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215142, ATHENIAN, Munich, Antikensammlungen, Munich, Antikensammlungen, 2415

  • Vase Number: 215142
  • Fabric: ATHENIAN
  • Technique: RED-FIGURE
  • Shape Name: STAMNOS
  • Provenance: ITALY, ETRURIA, VULCI
  • Date: -450 to -400
  • Attributed To: KLEOPHON P by BEAZLEY
  • Last Recorded Collection: Munich, Antikensammlungen: J382
  • Previous Collections:
    • Munich, Antikensammlungen: 2415
  • Publication Record: 96, FIG.8 (A)
    Antike Welt: 37 (2006) 16, FIG.1 (COLOUR OF PART OF A)
    Antike Welt: 39.5 (2008) 44, FIG.2 (COLOUR OF A)
    Apollo: 140 (JULY 1994) 17, FIG.7 (A)
    BEAZLEY NOTEBOOK: 76, 95.4-96.1
    BEAZLEY NOTEBOOK: 77, 28.4
    BEAZLEY NOTEBOOK: 79, 26.1
    BEAZLEY NOTEBOOK: 80, 87.2
    Barringer, J.M. and Hurwit, J.M. (eds.), Periklean Athens and its Legacy (Austin 2005): 33, FIG.3.8 (A)
    Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1143.2, 1684
    Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 420.2
    Beazley, J.D., Paralipomena (Oxford, 1971): 455
    Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): 63, NO.1, FIG.172 (PARTS)
    Buschor, E., Griechische Vasenmalerei (Munich, 1914): 201 (A)
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 334
    Cohen, B. (ed.), Not the Classical Ideal, Athens and the Construction of the Other in Greek Art (Leiden, Boston and Köln, 2000): 36, FIG.1.4 (A)
    Corpus Vasorum Antiquorum: MUNICH, MUSEUM ANTIKER KLEINKUNST 5, 41-42, PLS.(971-973) 256.1, 257.1-2, 258.1-3 View Whole CVA Plates
    Dierichs, A., Erotik in der Kunst Griechenlands (Mainz, 2008): 98, FIG.70 (COLOUR OF PART OF A)
    Dugas, C., Aison et la peinture ceramique a Athenes a l'epoque de Pericles (Paris, 1930): 57, FIG.12 (A)
    Enciclopedia dell'Arte Antica: SUPP. II.1, 548, FIG.613 (PART OF A)
    Evans, N., Civic rites, democracy and religion in ancient Athens (Berkeley, 2010): 46, FIG.4 (A)
    Fornasier, J., Amazonen, Frauen, Kämpferinnen und Städtegründerinnen (Mainz, 2007): 26, FIG.11 (COLOUR OF A)
    Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): PL.35 (A, PART OF B), I, 190-192
    Hölscher, T., Klassische Archäologie, Grundwissen (Stuttgart, 2002): 311, FIG.170 (A)
    Jahrbuch des Deutschen Archäologischen Instituts: 115 (2000) 259, FIG.1 (A)
    Keuls, E.C., Painter and Poet in Ancient Greece, Iconography and the Literary Arts (Stuttgart and Leipzig, 1997): 389, FIG.26 (A)
    Knauss, F., Die Kunst der Antike, Meisterwerke der Münchner Antikensammlungen (Munich, 2017): 166 (COLOUR OF A)
    Knauss, F.S. (ed.), Die unsterblichen Götter Griechenlands, Staatliche Antikensammlungen und Glyptothek München (Munich, 2012): 246, FIG.16.4 (COLOUR OF A)
    Kressirer, K., Das Greisenalter in der griechischen Antike. Untersuchung der Vasenbilder und Schriftquellen der archaischen und klassischen Zeit (Hamburg, 2016): 871, NO.1045 (PART OF A)
    Langlotz, E., Griechische Vasenbilder (Heidelberg, 1922): PL.40 (A)
    Latacz, J. et al., Homer, Der Mythos von Troia in Dichtung und Kunst (Munich, and Basel 2008): 377, NO.115 (COLOUR OF PART OF A)
    Lau, T., Brunn, H., Krell, P., Die griechischen Vasen (Leipzig, 1877): PL.27.1
    Lee, M.M., Body, Dress and Identity in Ancient Greece (Cambridge, 2015): 105, 158, FIGS.4.10, 5.18 (A AND B)
    Lexicon Iconographicum Mythologiae Classicae: IV, PL.285, HEKTOR 27 (A)
    Lützow, C., Münchener Antiken (Munich, 1869): 12, PLS.5-6
    Martens, D., Une esthetique de la transgression: le vase grec de la fin de l'epoque geometrique au debut de l'epoque classique (Brussels, 1992): 343, FIG.153 (PART OF A)
