Attributed To:Group of CHELIS P by UNKNOWN PEZZINO GROUP by BEAZLEY
Decoration: Body: ATHLETES, RUNNING, DISKOBOLOS, VICTOR (WITH FILLETS AND SPRIGS), DRAPED MEN Shoulder: HARNESSING CHARIOT, YOUTHS, ARCHER
Last Recorded Collection: Munich, Antikensammlungen: J377
Previous Collections:
Munich, Antikensammlungen: 2420
Publication Record: Archeologia Classica: 21 (1969) PL.64.2 Archeologia Classica: 48 (1996) 224, FIGS.1-2 (PART OF BD, S) BEAZLEY NOTEBOOK: 76, 31.4-32 BEAZLEY NOTEBOOK: 78, 9.5, 19.2-20.1 BEAZLEY NOTEBOOK: 79, 46.2 BEAZLEY NOTEBOOK: 80, 39.3-40.1, 80.6 Bazant, J., Les citoyens sur les vases atheniens, Rocnik 95 (1985) 2: PL.13.21 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 32.3, 1621 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 81.3 Blümel, C., Sport der Hellenen (Berlin, 1936): 98-9 Boreas: 35 (2012), PL.2.7 (PART OF BD) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 75 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 157 Corpus Vasorum Antiquorum: MUNICH, MUSEUM ANTIKER KLEINKUNST 5, 14-15, PLS.(933,935,936,941) 218.3, 220.1-2, 221.3, 226.3 View Whole CVA Plates Coulson, W.D.E. et al. (eds.), The Archaeology of Athens and Attica under the Democracy (Oxford, 1994): 156, FIG.7 (PART OF BD) Decker, W., Sport in der griechischen Antike, Vom minoischen Wettkampf bis zu den Olympischen Spielen (Munich, 1995): 124, FIG.53 (PART OF BD) Dozio, E. et al. (eds.), Gli atleti di Zeus, Lo sport nell'antichita (Milan, 2009): 56, FIG.12, 203 NO.126 (COLOUR OF S AND BD) Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 343, FIG.195 (BD) Fröhlich, P., Pichler, M., and Schuler, C. (eds.), Mehr als nur Sport: GymnAsia in der Antike (Heidelberg, 2024): 119, FIG.8.4 (COLOUR OF BD) Jahreshefte des Österreichischen Archäologischen Instituts in Wien: 1 (1898) 44, FIG.29 Kephalidou, E., Nikitis, Eikonographiki meleti tou archaiou ellinikou athlitismou (Thessaloniki, 1996): PL.5 (COLOUR OF BD AND PART OF BD) Morel, J. P. and Mercuri, A. M. (eds.), Plants and Culture, seeds of the cultural heritage of Europe (Bari, 2009): 39, FIG.1 (COLOUR OF PART OF BD) Oakley, J.H. and Palagia, O. (eds.), Athenian Potters and Painters, Volume II (Oxford, 2010): 91, FIG.2 (PART OF BD) Osborne, R., The Transformation of Athens Painted Pottery and the Creation of Classical Greece (Princeton and Oxford, 2018): 70, FIG.3.9 (BD) Sanchez-Fernandez, C. et al. (eds.), Dioses, heroes y atletas. La imagen del cuerpo en la Grecia antigua (Madrid, 2015): 125, FIG.3 (COLOUR OF PART OF BD) Tzachou-Alexandri, O., Mind and Body, Athletic Contests in Ancient Greece (Athens, 1988): 312-313, NO.199 Valavanis, P., Games and sanctuaries in ancient Greece, Olympia, Delphi, Isthmia, Nemea, Athens (Los Angeles, 2004): 377, FIG.544 (COLOUR OF PART OF BD) Wünsche, R. and Knauss, F.S. (eds.), Lockender Lorbeer, Sport und Spiel in der Antike, Staatliche Antikensammlungen München (Munich, 2004): 40.2, 96, FIG.12.1, 317, FIG.29.38, 474, NO.24 (BD, COLOUR OF BD AND PART OF BD) Yalouris, N. et al., Athletics in Ancient Greece (Athens, 1977): 139, FIG.58 (PART)
CAVI Lemma: RF HYDRIA{1}. FROM VULCI. PEZZINO GROUP; CHELIS GROUP (LULLIES, AS IN
ARV[1]). LAST QUARTER SIXTH. 520-500 (LULLIES).
CAVI Subject: SHOULDER: AN AMAZON HARNESSING A CHARIOT (IN THE CENTER, WITH TWO HORSES); ON
EACH SIDE, AN AMAZON BRINGS UP A TRACE HORSE. BODY: ATHLETES: DISCOBOLUS;
RUNNER; A BEARDED MAN ALL WRAPPED UP (LULLIES: TRAINER); A BEARDED MAN (LULLIES:
JUDGE), PUTTING A TAENIA ON A YOUTH ALREADY DECKED OUT AND HOLDING BRANCHES (THE
VICTOR).
CAVI Inscriptions: SHOULDER: DONE FROM THE PHOTO.: NONSENSE: χε[.]οπει. ε[1-2]ι. χοπελι, RETR.
IN THE OPPOSITE DIRECTION: χοπευκ, RETR. L. DOES NOT DESCRIBE THE INSCRIPTIONS,
BUT HE MENTIONS THEM FOR BOTH THE SHOULDER AND THE BODY PICTURES; THE PHS. IN
CVA SHOW: SHOULDER: A LETTER UNDER THE BELLIES OF THE CHARIOT HORSES AND THE
RIGHT TRACE HORSE. BODY: TO RIGHT OF THE VICTOR'S BODY, VERTICALLY DOWN,
NONSENSE: οπ̣ελισ{2}. UNDER THE FOOT, GR.: LIGATURE AR [[LIG.]].
CAVI Footnotes: {1} BF SHAPE. {2} PI LOOKS = A VERTICAL HALF ARROW.
CAVI Comments: THE VASE, AND ITS INSCRIPTIONS, ARE SIMILAR TO THE RF CUP NAPLES STG. 5, OF
THE SAME GROUP, ARV[2] 32/4. FOR THE NONSENSE INSCRIPTIONS OF THE PEZZINO GROUP
SEE ATTSCR (1990), 71 N. 35 AND MY PAPER ON `THE LETTERING OF EUPHRONIOS' IN
EUPHRONIOS UND SEINE ZEIT (COLLOQU. 1991; 1992).
CAVI Number: 5284
AVI Bibliography: PHOTO. — HACKL (1909), 356. — BLüMEL (1936), 98-99. — BLöSCH (1951), 35/2. —
R. LULLIES, CVA MUNICH 5, GERMANY 20 (1961), MUNICH 5 (1961), PLS. 218,3,
220,1-2, 221,3 AND 226,3; P. 14 (FACS. OF GR. ONLY). — ARV[2] (1963), 32/3,
1621. — JOHNSTON (1979), 132/9E 16. — ADD.[2] (1989), 157.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
