Decoration: A: CAPTURE OF SILENOS, DRAPED MEN, BOTH NAMED B: KOMOS, MEN DANCING WITH DRINKING HORNS, YOUTH PLAYING PIPES, PIPESCASE, ALL NAMED I: HERAKLES (NAMED) AND THE LION
Last Recorded Collection: Berlin, Antikensammlung: 3151
Previous Collections:
Trieste, Fontana Collection
Berlin, Schloss Charlottenburg: 3151
Publication Record: Antike Kunst: 31 (1988) PL.4.3 (A) Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 79 Beazley, J.D., Paralipomena (Oxford, 1971): 30 Brinkmann, V., Beobachtungen zum formalen Aufbau und zum Sinngehalt der Friese des Siphnierschatzhauses (Ennepetal, 1994): 98, FIG.B (DRAWING OF B) Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.6 (A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 22 Cohen, B. (ed.), Not the Classical Ideal, Athens and the Construction of the Other in Greek Art (Leiden, Boston and Köln, 2000): 343, FIG.13.1 (A) Geominy, W., Das Akademische Kunstmuseum der Universität Bonn unter der Direktion von Reinhard Kekule (Amsterdam, 1989): PL.8 (A, B, I) Gerhard, E., Auserlesene Vasenbilder (Berlin, 1840-58): III, PL.238 (COLOUR DRAWINGS OF I, A AND B) Heilmeyer, W-D. et al., Antikenmuseum Berlin, Die ausgestellten Werke (Berlin, 1988): 78, NO.3 (I) Hirayama, T., Kleitias and Attic Black-Figure Vases in the Sixth-Century B.C. (Tokyo, 2010): PLS.43-44 (A, B, I, PART) Isler-Kerenyi, C., Dionysos in Archaic Greece, An Understanding through Images (Leiden, 2007): FIG.31 (B) Lexicon Iconographicum Mythologiae Classicae: V, PL.33, HERAKLES 1765 (I) Lexicon Iconographicum Mythologiae Classicae: VII, PL.49, OREIOS I1 (A) Lissarrague, F., L'Autre Guerrier, Archers, Peltastes, Cavaliers dans l'Imagerie Attique (Paris-Rome, 1990): 119, FIG.66 (DRAWING OF A) Lissarrague, F., La cite des satyres. Une anthropologie ludique (Athenes, VIe-Ve siecle avant J.-C.) (Paris, 2013): 133, FIG.107 (A) Metropolitan Museum Journal: 45 (2010) 32, FIG.18 (COLOUR OF B) Schlesier, R. and Schwarzmaier, A. (eds.), Dionysos, Verwandlung und Ekstase (Berlin, 2008): 45, FIG.3 (COLOUR OF A)
CAVI Lemma: BF CUP (FOOTLESS, WITH MERRYTHOUGHT HANDLES). FROM AEGINA. UNATTRIBUTED.
ERGOTIMOS, POTTER. MID-SIXTH. CA. 560 (SHAPIRO).
CAVI Subject: INT.: HERACLES AND THE LION. A: CAPTURE OF SILENUS: SILENUS PRISONER BETWEEN
TWO SERVANTS OF MIDAS. B: KOMOS (TWO BEARDED KOMASTS AND A YOUNG ONE FLUTING).
CAVI Inscriptions: INT.: AT LEFT: Hερακλες. A: TO RIGHT OF THE LEFT-HAND SERVANT'S FOREHEAD:
θ̣ερ[ε]υται{1}. BELOW THE SATYR'S LOWERED RIGHT HAND, TO RIGHT OF HIS LEGS:
Σιλενος{2}. TO RIGHT OF THE RIGHT-HAND SERVANT'S UPPER BODY: Ορειος. B:
Εργοτιμος εποιεσεν. Χαριδεμος. Nεκαυλος. Ε[ν]πεδοκρα̣τες.
CAVI Footnotes: {1} FRäNKEL HAS Θερυτα[--], NO DOUBT AS A PERSONAL NAME. SHE IS FOLLOWING
KRETSCHMER WHO REJECTS THE READING θερ[ε]υται AND SUGGESTS A PROPER NAME,
PARALLEL TO Ορειος: Θερυτα(ς), THE SIGMA MISWRITTEN AS A CLEAR IOTA, THE NAME
CHOSEN WITH REFERENCE TO THE θηρα του Σιληνου (PAUS. I.4,5). I PREFER THE OLDER
READING. {2} SO FRäNKEL AND K.-D.. {3} FOR Nεκαυλος = Nικαυλος SEE ALSO
JAJOBSTHAL, ORNAMENTE 114 N. 193. U 4. 575-. THREATTE (1980), 138 SAYS
`PROBABLY', `UNLESS THE NAME IS FROM νεικος'.
CAVI Comments: BERLIN WEST. Θερευται, Nεκαυλος = Nικαυλος, BEAZLEY{3}. THERE MAY BE A TRACE
OF THE NU IN Ε[ν]πεδοκρα̣τες. RHO WITH THE VERTICAL EXTENDING ABOVE.
CAVI Number: 2438
AVI Bibliography: PHOTO. — KRETSCHMER (1894), 139. — C. FRäNKEL (1912), 20, 84/F. — BEAZLEY
(1932), 200. — NEUGEBAUER (1932), P. 65, PL. 27,1. — WOLFF (1936), PL. OPP. 288
(INT.). — BEAZLEY (1949), 4/UNDER 7 (MENTION). — BEAZLEY (1950), 316. — ABV
(1956), 79/FOOT. — PARA. (1971), 30. — CALLIPOLITIS-FEYTMANS (1979), 195/2, FIG.
2 (A). — M. MILLER (1988), 80, PL. 18,3 (A: GOOD FOR INSCRIPTIONS). — ADD.[2]
(1989), 22. — ATTSCR (1990), NO. 93. — KOSSATZ-DEISSMANN (1991), 168 (SILENOS 1,
BIBL.). — SHAPIRO (1992), 64.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