    Matheson, S.B., Polygnotos and Vase Painting in Classical Athens (Madison, 1995): 136, PL.121 (A)
    Minerva, International Review of Ancient Art and Archaeology: 13.1 (JANUARY/FEBRUARY 2002) 16, FIG.12 (A)
    Moignard, E., Master of Attic Black-Figure Painting. The Art and Legacy of Exekias (London and New York, 2015): 42, FIG.12 (A)
    Oakley, J.H., A Guide to Scenes of Daily Life on Athenian Vases (Madison, 2020): 172, FIG.8.6 (DRAWING OF A)
    Osborne, R., The Transformation of Athens Painted Pottery and the Creation of Classical Greece (Princeton and Oxford, 2018): 223, FIG.9.6 (A)
    Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.558, 774 (A)
    Plantzos, D., Greek Art and Archaeology, c. 1100-30 BC (Athens, 2016): 181, FIG.332 (COLOUR OF A)
    Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 222, FIG.230 (A)
    Schefold, K., Jung, F., Die Sagen von den Argonauten, von Theben und Troia in der klassischen und hellenistischen Kunst (Munich, 1989): 145, FIG.127 (A)
    Steinhart, M., Das Motiv des Auges in der griechischen Bildkunst (Mainz, 1995): PL.44.3 (PART OF A)
    Stewart, A., Art, Desire, and the Body in Ancient Greece (Cambridge, 1997): 81, FIG.47 (A)
    Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 178, 162, FIGS.160, 162 (COLOUR OF A AND PART OF A)
    Troja, Traum und Wirklichkeit (Stuttgart, 2001): 127, FIG.127 (A)
    Vierneisel, K., and Kaeser, B. (eds.), Kunst der Schale, Kultur des Trinkens (Munich, 1990): 431, FIG.78.4 (A)
    Walter-Karydi, E., Die Athener und ihre Gräber (1000-300 v.Chr.) (Berlin, 2015): 231, FIG.127 (A)
  • AVI Web:
  • AVI Record Number: 5282
  • LIMC ID: 29294
  • LIMC Web:
  • CAVI Collection: Munich 2415.
  • CAVI Lemma: RF stamnos. From Vulci. Kleophon Painter. 430-420. 440-430 (Lullies).
  • CAVI Subject: A: Warrior Leaving Home (an old man, a woman with a jug, a young warrior with a phiale, a woman). B: two youths and a boy.
  • CAVI Inscriptions: A: to right of the old man's face, but closer to the left woman's head: καλος. Between the heads of the left woman and the warrior: καλος and below it καλε. To left of the right woman's head: καλε. Under the foot, Gr., retr.: ΤΡ, see Johnston (1979), 165/20F 8 (for the meaning of the mark, see p. 231); Hackl (1909), no. 493. There is also a wavy Gr. line at some distance from the ΤΡ.
  • CAVI Comments: Done from FR. FR compares the replica Leningrad 809 = FR i, fig. on p. 189, ARV[2] 1143/3, which has the same Gr. Mixed alphabet.
  • CAVI Number: 5282
  • AVI Bibliography: FR (1904–32), i, 18-92, pl. 35 (dr.) and ill., pp. 190-92. — R. Lullies, CVA Munich 5, Germany 20 (1961), pls. 256,1, 257,1-2, and 258,1-3; p. 41, facss. of Dipp. and Gr. (much bibl.). — ARV[2] (1963), 1143/2, 1684. — Para. (1971), 455. — LIMC iv (1988), 486, Hector 27, pl. 285 (interpreted as Hector, Andromache, Priam, Hecuba). — Add.[2] (1989), 334 (much bibl.). — Robertson (1992), 22, fig. 230 (A). — Matheson (1995), 136, 406/KL2, pl. 121.
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
  • Image Credits: FURTWANGLER-REICHHOLD DRAWING: Please consult with Williams College Special Collections staff and Williams College Visual Resources Center staff, regarding questions about publishing and accessing materials from Williams College Special Collections. Researchers are responsible for handling any copyright issues that may be associated with collections and materials.
  • Pleiades URI:
  • Coordinates: 42.421429,11.702499
  • Pleiades Coordinates: 42.419009,11.6298975
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