Decoration: A: HERAKLES AND THE LION B: KOMOS, YOUTHS, ONE PLAYING PIPES, SOME DANCING, SOME ON WINESKIN, ONE WITH SKYPHOS
Last Recorded Collection: Paris, Musée du Louvre: G110
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 14.3 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 16.3, 18 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 59.3 Beazley, J.D., Paralipomena (Oxford, 1971): 322 Bulletin du Musée Hongrois des Beaux-Arts, Budapest: 114-115 (2011) 31, FIG.9 (DRAWING OF B) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 73 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 152 Denoyelle, M. (ed.), Euphronios Peintre, Recontres de l'Ecole du Louvre 10 Octobre 1990 (Paris, 1992): 58, FIG.11, 48-50, FIGS.1-3 (A, PART OF B) Hedreen, G., The Image of the Artist in Archaic and Classical Greece, Art, Poetry, and Subjectivity (Cambridge, 2016): PLS.10-11 (COLOUR OF A AND B) Heilmeyer, W-D. and Giuliani, L. (eds.), Euphronios, der Maler, eine Ausstellung in der Sonderausstellungshalle der Staatlichen Museen Preußischer Kulturbesitz Berlin-Dahlem, 20.3. - 26.5.1991 (Milan, 1991): 71-76, NO.2 (COLOUR, PROFILE, DRAWING OF PART) Heilmeyer, W.D. et al., Euphronios und seine Zeit, Kolloquium in Berlin 19./20. April 1991 anlässlich der Ausstellung Euphronios der Maler (Berlin, 1991): 107, FIG.1, 67, FIG.17 (DRAING OF B, PROFILE) Meyer, M. and Adornato, G. (eds.), Innovations and Inventions in Athens c. 530 to 470 BCE, Two Crucial Generations. Wiener Forschungen zur Archäologie 18 (Vienna, 2020): FIGS.8.10A-B (COLOUR, DRAWING OF PART) Neer, R.T., Style and Politics in Athenian Vase-Painting, The Craft of Democracy, ca.530-460 B.C.E. (Cambridge, 2002): 45, FIG.13 (A) Oakley, J.H. (ed.), Athenian Potters and Painters, Volume III (Oxford and Philadelphia, 2014): 54, FIG.7 (PART OF B) PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 7 (A, B, DRAWING) Panvini, R. and Giudice, F. (eds.), Ta Attika, Attic Figured Vases from Gela (Rome, 2003): 204, FIG.22 (COLOUR OF DETAIL) Pasquier, A., Euphronios, genie de la peinture grecque, Archeologia hors serie numero 1 (Dijon, 1991): 8 TOP, 34 BOTTOM (COLOUR, DRAWING OF SIGNATURE) Pottier, E., Vases antiques du Louvre (Paris, 1897-1922): PL.105 Schafer, A, Unterhaltung beim griechischen Symposium (Mainz, 1997): PL.26.1-2 (B, DRAWING OF B) Schefold, K., Götter und Heldensagen der Griechen in der spätarchaischen Kunst (Munich, 1978): FIG.113 Verbanck-Pierard, A. and Viviers, D., (eds.), Culture et Cite, L'avenement d'Athenes a l'epoque archaique, Actes du Colloque int. (Brussels, 1995): 167, FIG.2 (DRAWING OF PART OF B)
CAVI Lemma: Frs. of RF calyx krater. Euphronios. Last quarter sixth. 510-500. 515-510
(`Euphronios').
CAVI Subject: A: Heracles and the Lion. B: komos: askoliasmos.
CAVI Inscriptions: A: to right of a tree trunk: hερακ[λες]{1}. B: in the upper left: [--]ες.
Between a youth seen from the back and his neighbor: Ευφρον^[ιος]{2}. Below
(along the back of the neighbor): εγρ[α]φσεν τ̣α̣δε vac.{3}. Above the beginning
of egraphsen: [Ελπι]νικος(?){4}. Between the `neighbor' and the next youth,
facing the former: Ευ[τραπ?]ελος{4}.
CAVI Footnotes: {1} see ill., p. 62. {2} the `neighbor''s body intervenes. {3} tade is on a
newly inserted fr. {4} so Villard.
CAVI Comments: + many Louvre frs. added by Villard. The names may be telling. `Euphr.' makes
a comparison of the extended signature with Euthymides' famous ὡς οὐδέποτε
Εὐφρόνιος. See Denoyelle's discussion. Scheibler has a slightly different
reconstruction of the askoliasmos from Villard's. It contradicts the literary
tradition in that it allows for more than one person on the wineskin at any one
time. For `ταδε' cf. perhaps Johnston (1990), 416, 432/I, pl. 73,3: a stele base
in the Triti Ephoria: καὶ τόδε Ἀριστοκλέο̅ς.
