Decoration: Body: WARRIORS DEPARTING, ONE WITH HORSE, WOMEN, ONE SEATED, ONE WITH OINOCHOE AND PHIALE, DRAPED MEN, ONE SEATED, WITH STAFFS (HEKTOR DEPARTING ?), PRIAM (NAMED)
Last Recorded Collection: Cambridge, Fitzwilliam Museum: GR5.1961
Publication Record: Avramidou, A. and Demetriou, D. (eds.), Approaching the Ancient Artifact, Representation, Narrative, and Function. A Festschrift in Honor of H. Alan Shapiro (Berlin and Boston, 2014): 343, FIG.2 (PART) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 605.63, 1702 Lexicon Iconographicum Mythologiae Classicae: VII, PL.401, PRIAMOS 42 (PARTS) Prange, M., Der Niobidenmaler und seine Werkstatt, Untersuchungen zu einer Vasenwerkstatt frühklassischer Zeit (Frankfurt, 1989): PL.45
CAVI Collection: CAMBRIDGE, FITZWILLIAM MUSEUM 5.1961.
CAVI Lemma: RF HYDRIA. NIOBID PAINTER. SECOND QUARTER FIFTH. EARLY (ARV[2]).
CAVI Subject: THE PICTURE IS ON THE BODY GOING ALL AROUND REGARDLESS OF THE HANDLES: SCENES
OF FAREWELL INSIDE THE PALACE AT TROY: A: AT LEFT, PRIAM SEATED; STANDING WOMAN
WITH LIBATION VESSELS; TWO YOUNG WARRIORS SHAKING HANDS (ONE OF THEM STANDING
BESIDE HIS HORSE). B: BEHIND PRIAM: A STANDING WARRIOR AND AN OLD MAN
(ANTENOR?); OPPOSITE AND ECHOING THE SEATED FIGURE OF PRIAM, A SEATED WOMAN
(HECUBA?) CLASPING THE HAND OF AN ARMED WARRIOR (HECTOR?). [THIS IS AR'S
DESCRIPTION.]
CAVI Comments: BEAZLEY REFERS TO ARV[2] 607/93, FRS. OF A POT, PERHAPS A HYDRIA, IN FLORENCE
AND NAPLES, ALSO BY THE EARLY NIOBID PAINTER, WHICH HE COMPARES TO "THE HYDRIA
IN THE LONDON MARKET (NO. 63)."
