Attributed To: EUPHRONIOS by SIGNATURE KACHRYLION by OHLY-DUMM
Decoration: A,B: UNDECORATED I: AMAZON
Last Recorded Collection: Munich, Antikensammlungen: 8953
Publication Record: Archäologischer Anzeiger: 1995, 182, FIG.9 (I) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 399, 404 Corpus Vasorum Antiquorum: MUNICH, ANTIKENSAMMLUNGEN EHEMALS MUSEUM ANTIKER KLEINKUNST 18, 38,39,40, FIGS.12-13, BEILAGE 16.1, PLS.(4834,4903) 15.1-6, 84.19 View Whole CVA Plates Hedreen, G., The Image of the Artist in Archaic and Classical Greece, Art, Poetry, and Subjectivity (Cambridge, 2016): 211, FIG.36 (I) Heilmeyer, W-D. and Giuliani, L. (eds.), Euphronios, der Maler, eine Ausstellung in der Sonderausstellungshalle der Staatlichen Museen Preußischer Kulturbesitz Berlin-Dahlem, 20.3. - 26.5.1991 (Milan, 1991): 214-215, NO.47 (I, COLOUR OF I) Münchner Jahrbuch der Bildenden Kunst: 25 (1974) 7, FIGS.1.9, 4.10, 5 PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 2 (I, PART OF I) Rasponi, S. (ed.), Capolavori di Euphronios, un pioniere della caramografia attica (Milan, 1990): 37, 99, NO.12 (COLOUR OF I, I) Tsingarida, A. (ed.), Shapes and Uses of Greek Vases (7th-4th centuries B.C.), Proceedings of the Symposium held at the Universite Libre de Bruxelles, 27-29 April 2006 (Brussels, 2009): 123, 126, FIG.1 (I, A, PROFILE)
CAVI Lemma: RF CUP. EUPHRONIOS. CACHRYLION, POTTER (OHLY-DUMM). LAST QUARTER SIXTH.
510-500. 515-510 (`EUPHRONIOS').
CAVI Subject: INT.: A LEFT-HANDED AMAZON IN ARMOR. EXT.: PLAIN.
CAVI Inscriptions: STARTING TO LEFT OF THE FIGURE BY HER RIGHT HEEL AND FOLLOWING THE MARGINS,
FACING IN: Τελεσιες | καλος. CONTINUING THE KALOS-INSCRIPTION AND COMPLETING THE
CIRCLE: Ευ(φ)ρονιος εγραφσεν{1}.
CAVI Footnotes: {1} ON PHI WITH DIAGONAL HASTA SEE Mü. JAHRB., 22, N. 17, AND IMMERWAHR
(1984), 344.
CAVI Comments: CUP TYPE C. FOR THE IONIC FORM OF THE KALOS-NAME SEE E.G., MALIBU 82.AE.127.1
(ANTIES). PAPE: TELESIAS INVENTED AN ARMED DANCE NAMED AFTER HIM (HSCH.;
POLLUX). CF. AA 1989, 483-94. ALSO A SCULPTOR. IN ATHENS: SEE LGPN II (THE IONIC
FORM ONLY HERE IN ATTICA). FOR THE `LEFT-HANDED' FIGURE COMPARE A CUP IN BOCHUM,
CITED BY O.-D. AND ILLUSTRATED BY SEKI (1988), 588, FIGS. 3-4, AND A. HILLART,
AA 1995, HEFT 2, 180-181, FIGS. 8-9 (BOTH CUPS).
CAVI Number: 5366
AVI Bibliography: BADB 6203. — MERTENS (1972), 271 N. 2 (ON THE INSCRIPTION). — OHLY-DUMM
(1974), 1-14, FIGS. 1, 4 AND 5. — ADD.[2] (1989), 399, 404. — ATTSCR (1990), NO.
367. — HAMDORF (1990), 198/47 (ILL.). — HILLART (1995), 180-181, FIGS. 8-9
(ILLUSTRATES THE BOCHUM AND MUNICH VASES WITH THE LEFT-HANDED ARMED FIGURES;
MUCH BIBL., N. 33).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
