Attributed To: EUPHRONIOS by BEAZLEY EUXITHEOS by SIGNATURE
Decoration: A: DIONYSOS WITH SATYRS AND MAENADS B: SATYRS, ONE PLAYING PIPES, AND MAENADS IN LEOPARD SKINS WITH KROTALA, DANCING
Last Recorded Collection: Paris, Musée du Louvre: S1295
Previous Collections:
Paris, Musée du Louvre: G33
Paris, Musée du Louvre: 871
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 14.4 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 16.2 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 59.1, 468 Bentz, M. and Kästner, U. (eds.), Konservieren oder restaurieren, Die Restaurierung griechischer Vasen von der Antike bis heute, Beiheft zum Corpus Vasorum Antiquorum Deutschland III (Munich, 2007): PL.1.2 (COLOUR OF B) Corpus Vasorum Antiquorum: PARIS, LOUVRE 1, III.IC.3, PLS.(39,40) 1.3.6, 2.4 View Whole CVA Plates Hedreen, G., The Image of the Artist in Archaic and Classical Greece, Art, Poetry, and Subjectivity (Cambridge, 2016): 31, FIG.10 (B) Heilmeyer, W-D. and Giuliani, L. (eds.), Euphronios, der Maler, eine Ausstellung in der Sonderausstellungshalle der Staatlichen Museen Preußischer Kulturbesitz Berlin-Dahlem, 20.3. - 26.5.1991 (Milan, 1991): 121-125, NO.11 (COLOUR) Heilmeyer, W.D. et al., Euphronios und seine Zeit, Kolloquium in Berlin 19./20. April 1991 anlässlich der Ausstellung Euphronios der Maler (Berlin, 1991): 66, FIG.15 (PROFILE) Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): I, 450 Lexicon Iconographicum Mythologiae Classicae: VII, PL.266, PEON I (PARTS), PL.495, RHODO 2 (PART OF A) PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 4 (A, B, AH PART) Panvini, R. and Giudice, F. (eds.), Ta Attika, Attic Figured Vases from Gela (Rome, 2003): 204, FIG.21 (COLOUR OF PART OF AH) Pottier, E., Vases antiques du Louvre (Paris, 1897-1922): PL.91 (A) Yatromanolakis, D. (ed.), Epigraphy of Art, Ancient Greek Vase-Inscriptions and Vase-Paintings (Oxford, 2016): 60, FIG.3 (COLOUR OF B)
CAVI Subject: A: DIONYSUS BETWEEN TWO PAIRS OF SATYR AND MAENAD. B: TWO SATYRS AND TWO
MAENADS.
CAVI Inscriptions: A: BETWEEN THE PAIR AT RIGHT, IN TWO LINES: Ευχσι[θεος | επ]οιεσεν. BETWEEN
THE LEGS OF THE RIGHTMOST SATYR: Λεαγρος καλος, RETR. UNDER HIS TAIL: Πεον,
RETR.{2}. B: BETWEEN THE LEFT PAIR (MAENAD AND SATYR), STARTING FROM THE
MAENAD'S FOREHEAD: Λεαγρος{1}. BETWEEN THEIR MIDDLES: καλος{1}. NEAR THE RIGHT
MAENAD: Ροδο[π]ι[ς]{3}. ON BOTH SIDES OF THE (ECSTATIC) SATYR AT RIGHT: Hο παις
καλο[ς]; ALSO HIS NAME: Nανβος{4}.
CAVI Footnotes: {1} THE ONLY INSCRIPTIONS VISIBLE IN THE CAT. ILLUSTRATIONS (P. 112); THE
TEXT GIVES [κα]λος, BUT THE FIRST TWO LETTERS SHOW IN THE PHOTO. {2} SO
DENOYELLE IN `EUPHR.' FROM πεος (PENIS), IF CORRECTLY READ. {3} THE NAMES ARE
NOT IN C. FRäNKEL. THE FIRST IS GIVEN AS ΡΟΔΟ[--] BY K.-D., WHO ALSO SUGGESTS
RHODOPIS. G. NEUMANN APUD K.-D. SUGGESTS THAT THE SECOND IS MISWRITTEN FOR
Ιανβος(?). {4} K.-D. READS: Ι̣Ι̣ΑNΒΟΣ.
CAVI Comments: A FR. WAS ADDED BY BOTHMER (FREL (1983), FIG. 10,12). S. FRANK IN EUPHRONIOS
UND SEINE ZEIT (COLLOQUIUM BERLIN 19-20 APRIL 1991) 78 CONSIDERS THE VASE NOT BY
EUPHRONIOS. DATED LATE BY FRANK, AND BY DENOYELLE IN `EUPHR.', NO. 11, P. 126.
CONSIDERED EARLY EUPHRONIOS BY SCHEIBLER (1992), 105.
CAVI Number: 6408
AVI Bibliography: C. FRäNKEL (1912), 25, 56/T. — E. POTTIER, CVA LOUVRE 1, FRANCE 1 (1923), III
I C, PL. 1,3,6 AND 2,4. — ARV[2] (1963), 14/4. — PASQUIER (1981), 1, 6-7, FIG.
26. — FREL (1983A), 155, FIGS. 10,12 (FR. OF A) AND 10.14 (FR. OF B). — AREZZO
(1990), 148/28 (ILL.). — DENOYELLE (1990), 108/11 (ILL.). — KOSSATZ-DEISSMANN
(1991), 154 (HANBOS? 1), 165 (PEON 1), 189 (RODO 2). — FRANK (1992), 78.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
