Last Recorded Collection: Athens, National Museum: CC1157
Previous Collections:
Athens, National Museum: 1628
Publication Record: American Journal of Archaeology: (1981) PL.35, FIG.22 (I) American Journal of Archaeology: 83 (1979) PL.27, FIG.19 (I) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 25.1 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 24 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 58, 468 Bianchi Bandinelli, R. and Paribeni, E., L'Arte dell' antichita classica, I, Grecia (Turin, 1976): NO.327 (I) Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.49 (I) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 74 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 156 Corpus Vasorum Antiquorum: ATHENS, MUSEE NATIONAL 1, III.I.C.3, PL.(024) 2.1.3.5 View Whole CVA Plates Ducrey, P., Guerre et Guerriers dans la Grece Antique (Paris, 1985): AT 9 (DRAWING OF I) Hartwig, P., Die griechischen Meisterschalen (Stuttgart, 1893): PL.17.3 Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): II, 354 Hoppin, J.C., Euthymides and his fellows (Cambridge, 1917): 109 PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 2 (PART OF I) Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.386 Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 83, FIG.71 (I) Sweeny, J. et al. (eds.), The Human Figure in Early Greek Art (Greece, 1987): 140-141 (I, A) Valavanis, P., Games and sanctuaries in ancient Greece, Olympia, Delphi, Isthmia, Nemea, Athens (Los Angeles, 2004): 68, FIG.75 (COLOUR OF I)
CAVI Lemma: RF CUP. FROM TANAGRA. ATTRIBUTION UNCERTAIN (SEE BELOW). PHINTIAS, POTTER.
LAST QUARTER SIXTH. 510-500.
CAVI Subject: INT.: CROUCHING WARRIOR TO RIGHT, PUTTING ON HIS HELMET. EXT.: PLAIN.
CAVI Inscriptions: INT.: STARTING TO RIGHT OF HELMET, I.E. FROM THE FACE, CURVING DOWN ALONG
MARGIN AND ENDING AT WARRIOR'S MID-BACK: Φιν^τια̣ς εποι^εσ^εν.(1)
CAVI Footnotes: {1} THE LETTERS εποι WRITTEN UPSIDE DOWN. A SPEAR HEAD, THE CROUCHING LEGS,
AND A HIMATION WOUND AROUND THE WAIST ALL INTERVENE.
CAVI Comments: ATTRIBUTED TO THE VERY EARLY BERLIN PAINTER BY ROBERTSON, TO THE SALTING
PAINTER = HERMOKRATES BY PINNEY; NOT ATTRIBUTED TO A PAINTER BY BEAZLEY. - IN
ROBERTSON (1992), P. 45, R. SUGGESTS THAT THE EPOIESEN PHASE OF PHINTIAS IS
LATER THAN THE EGRAPHSEN, AS IN EUPHRONIOS. ON PP. 81-82, R. DISCUSSES THE VASE;
HE FEELS NOW UNCERTAIN OF HIS EARLIER ATTRIBUTION TO THE BERLIN PAINTER, SINCE
THERE IS NOT A SINGLE CUP OF CERTAIN ATTRIBUTION TO THAT PAINTER.
