADING LINES ON FURNACE Oakley, J.H., A Guide to Scenes of Daily Life on Athenian Vases (Madison, 2020): 52, FIG.2.5 (I) Ostraka: 9 (2000) 71, FIG.14 (DRAWING OF I) Richter, G., Ancient Furniture (Oxford, 1926): FIG.102 Vickers, M., Ancient Greek Pottery (Oxford, 1999): 40, NO.28 (COLOUR OF I) Vickers, M., Greek Vases (Oxford, 1978): FIG.39 (I) Ziomecki, J., Les representations d'artisans sur les vases attiques (Warsaw, 1975): 66, FIG.25 (I)
CAVI Lemma: RF cup. From Orvieto. Antiphon Painter. First quarter fifth. Ca. 480
(Beazley).
CAVI Subject: Int.: helmet maker: a seated youth filing a Corinthian helmet; at left, a
furnace; at right, an anvil; on the wall, five files. Ext.: plain.
CAVI Inscriptions: Int.: to right of the files, a non-stoich. two-liner, diagonally downward
(curved, following the margin): hο παις | καλος{1}.
CAVI Footnotes: {1} so the dr. in FR.
CAVI Comments: = G 267. Much restored.
CAVI Number: 5911
AVI Bibliography: FR (1904–32), iii, 81 (dr.). — J.D. Beazley, CVA Oxford 1, Great Britain 3
(1927), pl. 2,8. — ARV[2] (1963), 336/22, 1646. — Add.[2] (1989), 218.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
