Decoration: Body: TRIPTOLEMOS DEPARTING IN WINGED CHARIOT WITH SNAKE WITH SHEAF OF CORN, PERSEPHONE WITH SHEAF OF CORN, DEMETER WITH PHIALE AND OINOCHOE, DRAPED MEN, SOME WITH SCEPTRES, ONE WITH PHIALE, WOMEN WITH OINOCHOAI
Last Recorded Collection: Malibu (CA), The J. Paul Getty Museum: 89.AE.73
Publication Record: Antike Welt: 32 (2001) 360, FIG.4 (COLOUR OF BD) Boschung, D., Greub, T., and Hammerstaedt, J. (eds.), Geographische Kenntnisse und ihre konkreten Ausformungen (Munich, 2013): 106-107, FIGS.5-8 (BD) Clinton, K., Myth and Cult, The Iconography of the Eleusinian Mysteries (Stockholm, 1992): 188-190, FIGS.43-47 Coulson, W.D.E. et al. (eds.), The Archaeology of Athens and Attica under the Democracy (Oxford, 1994): 78, FIG.7, 168, FIGS.7-9 Gilman, B. (ed.), Masterpieces of the J. Paul Getty Museum, Antiquities (Los Angeles, 1997): FRONTCOVER, 47, BOTTOM (COLOUR OF A AND PART OF A) Journal des Savants: JULY-DECEMBER 1996, 269, FIG.6 (PART) Journal of Hellenic Studies: 119 (1999) PL.9D (PART) Lapatin, K. and Wight, K. (eds.), The J. Paul Getty Museum, Handbook of the Antiquities Collection (Los Angeles, 2010): 74 (COLOUR OF PART) Lexicon Iconographicum Mythologiae Classicae: VIII, PL.413, KALAMITES 1 (PART) Lexicon Iconographicum Mythologiae Classicae: VIII, PL.829, THEOS ET THEA 1 (PART) Lydakis, S., Ancient Greek Painting and its Echoes in Later Art (Athens, 2002): 92, FIG.70 (COLOUR OF PART OF BD) PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 10 Smith, A.C., Polis and Personification in Classical Athenian Art (Leiden, 2011): FIG.3.9 (PART)
CAVI Lemma: RF handleless stamnos (footed dinos?). Syleus Painter (Guy). Second quarter
fifth. Ca. 470 (GettyMusJ).
CAVI Subject: Triptolemos in his winged car; at left, Demeter holding ears of grain; at
right, Persephone with a phiale and oinochoe; between her and T., a snake;
behind each goddess, a man. B: a woman pouring libation into the phiale held by
a seated god; behind her, a man observing the next couple; a woman pouring
libation into a phiale and a man facing her.
CAVI Inscriptions: A: the man at left: hιππ[ο]φον{2}. Δεμετερ. Τριπτολομος, for Τριπτολεμος.
[Φε]ρ[ε]φατ[τ]α{3}. The man at right: [--]κλαμιτε[.]{4}. B: near the woman
pouring for the god: καλος. The god: Θεος{5}. The man watching the other group:
καλος. The woman pouring for the second man: Ελευσις. The second man is again
called Hippofon in GMusJ.
CAVI Footnotes: {1} or 89.AE.79? {2} or hιππ[ο](θ)ον, with theta = circular phi. A tribal
hero? {3} the text has [Φε]α[ε]φατα, a misprint. {4} miswritten?
[Α]κλαμιτε[ς](?). {5} interpreted as Hades in GettyMusJ. Is it Θεος καλος(?).
CAVI Comments: Cf. Palermo 779 (q.v.), where Hippothoon is also present. In general, see
further in Clinton.
CAVI Number: 5029
AVI Bibliography: True (1990), 167/5 (A). — Clinton (1992), 106f., figs. 43-47. — Matheson
(1994), 355 and n. 41 (mention).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
