Decoration: Body: POMPE (NAKED) WITH WREATH BETWEEN EROS TYING SANDAL AND SEATED DIONYSOS, BASKET
Last Recorded Collection: New York (N.Y.), Metropolitan Museum: 25.190
Publication Record: Adam-Veleni, P. et al. (eds), Il dono di Dioniso, Mitologia del vino nell'Italia centrale (Molise) e nella Grecia del Nord (Macedonia) (Thessaloniki, 2011): 134, FIG.6 (COLOUR) American Journal of Archaeology: 30 (1926), 422, FIG.1 American Journal of Archaeology: 49 (1945), 520, FIG.1 Arias, P. and Hirmer, M., A History of Greek Vase Painting (London, 1962): PL.224 Biers, W., The Archaeology of Greece (Cornell, 1980): 272, FIG.9.44 Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.394 Bulletin van de Vereeniging tot Bevordering der Kennis van de Antieke Beschaving: 20 (1945), 25, FIG.25 Bulletin van de Vereeniging tot Bevordering der Kennis van de Antieke Beschaving: 42 (1967), 77, FIG.4 Deubner, L., Attische Feste (Berlin, 1932): 103, PL.9.4 Eschbach, N. and Schmidt, S. (eds.), Töpfer, Maler, Werkstatt. Zuschreibungen in der griechischen Vasenmalerei und die Organisation antiker Keramikproduktion (Munich, 2016): 142, FIG.2 BOTTOM LEFT (PART OF BD) Folsom, R., Attic Red-Figured Pottery (Parkridge, 1976): PL.63 Hamdorf, D., Dionysos, Bacchus, Kult und Wandlungen des Weingottes (Munich, 1986): 80, PL.42 Hesperia Supplement 8, Commemorative Studies in Honour of T. Leslie Shear (1949): PL.4.1 Hoorn, G. van, Choes and Anthesteria (Leiden, 1951): NO.759 Jahrbuch des Deutschen Archäologischen Instituts: 42 (1927), 173, FIG.3 Jahrbuch des Deutschen Archäologischen Instituts: 80 (1965), 121, FIG.12 (DRAWING) Kaltsas, N. and Shapiro, A., Worshiping Women, Ritual and Reality in Classical Athens (Athens and New York, 2008): 243, FIG.1 (COLOUR) L'Antiquité classique: 3 (1934), PL.15 Lee, M.M., Body, Dress and Identity in Ancient Greece (Cambridge, 2015): 217, FIG.7.11 (BD) Lexicon Iconographicum Mythologiae Classicae: VII, PL.348, POMPE 2 Mertens, J., How to read Greek vases (New York, 2010): 147, FIG.49 (COLOUR OF BD) Metzger, H., Les representations dans la ceramique attique du IVe siecle (Paris, 1951): PL.45.1 Neils, J., The Parthenon Frieze (Cambridge, 2001): 196, FIG.136 (BD) PHOTOGRAPH(S) IN THE BEAZLEY ARCHIVE: 11 Papanastasiou, A., Relations Between Redfigured and Black-glazed Vases in Athens of the 4th Century B.C., BAR International Series 1297 (Oxford, 2004): PL.56.2 (BD) Picon, C.A., Mertens, J.R., et al., Art of the Classical World in the Metropolitan Museum of Art, Greece, Cyprus, Etruria, Rome (New York, 2007): 148, NO.167 (COLOUR OF BD) Richter, G. & Hall, L., Red-figured Athenian Vases in the Metropolitan Museum of Art (New Haven, 1936): PLS.164, 177, NO.169 (INC. DRAWING) Richter, G. & Milne, M., Shapes and Names of Athenian Vases (New York, 1935): FIG.121 Richter, G., Attic Red-figured Vases. A Survey (New Haven, 1946): FIG.123 (PART) Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 288, FIG.291 Schefold, K., Der religiöse Gehalt der antiken Kunst und die Offenbarung (Mainz, 1998): 303, FIG.82 (BD) Schefold, K., Kertscher Vasen (Berlin, 1930): PL.10 (BD) Schefold, K., Kertscher Vasen (Rome, 1970): PL.10 (BD) Schmidt, S., Rhetorische Bilder auf attischen Vasen, Visuelle Kommunikation im 5. Jahrhundert v. Chr. (Berlin, 2005): 192, FIG.98 (BD) Simon, E. and Hirmer, M., Die Griechischen Vasen (Munich, 1976): PL.235 Simon, E., Ausgewählte Schriften, I, Griechische Kunst (Mainz, 1998): 171, FIG.14.11 (BD) Simon, E., Festivals of Attica, an Archaeological Commentary (Wisconsin, 1983): PL.5.2 Smith, A.C., Polis and Personification in Classical Athenian Art (Leiden, 2011): FIG.8.6 (PART) Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 201, FIG.185 (COLOUR)
CAVI Lemma: RF oinochoe (chous). From Athens? Unattributed. Ca. 350 (Richter).
CAVI Subject: Preparations for a procession: Eros on raised ground tying his sandal; a
processional basket(1); a woman with a wreath. Dionysus seated on a platform.
CAVI Inscriptions: All inscriptions are above the heads: Ερως. Πομπη. Δ̣ιονυ[σος].
CAVI Footnotes: {1} see Richter–Hall (1936), i, 216, n. 5.
CAVI Comments: The shape of the vase suggests the Anthesteria (Richter). Brendel interprets
the scene as preparation for the procession from the Limnaeum to the Boukolion,
leading to the Hieros Gamos at the Anthesteria.
