Last Recorded Collection: Athens, National Museum: CC1157
Previous Collections:
Athens, National Museum: 1628
Publication Record: American Journal of Archaeology: (1981) PL.35, FIG.22 (I) American Journal of Archaeology: 83 (1979) PL.27, FIG.19 (I) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 25.1 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 24 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 58, 468 Bianchi Bandinelli, R. and Paribeni, E., L'Arte dell' antichita classica, I, Grecia (Turin, 1976): NO.327 (I) Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.49 (I) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 74 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 156 Corpus Vasorum Antiquorum: ATHENS, MUSEE NATIONAL 1, III.I.C.3, PL.(024) 2.1.3.5 View Whole CVA Plates Ducrey, P., Guerre et Guerriers dans la Grece Antique (Paris, 1985): AT 9 (DRAWING OF I) Hartwig, P., Die griechischen Meisterschalen (Stuttgart, 1893): PL.17.3 Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): II, 354 Hoppin, J.C., Euthymides and his fellows (Cambridge, 1917): 109 PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 2 (PART OF I) Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.386 Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 83, FIG.71 (I) Sweeny, J. et al. (eds.), The Human Figure in Early Greek Art (Greece, 1987): 140-141 (I, A) Valavanis, P., Games and sanctuaries in ancient Greece, Olympia, Delphi, Isthmia, Nemea, Athens (Los Angeles, 2004): 68, FIG.75 (COLOUR OF I)
CAVI Lemma: RF cup. From Tanagra. Attribution uncertain (see below). Phintias, potter.
Last quarter sixth. 510-500.
CAVI Subject: Int.: crouching warrior to right, putting on his helmet. Ext.: plain.
CAVI Inscriptions: Int.: starting to right of helmet, i.e. from the face, curving down along
margin and ending at warrior's mid-back: Φιν^τια̣ς εποι^εσ^εν.(1)
CAVI Footnotes: {1} the letters εποι written upside down. A spear head, the crouching legs,
and a himation wound around the waist all intervene.
CAVI Comments: Attributed to the very early Berlin Painter by Robertson, to the Salting
Painter = Hermokrates by Pinney; not attributed to a painter by Beazley. - In
Robertson (1992), p. 45, R. suggests that the epoiesen phase of Phintias is
later than the egraphsen, as in Euphronios. On pp. 81-82, R. discusses the vase;
he feels now uncertain of his earlier attribution to the Berlin Painter, since
there is not a single cup of certain attribution to that painter.
