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11686, ATHENIAN, Fort Worth, Kimbell Art Museum, New York (N.Y.), market, Christie's, Toronto, Borowski, 2000.02

  • Vase Number: 11686
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: CUP
  • Date: -500 to -450
  • Attributed To: DOURIS by GUY
    PYTHON by GUY
  • Decoration: A: DEATH OF PENTHEUS, AGAVE AND WOMEN (MAENADS) IN LEOPARD SKINS OR NEBRIDES, ONE WITH LEG, SATYR
    B: DEATH OF PENTHEUS, DIONYSOS SEATED WITH KANTHAROS, SATYR PLAYING PIPES, WOMEN WITH LEG
    I: MAENAD WITH THYRSOS AND LEOPARD
  • Last Recorded Collection: Fort Worth, Kimbell Art Museum: 2000.02
  • Previous Collections:
    • Toronto, Borowski
    • New York (N.Y.), market, Christie's
  • Publication Record: Bonnechere, P., and Gagne, R. (eds.), Sacrifices humains, Perspectives croisees et representations, Human sacrifice, Cross-cultural perspectives and representations (Liege, 2013): PL.9A-B (COLOUR OF A AND B)
    Buitron-Oliver, D., Douris, A Master-Painter of Athenian Red-Figure Vases (Mainz, 1995): PL.73, NO.121 (I, A, B)
    Bulletin of the Institute of Classical Studies: 52 (2009) 25, PL.5 (A, B)
    Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.134 (A)
    Carpenter, T.H., Dionysian Imagery in Fifth-Century Athens (Oxford, 1997): PL.42 (A, B)
    Christie, Manson and Woods, sale catalogue: 12.4.2000, ADVERTISEMENT ON P 164 (COLOUR OF I)
    Christie, Manson and Woods, sale catalogue: NEW YORK, 12.6.2000, 82, 84, NO.81 (COLOUR OF I, A AND B)
    Dietrich, N. and Squire, M. (eds.), Ornament and Figure in Graeco-Roman Art, Rethinking visual Ontologies in Classical Antiquity (Berlin and Boston, 2018): 226-227, FIGS.8.9-10 (A, B)
    Frontisi-Ducroux, F., Du Masque au Visage, Aspects de l'identite en Grece ancienne (Paris, 1995): PL.70 (A, B)
    Ghiron-Bistagne, P. (ed.), Realia, Melanges sur les realites du theatre antique, Cahiers du Gita 6 (1991/92): 23, FIGS9-10 (A, B)
    Giacobello, F. (ed.), Le Ore della Donna, Storie e immagini nella collezione di ceramiche attiche a magnogreche di Intesa Sanpaolo (Vicenza, 2009): 71 (A)
    Isler-Kerenyi, C., Dionysos in Classical Athens. An Understanding through Images (Leiden and Boston, 2014): 59, FIG.31A-B (A AND B)
    Lefkowitz, M., Greek Gods, Human Lives (New Haven and London, 2003): 164-165 (I, A, B)
    Leipen, N. (et al.), Glimpses of Excellence (Toronto, 1984): 16, 48, FRONTISPIECE, NO.12 (I, A, B)
    Lexicon Iconographicum Mythologiae Classicae: VII, PL. 259, PENTHEUS 43
    Lissarrague, F., La cite des satyres. Une anthropologie ludique (Athenes, VIe-Ve siecle avant J.-C.) (Paris, 2013): 169, FIG.144 (COLOUR OF A)
    Minerva, International Review of Ancient Art and Archaeology: 11.3 (MAY/JUNE 2000) 37 (COLOUR OF I)
    Minerva, International Review of Ancient Art and Archaeology: 11.5 (SEPTEMBER/OCTOBER 2000) 34, FIGS.1-3 (A, B, I)
    Neer, R.T., Art and Archaeology of the Greek World, a new history, c.2500-c.150 BC (London, 2012): 207, FIG.8.15 (COLOUR OF A)
    Neer, R.T., Style and Politics in Athenian Vase-Painting, The Craft of Democracy, ca.530-460 B.C.E. (Cambridge, 2002): 60, FIGS.24-25 (A, B)
    Numismatica e Antichita Classiche, Quaderni Ticinesi: 23 (1994) 45-46, FIGS.12-14 (A, B, I)
    Shapiro H.A., Myth into Art, Poet and Painter in Classical Athens (London, 1994): 174-175, FIGS.123-125
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=8019
  • AVI Record Number: 7735
  • LIMC ID: 9189
  • LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-7425ccbaca9dc-d
  • CAVI Collection: Toronto, Borowski.
  • CAVI Lemma: RF cup. Douris. Python, potter (Guy). First quarter fifth. Ca. 480 (Guy). Middle period (Buitron-Oliver).
  • CAVI Subject: Int.: a maenad holding a leopard and a thyrsus. Ext.: Death of Pentheus: A: Dionysus seated; a satyr playing the flutes; three maenads (women of Thebes) with portions of Pentheus. B: four maenads tearing apart Pentheus.
  • CAVI Inscriptions: Int.: starting from the back of the maenad's head, along the margin: hε vac. παις ^ καλε{1}.
  • CAVI Footnotes: {1} to right of top of head: hε; then a gap of 2 letters; then curving downward to stop at the maenad's left hand that holds the thyrsus: παις; along the thyrsus stalk, vertically down: κ v. αλε. The two parts of the word are separated by the node in the stalk.
  • CAVI Comments: Probably now Jerusalem, Borowaki. The inscription is planned: the gap (of 2 letters: see the note below) after the article brings παις down to the maenad's hand and thyrsus; καλος is written along the thyrsus. For the gap after the article in Douris see TAPhA 79 (1948) 184.
  • CAVI Number: 7735
  • AVI Bibliography: Guy (1984), 16/12 and title-page (Int.). — Shapiro (1994), 175-76, figs. 123-25 (all). — Buitron-Oliver (1995), 34-35, 80/121, pl. 73.
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)

Last updated 26/07/2024 17:49:00 by Parker, Greg. Approved by Mannack, Thomas. Copyright © 2003-2025 Classical Art Research Centre, University of Oxford.

Link to this record using the address https://www.beazley.ox.ac.uk/record/B5B6D06C-495A-43B4-B257-96F3CBFA0FEC

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