Decoration: A: WARRIOR ATTACKING B: SCYTHIAN (PERSIAN ?) ARCHER WITH AXE AND PELTA
Last Recorded Collection: Berlin, Antikensammlung: F2331
Previous Collections:
Berlin, Pergamonmuseum: F2331
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 646.7 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 137.16 Beazley, J.D., Paralipomena (Oxford, 1971): 402 Boreas: 12 (1989) 31, NO.7, PL.22.1-2 (A, B) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 134 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 275 Jahrbuch des Deutschen Archäologischen Instituts: 26 (1911) 282-283 Muth, S., Gewalt im Bild, Das Phänomen der medialen Gewalt im Athen des 6. und 5. Jahrhunderts v. Chr. (Berlin, 2008): 258, FIG.168 (A, B)
CAVI Inscriptions: A: hο [π]αλς καλ[ο]ς{1}. B: to right of his head: hο παυς, and to left of
this: κ(α)λος, retr.{1}.
CAVI Footnotes: {1} so Furtw.'s text; the reading uncertain.
CAVI Comments: Both παλς and παυς are common with this painter in the hο παις καλος
inscriptions; see Berlin 2334. The form παυς has been discussed as a true
alternative form for παις by Kretschmer (1894), 188-89, but since παλς is
clearly contaminated by καλος, I have wondered if παυς really existed. Threatte
(1996), 278-79 now shows that it did not. - Alphas, upsilons and sigmas are very
variable.
