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205305, ATHENIAN, Campana Collection, Brussels, Musées Royaux d'Art et d'Histoire, Brussels, Musées Royaux d'Art et d'Histoire, Brussels, Musées Royaux d'Art et d'Histoire, H10

  • Vase Number: 205305
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: KANTHAROS
  • Date: -500 to -450
  • Inscriptions: CHAIRESTRATOS
    DOURIS
    Kalos/Kale: CHAIRESTRATOS KALOS
    Signature: DORISEGRAPHSEN
  • Attributed To: DOURIS by SIGNATURE
  • Decoration: A,B: AMAZONOMACHY, HERAKLES, TELAMON AND THE AMAZONS, SOME WITH BOWS, SHIELD DEVICES, DOG, LION
  • Last Recorded Collection: Brussels, Musées Royaux d'Art et d'Histoire: A718
  • Previous Collections:
    • Campana Collection
    • Brussels, Musées Royaux d'Art et d'Histoire: H10
    • Brussels, Musées Royaux d'Art et d'Histoire: 2191
  • Publication Record: Antiques, The Magazine: DECEMBER 1995, PL.13 (COLOUR OF A)
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1569
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 445.256, 1653
    Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 280.123
    Beazley, J.D., Paralipomena (Oxford, 1971): 521
    Benndorf, O., Wiener Vorlegeblätter für archäologische Übungen (Vienna, 1888-1890/91): VII, PL.4
    Buitron-Oliver, D., Douris, A Master-Painter of Athenian Red-Figure Vases (Mainz, 1995): PLS.32-33, NO.48 (A, B, PARTS)
    Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 118
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 241
    Corpus Vasorum Antiquorum: BRUSSELS, MUSEES ROYAUX DU CINQUANTENAIRE 1, III.I.C.2-III.I.C.3, PLS.(032,033) 5.1, 6.1A.1B.1C.1D.1E.1F View Whole CVA Plates
    Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): PL.74.1
    Geroulanos, S. and Bridler, R., Trauma, Wund-Entstehung und Wund-Pflege im antiken Griechenland (Mainz, 1994): FIG.34 (A)
    Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): I, 233
    Lexicon Iconographicum Mythologiae Classicae: VII, PL.588, TELAMON 8 (PART)
    Memorie dell'Instituto di corrispondenza archeologica: II, PL.11
    Mouseion: 54 (2010) 10.1, 16, FIG.6 (A)
    Muth, S., Gewalt im Bild, Das Phänomen der medialen Gewalt im Athen des 6. und 5. Jahrhunderts v. Chr. (Berlin, 2008): 366, FIG.259 (A, B)
    PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 5 (A, B, COLOUR OF A AND B)
    Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.453 (A)
    Reeder, E.D. et al., Pandora, Women in Classical Greece (Baltimore, 1995): 17, 374-375, NO.120 (COLOUR OF A, B, PART OF A)
    Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 92, FIG.84 (A)
    Sarti, S, The Campana Collection at the Royal Museum of Art and History (Brussels) (Brussels, 2013): 70-71, NO.22 (COLOUR OF A, B, AND AH, PROFILE)
    Schefold, K. and Jung, F., Die Urkönige, Perseus, Bellerophon, Herakles und Theseus in der klassischen und hellenistischen Kunst (Munich, 1988): 157, FIG.194 (A)
    Seidensticker, B. and Vöhler, M. (eds.), Gewalt und Ästhetik, Zur Gewalt und ihrer Darstellung in der griechischen Klassik (Berlin, New York, 2006): 283, FIG.21 (A)
    Studi Etruschi: 74 (2008) PL.10C (A)
    Wünsche, R. (ed.), Herakles, Herkules, Staatliche Antikensammlungen München (Munich, 2003): 141, FIG.18.11 (A)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=3043
  • AVI Record Number: 2894
  • Notes: Colour images copyright Royal Museums of Art and History, Brussels (CC BY-SA.4)
  • CAVI Collection: Brussels, Musées Royaux A 718.
  • CAVI Lemma: RF kantharos of special shape. Douris. Douris, potter. First quarter fifth. Ca. 490. Early middle (Brazley){1}.
  • CAVI Subject: Heracles and the Amazons. A: Heracles. B: Telamon.
  • CAVI Inscriptions: A: starting to right of the head of the Amazon at left and interrupted by Heracles' head: Δορις εγραφσεν ^: Δορις επ[οιεσεν]. B: between the heads of the second Amazon from the left and of Telamon, horizontal in two lines, partly stoich.: Χαιρεστρατος | καλος. . . . . . . . . . . . .^ . . . . . The first line of the inscription is stopped by Telamon's helmet.
  • CAVI Footnotes: {1} transitional I (Rich) (B.-O.).
  • CAVI Comments: Attic alphabet. Dotted delta. Tailed rho. The kalos-inscription is in two lines, with the second word below the end of the first. - Robertson discusses the shape of the vase. The same shape is held by Heracles on the Int. of Munich 2648, ARV[2] 441/185 (`school piece?'), attributed to the Oedipus Painter by R. Guy. Cf. also the Basel amphora, BS 456. Boardman (1979), 149-41 associated the shape with the `Heraclean cup' in literature.
  • CAVI Number: 2894
  • AVI Bibliography: CIG 4 (1855–77), no. 8150. — FR (1904–32), ii, 85-87, pl. 74. — F. Mayence, CVA Brussels 1, Belgium 1 (1926), III I c, pls. 5-6. — ARV[2] (1963), 445/256 (much bibl.), 1653. — Para. (1971), 521. — [[Brijder et al. (1986), 22, col. and b.-a.-w. phs. figs. 19a–b (sm. but quite cl.)]]. — Add.[2] (1989), 241 (bibl.). — Beazley (1989), 58. — AttScr (1990), no. 520. — Robertson (1992), 92 and n. 279, fig. 84 (A). — Buitron-Oliver (1995), 19, 63, 75/48, pls.32-33.
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
  • Image Credits: FURTWANGLER-REICHHOLD DRAWINGS: Please consult with Williams College Special Collections staff and Williams College Visual Resources Center staff, regarding questions about publishing and accessing materials from Williams College Special Collections. Researchers are responsible for handling any copyright issues that may be associated with collections and materials.
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Last updated 07/02/2025 06:55:00 by Mannack, Thomas. Approved 07/02/2025 06:55:23 by Mannack, Thomas. Copyright © 2003-2025 Classical Art Research Centre, University of Oxford.

Link to this record using the address https://www.beazley.ox.ac.uk/record/D8F2FDE4-030D-47ED-A7DA-93CC454AC76B

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