Decoration: Body: WEDDED PAIR IN CHARIOT, PELEUS AND THETIS (BOTH NAMED), DIONYSOS, APOLLO PLAYING KITHARA, ATHENA, HERMES, HERAKLES, GODDESSES, AMPHITRITE, APHRODITE (NAMED) Shoulder: HERAKLES AND KYKNOS, ARES, ATHENA, WOMAN, YOUTH, SHIELD DEVICE, TRIPOD
Last Recorded Collection: Florence, Museo Archeologico Etrusco: 3790
Publication Record: Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 260.30, 264, 691 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 4.24 Beazley, J.D., Paralipomena (Oxford, 1971): 114 Capecchi, G. et al., In memoria di Enrico Paribeni (Rome, 1998): PL.87.1 (BD) Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.288 (PART) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 68 Cavalier, O. (ed.), Silence et Fureur, La femme et le marriage en Grece, Les antiquites grecques du Musee Calvet (Avignon, ca.1997): 443, FIG.135 (PART OF BD) Corpus Vasorum Antiquorum: FIRENZE, REGIO MUSEO ARCHEOLOGICO 5, III.H.12, III.H.13, PLS.(1890,1892) 26.1-2, 28.1-2 View Whole CVA Plates De Puma, R.D. and Penny Small, J. (eds.), Murlo and the Etruscans, Art and Society in Ancient Etruria (Madison, 1994): 111, FIG.11.15 (BD) Lexicon Iconographicum Mythologiae Classicae: VII, PL.701, KYKNOS I 94 (SH) Oakley, J.H., and Sinos, R.H., The wedding in ancient Athens (Madison, 1993): 84, FIGS.62-63 (PARTS) PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 1 (BD) Reeder, E.D. et al., Pandora, Women in Classical Greece (Baltimore, 1995): 63, FIG.1 (BD) Reusser, C. and Bürge, M. (eds.), Exekias und seine Welt, Tagung an der Universität Zürich vom 1.–2. März 2019, Züricher Archäologische Forschungen 8 (Zurich, 2022): PL.67E (COLOUR OF PART OF BD) Shapiro, H.A., Art and Cult under the Tyrants in Athens (Mainz, 1989): PL.24A-B (BD) Zardini, F., The Myth of Herakles and Kyknos, A Study in Greek Vase-Painting and Literature (Verona, 2009): 376, FIG.41 (PART OF S, BD)
CAVI Lemma: BF HYDRIA. FROM ORVIETO. MANNER OF LYSIPPIDES PAINTER. 530-520.
CAVI Subject: SHOULDER: HERACLES AND CYCNUS. BODY: PELEUS AND THETIS IN CHARIOT (THE
WEDDING, ACCORDING TO SHAPIRO).
CAVI Inscriptions: BODY: TO LEFT OF THE HEADS OF THE PAIR IN THE CHARIOT: Θυονε{1}. Διονυσ̣ος.
SECOND PAIR: TO RIGHT OF THEIR FACES: Θετις. BETWEEN SPOKES OF A WHEEL: Πελευς.
BEHIND THE HORSES, APOLLO PLAYING THE LYRE: Απολ[λ]ον. FACING APOLLO, THE PAIR
OF HERACLES AND ATHENA: TO LEFT OF THEIR FACES: Hερακλες, RETR.{2}. TO RIGHT OF
THEIR LEGS: Αθεναιας. HERMES: Hερ{ε}μες. BETWEEN THE HORSES' LEGS: Αφροδιτε.
BETWEEN THE TWO FIGURES AT RIGHT: Ανφιτριτε, RETR. UNDER THE FOOT, GR.: LIGATURE
OF ALPHA AND D-SHAPED RHO.
CAVI Footnotes: {1} KöRTE IDENTIFIED THYONE WITH ARIADNE, BUT BEAZLEY POINTS OUT SHE IS
SEMELE. {2} BECAUSE OF GLARE I COULD ONLY SEE: Hερακ̣... , RETR.
CAVI Comments: IN ARV[1] ATTRIBUTED TO THE ANDOKIDES (I.E., LYSIPPIDES) PAINTER, IN ABS AND
ABV TO HIS MANNER. RECALLS EXEKIAS' NORTH SLOPE KRATER (BEAZLEY). - ON
THYONE-SEMELE, MOTHER OF DIONYSUS, SEE SHAPIRO, PP. 88 AND 92. PHI WITH A LONG
HASTA. THREATTE (1980) AND (1996) HAS A DIFFERENT READING FOR HERMES: Hερεμ̣[ς,
ADDING THAT CVA, P. 12, GIVES THE INSCRIPTION INCORRECTLY AS Hερμες); HE
CONSIDERS Hερεμ̣ε[ς A LESS LIKELY READING. THIS IS MOST FULLY DISCUSSED IN VOL.
I. T. MAKES THE ERROR OF THINKING THE VASE IS BY THE LYSIPPIDES PAINTER HIMSELF.
- RHO ONCE WITH EXTENDED VERTICAL, AS ON THE NORTH SLOPE KRATER BY EXEKIAS.
