Decoration: A: WARRIOR ATTACKING B: SCYTHIAN (PERSIAN ?) ARCHER WITH AXE AND PELTA
Last Recorded Collection: Berlin, Antikensammlung: F2331
Previous Collections:
Berlin, Pergamonmuseum: F2331
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 646.7 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 137.16 Beazley, J.D., Paralipomena (Oxford, 1971): 402 Boreas: 12 (1989) 31, NO.7, PL.22.1-2 (A, B) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 134 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 275 Jahrbuch des Deutschen Archäologischen Instituts: 26 (1911) 282-283 Muth, S., Gewalt im Bild, Das Phänomen der medialen Gewalt im Athen des 6. und 5. Jahrhunderts v. Chr. (Berlin, 2008): 258, FIG.168 (A, B)
CAVI Inscriptions: A: Hο [π]αλς καλ[ο]ς{1}. B: TO RIGHT OF HIS HEAD: Hο παυς, AND TO LEFT OF
THIS: κ(α)λος, RETR.{1}.
CAVI Footnotes: {1} SO FURTW.'S TEXT; THE READING UNCERTAIN.
CAVI Comments: BOTH παλς AND παυς ARE COMMON WITH THIS PAINTER IN THE Hο παις καλος
INSCRIPTIONS; SEE BERLIN 2334. THE FORM παυς HAS BEEN DISCUSSED AS A TRUE
ALTERNATIVE FORM FOR παις BY KRETSCHMER (1894), 188-89, BUT SINCE παλς IS
CLEARLY CONTAMINATED BY καλος, I HAVE WONDERED IF παυς REALLY EXISTED. THREATTE
(1996), 278-79 NOW SHOWS THAT IT DID NOT. - ALPHAS, UPSILONS AND SIGMAS ARE VERY
VARIABLE.
