Decoration: A,B: RETURN OF HEPHAISTOS, DIONYSOS, IN LEOPARD SKIN, WITH KANTHAROS AND VINE, SATYRS, SOME IN LEOPARD SKINS, SOME WITH VOLUTE KRATER, KITHARA, LYRE, PIPES, DRINKING HORNS, WINESKIN, POINTED AMPHORA
Last Recorded Collection: Cambridge (MA), Harvard University, Arthur M. Sackler Museum: 1960.236
Previous Collections:
Geneva, market, Hirsch
Publication Record: American Journal of Archaeology: 40 (1936) 101-3 (PART) Apollo, The International Art Magazine: 107 (MAY 1976) 367, FIG.7 (PART) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 185.31 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 123.28 Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.130 (A) Brommer, F., Hephaistos (Mainz, 1978): 13, FIGS.3-4 (DRAWINGS) Bulletin of the American Schools of Oriental Research: 228 (1977) 30-41, FIGS.1, 3-11 (A,B, SIDES, DRAWINGS OF A & B) Bundrick, S.D., Music and Image in Classical Athens (Cambridge, 2005): 110-111, FIGS.64-65 (A, B) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 93 Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.13 (A, B) Carpenter, T.H., Dionysian Imagery in Fifth-Century Athens (Oxford, 1997): PL.15A (A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 187 Fogg Art Museum, Acquisitions Report: (1959-1962) 36 (A) Fogg Art Museum, The Frederick M. Watkins Collection (Cambridge, Mass., 1973): 50-51, NO.20 (A,B, PARTS) Folsom, R., Attic Red-Figured Pottery (Parkridge, 1976): PL.19 (A) Frank, S., Attische Kelchkratere, eine Untersuchung zum Zusammenspiel von Gefässform und Bemalung (Frankfurt, 1990): PL.6 (A, B, SIDES) Froning, H., Hölscher, T., and Mielsch, H. (eds.), Kotinos, Festschrift für Erika Simon (Mainz, 1992): PLS.29.3, 30 (A, B, UH) Greifenhagen, A., Neue Fragmente des Kleophradesmalers (Heidelberg, 1972): PL.10.2 (PART OF A) Heilmeyer, W.D. et al., Euphronios und seine Zeit, Kolloquium in Berlin 19./20. April 1991 anlässlich der Ausstellung Euphronios der Maler (Berlin, 1991): 63, FIG.10 (PROFILE) Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 268, FIG.165 (DRAWINGS OF A AND B) Houser, C., Dionysos and his Circle (Harvard, 1979): 29-30, FIG.4A-E (A,B, SIDES, PART) Isler-Kerenyi, C., Dionysos in Classical Athens. An Understanding through Images (Leiden and Boston, 2014): 41, FIG.17A-C (PARTS OF A AND B) Lexicon Iconographicum Mythologiae Classicae: IV, 642, HEPHAISTOS 159 (DRAWING) Lexicon Iconographicum Mythologiae Classicae: VIII, PL.762, SILENOI 103 (A) Maas, M. and Snyder, J.M, Stringed Instruments of Ancient Greece (New Haven, 1989): 129, FIG.2 (PART OF A) Murray, O. (ed.), Sympotica, A Symposium on the Symposium (Oxford, 1990): PL.23 (PARTS) Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 61, FIG.48 Schefold, K., Die Göttersage in der klassischen und hellenistischen Kunst (Munich, 1981): 128-29, FIGS.162-63 (A,B) van den Hoek, A., and Hermann, J.J. (Jr.), Pottery, pavements, and paradise, Iconographic and textual studies on late antiquity (Leiden, 2013): 30, FIG.2 (PART OF B)
CAVI Lemma: RF calyx krater. Kleophrades Painter. Ca. 500. Very early (Beazley).
CAVI Subject: A-B: Return of Hephaestus: Dionysus on one side, Hephaestus on the donkey on
the other; satyrs.
CAVI Inscriptions: Nonsense: to left of a satyr with an axe: ιοι. To right of his open mouth:
ιστε. Elsewhere: (γ)ειο(γ)(.){1}. ωε. εισ.
CAVI Footnotes: {1} the first and fifth letters resemble Ionic gamma; the last letter is a
dot.
CAVI Comments: Ex [New Haven,] Watkins. - The inscriptions resemble other nonsense
inscriptions by the early Kleophrades Painter, e.g. Princeton, University
Museum, RF psykter, Compiègne 1068, RF psykter; see also AttScr (1990), 82.
