Attributed To:Near BRYGOS P by BEAZLEY FOUNDRY P by BEAZLEY
Decoration: A: THESEUS ABANDONING ARIADNE, HERMES, EROS, GRAPEVINE B: MENELAOS PURSUING HELEN, WOMAN SEATED IN BUILDING (DORIC COLUMN AND ENTABLATURE), ALTAR, COLUMN, SHIELD DEVICE, SNAKE I: DRAPED MAN WITH SPEAR LEADING WOMAN (AGAMEMNON AND BRISEIS ?)
Last Recorded Collection: Tarquinia, Museo Nazionale Tarquiniese: RC5291
Publication Record: Angiolillo, S., and Giuman, M. (eds.), Imago, Studi di iconografia antica (Cagliari, 2007): 180, FIG.7 (A) Apollo, The International Art Magazine: 152 (2000) 11, FIG.5 (PART OF A) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 405.1, 1651 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 256 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 189, 474 Beazley, J.D., Paralipomena (Oxford, 1971): 370.23BIS, 371 Benndorf, O., Wiener Vorlegeblätter für archäologische Übungen (Vienna, 1888-1890/91): D, PL.8.1 Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.269 (A) Buschor, E., Griechische Vasenmalerei (Munich, 1914): 173 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 231 Classical Antiquity: 4 (1985) 2, PL.2, FIG.3 (A) Corpus Vasorum Antiquorum: TARQUINIA, MUSEO NAZIONALE 2, III.I.4, III.I.5, PL.(1197) 18.1-3 View Whole CVA Plates Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 99, FIG.75 (A) Hedreen, G., Capturing Troy, The Narrative Functions of Landscape in Archaic and Early Classical Greek Art (Ann Arbor, 2001): FIGS.1A-B (A, B) Hedreen, G.M., Silens in Attic Black-figure Vase-painting (Michigan, 1992): PL.8 (A) Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 212, FIG.134 (A) Isler-Kerenyi, C., Dionysos in Classical Athens. An Understanding through Images (Leiden and Boston, 2014): 116, FIG.62 (A) Kaempf-Dimitriadou, S., Die Liebe der Götter in der attischen Kunst des 5. Jhs.v .Chr. (AK Beiheft 11, 1979): PL.21.1 (A) Kurtz, D. (ed.), Essays in Classical Archaeology for Eleni Hatzivassiliou 1977-2007 (Oxford, 2008): 210, FIG.5 (A) Kurtz, D.C. (ed.), Greek Vases, Lectures by J.D. Beazley (Oxford, 1989): PLS.62.2-3, 63.1 (A, B, I) Lexicon Iconographicum Mythologiae Classicae: II, PL.143, APHRODITE 1470 (PART OF B) Lexicon Iconographicum Mythologiae Classicae: III, PL.730, ARIADNE 53 (A) Lexicon Iconographicum Mythologiae Classicae: IV, PL.302, HELENE 67, PL.335, HELENE 244 (I, B) Mangold, M., Kassandra in Athen, die Eroberung Trojas auf attischen Vasenbildern (Berlin, 2000): 89, FIG.50 (A) Monumenti inediti pubblicati dall'Instituto di Corrispondenza Archeologica (Rome, 1829-91): 11, PL.20 Neer, R.T., Style and Politics in Athenian Vase-Painting, The Craft of Democracy, ca.530-460 B.C.E. (Cambridge, 2002): 82, FIG.40 (I) Philipp, M. et al., Dionysos, Rausch und Ekstase (Munich, 2013): 64, FIG.5 (COLOUR OF A) Schefold, K. and Jung, F., Die Urkönige, Perseus, Bellerophon, Herakles und Theseus in der klassischen und hellenistischen Kunst (Munich, 1988): 259, FIG.309 (A) Shapiro, H.A., Personifications in Greek Art, The Representation of Abstract Concepts 600-400 BC (Zurich, 1993): 156, FIG.120 (DRAWING OF A)
CAVI Subject: Int.: Menelaus leading Helen? A: Menelaus pursuing Helen in the sanctuary of
Aphrodite at Troy. B: Theseus leaving the sleeping Ariadne, with Hermes and
Eros; vine.
CAVI Inscriptions: Int.: to Helen's left, along the margin: hο παις. To Hermes' upper right,
along the margin: [κ]αλο̣ς{2}.
CAVI Footnotes: {1} in ARV[2] attributed to the manner of the Foundry Painter: "They [this
cup and London 95.5-13.1, q.v.] might be by the Foundry Painter at the point of
his career when he was nearest to the Brygos Painter." Another difference from
the article on the Foundry Painter (which is of 1965, published in 1966) is that
the scene on the Int. is called Agamemnon and Briseis(?), and the Menelaus scene
on the Ext. is labeled B. {2} CVA has all letters extant.
CAVI Comments: The second sigma is not turned.
CAVI Number: 7642
AVI Bibliography: G. Jacopi, CVA Tarquinia 2, Italy 26 (1956), III I, pl. 18,1-3. — ARV[2]
(1963), 405/1, 1651. — Para. (1971), 371 (bibl. on p. 370). — Add.[2] (1989),
231. — Beazley (1989), 82, pls. 62,2-3, 63,1. — Robertson (1992), 109.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
