Decoration: A: SATYR (?) WITH OINOCHOE AND KANTHAROS, DIONYSOS (NAMED) WITH THYRSOS, ARIADNE (NAMED) RECLINING, HIMEROS (NAMED) WITH PHIALE
Last Recorded Collection: Tübingen, Eberhard-Karls-Universität, Archäologisches Institut: 5439
Publication Record: Avagianou, A., Sacred Marriage in the Rituals of Greek Religion (Bern, 1991): PL. AT 188 (DRAWING OF A) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1057.97 Beazley, J.D., Paralipomena (Oxford, 1971): 445 Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 157 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 322 Corpus Vasorum Antiquorum: TUBINGEN, ANTIKENSAMMLUNG DES ARCHAOLOGISCHEN INSTITUTS DER UNIVERSITAT 4, 46,47,48, FIG.12, PL.(2535) 18.1-7 View Whole CVA Plates Estienne, S. et al. (eds.), Image et religion dans l'antiquite greco-romaine, actes du colloque de Rome, 11-13 decembre 2003 (Naples, 2008): 317, FIG.3 (DRAWING) Hedreen, G.M., Silens in Attic Black-figure Vase-painting (Michigan, 1992): PL.13 Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 214, 490, FIGS.136, 337 (A) Isler-Kerenyi, C., Dionysos in Classical Athens. An Understanding through Images (Leiden and Boston, 2014): 156, FIG.87 (A) Schlesier, R. (ed.), A Different God? Dionysos and Ancient Polytheism (Berlin and Boston, 2011): PL.28, FIG.6 Seidl, E. (ed.). Schätze aus dem Schloss Hohentübingen, Ausgewählte Objekte aus den Sammlungen des Museums der Universität Tübingen (Tübingen, 2012): 163 (COLOUR) Shapiro, H.A., Personifications in Greek Art, The Representation of Abstract Concepts 600-400 BC (Zurich, 1993): 115, FIG.66 (A) Simon, E., Ausgewählte Schriften, I, Griechische Kunst (Mainz, 1998): 146, FIG.12.6 del Corral Corredoira, P.D., Y Dioniso desposó a la rubia Ariadna, estudio iconográfico de la cerámica ática (575-300 a.C.) (Oxford, 2007): 187, FIG.100
CAVI Lemma: FR. OF RF CALYX KRATER. FROM TARENTUM. GROUP OF POLYGNOTOS. THIRD QUARTER
FIFTH. 440-430 (SHAPIRO).
CAVI Subject: A: DIONYSUS, WITH A SATYR, COMES UPON THE SLEEPING ARIADNE; AT RIGHT, HIMEROS
POURS A LIBATION ON HER HEAD FROM A PHIALE.
CAVI Inscriptions: A: IN WHITE: TO RIGHT OF THE TOP OF DIONYSUS' THYRSUS: [Δι]ονυσο[ς]. BETWEEN
DIONYSUS' HAND AND HIMEROS' PHIALE: Αριαγνη. ABOVE HIMEROS' HEAD: [Ι]μερος{1}.
CAVI Footnotes: {1} THE INSCRIPTIONS ARE DONE FROM THE FACSS. HIMEROS COULD BE SPELLED Ιμερος
OR Hιμερος, SINCE THE ALPHABET SEEMS TO BE MIXED.
CAVI Comments: THE INSCRIPTIONS ARE VERY FAINT. THE INSCRIPTION [HI]MEROS WAS DISCOVERED
RECENTLY. SIMON IN AK SUGGESTED THE POTION MIGHT INCLUDE FORGETFULNESS, BUT
STILL CONSIDERED THE WINGED FIGURE EROS [BEFORE THE DISCOVERY OF THE
INSCRIPTION, NO DOUBT]. BY THE SAME HAND, A RF HYDRIA IN BRAUNSCHWEIG, ARV[2]
1060/139 (BöHR). BöHR THINKS THE SCENE REFERS TO THE ANTHESTERIA, SINCE THE
SATYR CARRIES A CHOUS. PARALLELS FOR THE OCCURRENCE OF HIMEROS: CVA, P. 47.
SIGMA BOTH FOUR-STROKE AND THREE-STROKE.
CAVI Number: 7796
AVI Bibliography: WATZINGER (1937), 449FF., FIG. 1, PL. 1 (DR.). — ARV[2] (1963), 1057/97. —
SIMON (1963A), 15, PL. 5,1. — PARA. (1971), 445. — E. BöHR, CVA TüBINGEN 4,
GERMANY 52 (1984), PL. 18, FIG. 12 (PROFILE); P. 47, FACSS. OF INSCRIPTIONS
(MUCH BIBL.). — LIMC III (1986), 492, DIONYSOS 823. — ADD.[2] (1989), 322. —
LIMC V (1990), 426, HIMEROS 16. — SHAPIRO (1993), 243/56, 115-16, 113, FIG. 64.
— MATHESON (1995), 467/PGU 108 (NOT ILL.).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
