Attributed To: EUPHRONIOS by BLOESCH FOUNDRY P by BEAZLEY
Decoration: A,B: CENTAUROMACHY, CENTAURS AND WARRIORS, SHIELD DEVICES, HORSE, OCTOPUS, IVY LEAVES, TREE I: CENTAUROMACHY, WARRIOR (LAPITH ?) AND CENTAUR
Last Recorded Collection: Munich, Antikensammlungen: J368
Previous Collections:
Munich, Antikensammlungen: 2640
Publication Record: Arts (online journal): 8.3 (2019) 118, FIG.4 (COLOUR OF I) BEAZLEY NOTEBOOK: 76, 80.2 BEAZLEY NOTEBOOK: 78, 33.2 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 402.22, 1651 Beazley, J.D., Paralipomena (Oxford, 1971): 370 Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.268 (I) Bonacasa, N. (ed.), Lo Stile Severo in Grecia e in Occidente, Aspetti e problemi, Studi e Materiali 9 (Rome, 1995): PL.3.1 (I) Brinkmann, V. (ed.), Zurück zur Klassik, ein neuer Blick auf das alte Griechenland, eine Ausstellung der Liebieghaus Skulpturensammlung, Frankfurt am Main, 8. Februar bis 26. Mai 2013 (Munich, 2013): 234, 348, FIG.248, NO.69 (COLOUR OF I AND A) Buitron-Oliver, D. (ed.), New Perspectives in Early Greek Art (Hanover and London, 1991): 290, FIG.5 (I) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 114 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 231 Corpus Vasorum Antiquorum: MUNICH, ANTIKENSAMMLUNGEN 16, 43, 44, 45, 46, 47, FIGS.15-18, BEILAGE 1.2, PLS.(4691,4692,4693,4728) 26.1-6, 27.1-2, 28.1-5, 63.10 View Whole CVA Plates Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 81, FIG.61 (A, B) Ellinghaus, C., Die Parthenonskulpturen, Der Bauschmuck eines öffentlichen Monumentes der demokratischen Gesellschaft Athens zur Zeit des Perikles, Techniken in der bildenden Kunst zur Tradierung von Aussagen (Hamburg, 2011): FIG.55 (DRAWINGS OF A AND B) Francis, E.D., Vickers, M. (ed.), Image and Idea in Fifth-Century Greece (London, 1990): FIG.20 (I) Frel, J., Greek Portraits in the J. Paul Getty Museum (Malibu, 1981): 9, FIG.24 (PART OF I) Frontisi-Ducroux, F., Du Masque au Visage, Aspects de l'identite en Grece ancienne (Paris, 1995): PL.35 (I) Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): PL.19 (A, PART OF B) Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): PL.86 (A, B, I) Hamdorf, F., Attische Vasenbilder der Antikensammlungen in München (Munich, 1978): II, 49-51, PLS.21-22 (DRAWINGS OF I, A AND B) Journal of Hellenic Studies: 94 (1974) PL.14A (I) Knauer, E.R., A Red-Figure Kylix by the Foundry Painter, Observations on a Greek Realist, Indiana University Art Museum, Occ. Papers (1987): 12, FIG.19, 15, FIGS.22-23 (PART OF B, PARTS OF I) Kurtz, D.C. (ed.), Greek Vases, Lectures by J.D. Beazley (Oxford, 1989): PLS.60-61 (I, A, B) Lexicon Iconographicum Mythologiae Classicae: VIII, PLS.426, 428 KENTAUROI ET KENTAURIDES 175, 191 (I, A, B) Muth, S., Gewalt im Bild, Das Phänomen der medialen Gewalt im Athen des 6. und 5. Jahrhunderts v. Chr. (Berlin, 2008): 414, 474, FIGS.294, 348 (A, DRAWING OF A, B AND I) Padgett, J.M. (ed.), The Centaur's Smile, The Human Animal in Early Greek Art (Princeton, 2003): 16, FIG.11 (I) Simon, E. and Hirmer, M., Die Griechischen Vasen (Munich, 1976): PL.157 (I) Syropoulos, S., A Bestiary of Monsters in Greek Mythology (Oxford, 2018): 61 (COLOUR OF I) Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 157, FIG.134 (COLOUR OF I)
CAVI Lemma: RF cup. From Vulci. Foundry Painter [[Erzgiesserei-Maler]]. First quarter
fifth.
CAVI Subject: Centauromachy: Int.: Lapith and centaur. A: Lapith and centaur; Lapith;
Lapith and centaur. B: (fragmentary): Lapith; centaur and Lapith.
CAVI Inscriptions: Nonsense: Int.: to left of the Lapith's head, along the margin: ν(ο)εσγσς,
retr. On its right, similar: (λ)υνσεσ. A: to right of the heads of the pair at
left: (ο)νσευν. Similar to right of the single Lapith's head: (λ)νγυγσε. To
right of the right Lapith's head: (σ)ν(ν)εγν(ο)ν. B: to right of the centaur's
head: νσνλε(.).
CAVI Comments: The inscriptions on the Int. are written without turning the vase (see AttScr
(1990), 89). Perhaps an inscription for each Lapith?
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
Image Credits: FURTWANGLER-REICHHOLD DRAWINGS: Please consult with Williams College Special Collections staff and Williams College Visual Resources Center staff, regarding questions about publishing and accessing materials from Williams College Special Collections. Researchers are responsible for handling any copyright issues that may be associated with collections and materials.
