Menu
Search
Main SiteGandhara ConnectionsVase Corpus (CVA Online)
Search

213802, ATHENIAN, London, British Museum, London, British Museum, London, British Museum, 1843,1103.24

  • Vase Number: 213802
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: HYDRIA
  • Provenance: ITALY, ETRURIA, VULCI
  • Date: -475 to -425
  • Decoration: Shoulder: ANDROMEDA, BLACK YOUTHS IN CHITONISKOI, SOME WITH POSTS, ONE WITH ALABASTRON AND BOX, ONE WITH CLOAK AND PLEMOCHOE AND MIRROR, ONE WITH STOOL AND SASH, DRAPED MAN LEANING ON STAFF SEATED ON ROCK, PERSEUS IN WINGED CAP AND CHLAMYS WITH SPEARS
  • Last Recorded Collection: London, British Museum: E169
  • Previous Collections:
  • Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1062 , 1681
    Berard, C., L'Image de l'autre et le Heros Etranger, Sciences et Racisme (Lausanne, 1986): 19, FIG.12 (PART OF S)
    Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.166
    Bonnechere, P., and Gagne, R. (eds.), Sacrifices humains, Perspectives croisees et representations, Human sacrifice, Cross-cultural perspectives and representations (Liege, 2013): PL.1 (PART OF SH)
    Bulletin Antieke Beschaving: 64 (1989), 29, FIG.35 (DRAWINGS)
    Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 158
    Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.160 (PART)
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 323
    Cohen, B. (ed.), Not the Classical Ideal, Athens and the Construction of the Other in Greek Art (Leiden, Boston and Köln, 2000): 407, FIG.15.11 (PART OF S)
    Corpus Vasorum Antiquorum: LONDON, BRITISH MUSEUM 5, III.Ic.12, PLS.(325,326) 75.1,76.1A-D View Whole CVA Plates
    Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): PL.77.2 (S)
    Green, J.R., Theatre in ancient Greek society (London, 1995): 19, FIG.2.2 (PART)
    Green, R. and Handley, E., Images of the Greek Theatre (London, 1995): 40, NO.17 (PART OF S)
    Korshak, Y., Frontal Faces in Attic Vase Painting of the Archaic Period (Chicago, 1977): 139, FIG.87 (PART OF SHOULDER)
    Oakley, J., The Greek Vase, Art of the Story Teller (London, 2013): 94, FIG.34 (COLOUR OF PART OF SH)
    Pagano, V. (ed.), L'Andromeda di Euripide, Edizione e commento dei frammenti (Alessandria, 2010): PL.2 (DRAWING OF S, COLOUR OF PART OF S)
    Revue des Etudes Anciennes: 99 (1997) 2, 86, FIG.7 (PART OF S)
    Rizza, G. (ed.), I vasi attici ed altre ceramiche coeve in Sicilia, Atti del convegno internazionale (Catania): I, 68, FIG.3 (DRAWING)
    Schefold, K. and Jung, F., Die Urkönige, Perseus, Bellerophon, Herakles und Theseus in der klassischen und hellenistischen Kunst (Munich, 1988): 108, FIG.131 (PART)
    Schmidt, S., Rhetorische Bilder auf attischen Vasen, Visuelle Kommunikation im 5. Jahrhundert v. Chr. (Berlin, 2005): 265, FIG.130 (S)
    Small, J.P., The Parallel Worlds of Classical Art and Text (Cambridge, 2003): 40, FIG.19 (SH)
  • LIMC ID: 14301
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-746e44da1e79d-b
  • British Museum Link: https://www.britishmuseum.org/collection/object/G_1843-1103-24
  • Image Credits: FURTWANGLER-REICHHOLD DRAWINGS: Please consult with Williams College Special Collections staff and Williams College Visual Resources Center staff, regarding questions about publishing and accessing materials from Williams College Special Collections. Researchers are responsible for handling any copyright issues that may be associated with collections and materials.
  • Pleiades URI: https://pleiades.stoa.org/places/413393
  • Coordinates: 42.421429,11.702499
  • Pleiades Coordinates: 42.419009,11.6298975
Image Image Image Image Image Image Image Image Image Image Image

Link to this record using the address https://www.beazley.ox.ac.uk/record/C29E8C0B-3087-4192-AD41-E080E1AECFDF

Site map Copyright Accessibility Privacy statement Contact us
Gandhara Connections
Gandhara Connections on Facebook
Gandhara Connections on Twitter
Back to top