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310400, ATHENIAN, Boulogne, Musée Communale, 558

  • Vase Number: 310400
  • Fabric: ATHENIAN
  • Technique: BLACK-FIGURE
  • Shape Name: AMPHORA, BELLY, TYPE B
  • Date: -575 to -525
  • Attributed To: EXEKIAS by BEAZLEY
  • Last Recorded Collection: Boulogne, Musée Communale: 558
  • Publication Record: Aloni, A., and Ornaghi, M. (eds.), Tra panellenismo e tradizioni locali, Nuovi contributi (Messina, 2011): 80, FIG.10 (A)
    Angiolillo, S., Arte e cultura nell'Atene di Pisistrato e dei Pisistratidi (Bari, 1997): 129, FIG.72 (A)
    Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 145.18
    Beazley, J.D., Paralipomena (Oxford, 1971): 60
    Bielfeldt, R. (ed.), Ding und Mensch in der Antike. Gegenwart und Vergegenwärtigung (Heidelberg, 2014): 344, FIG.32 (A)
    Boardman, J., The history of Greek vases, potters, painters and pictures (London, 2001): 63, FIG.82 (PART OF A)
    Buitron-Oliver, D. (ed.), New Perspectives in Early Greek Art (Hanover and London, 1991): 52, FIG.23 (DRAWING OF A)
    Buxton, R., La grece de l'imaginaire, les contextes de la mythologie (Paris, 1996): PL.19 (A)
    Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.332 (A)
    Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 40
    Eschbach, N. and Schmidt, S. (eds.), Töpfer, Maler, Werkstatt. Zuschreibungen in der griechischen Vasenmalerei und die Organisation antiker Keramikproduktion (Munich, 2016): 89-90, FIGS.2A-B, 3A-C (A AND B, AND PARTS OF A AND B)
    Gagarin, M. (ed.), The Oxford Encyclopedia of Ancient Greece and Rome (Oxford, 2010): VOLUME 6, 400 (A)
    Garvie, A.F., The Plays of Sophocles (London, 2005): FRONTCOVER (DRAWING)
    Geroulanos, S. and Bridler, R., Trauma, Wund-Entstehung und Wund-Pflege im antiken Griechenland (Mainz, 1994): FIG.65 (A)
    Girard, T., L'oblique dans le monde grec (Oxford, 2015): 142, 144, FIGS.135A-B (A)
    Grmek, M. and Gourevitch, D., Les maladies dans l'art antique (1998): 139, FIG.97 (PART OF A)
    Hedreen, G., Capturing Troy, The Narrative Functions of Landscape in Archaic and Early Classical Greek Art (Ann Arbor, 2001): FIG.27 (A)
    Hephaistos: 11/12 (1992/93) 13, FIG.2 (A)
    Holmberg, E.J., On the Rycroft Painter and other Black-Figure Vase-Painters with a Feeling for Nature (Jonsered, 1992): 32, FIG.20 (A)
    Hurwit, J.M., Artists and Signatures in Ancient Greece (Cambridge, 2015): 83, FIG.42 (A)
    Kurtz, D.C. (ed.), Greek Vases, Lectures by J.D. Beazley (Oxford, 1989): PL.7 (A)
    Latacz, J. et al., Homer, Der Mythos von Troia in Dichtung und Kunst (Munich, and Basel 2008): 393-394, NO.137 (COLOUR OF AND B)
    Mackay, E.A., Tradition and Originality, A Study of Exekias (Oxford, 2010): PLS.58-59, CHARTS 1.4, 1.5, 2.2, 3.5, 4.2, 5.2, 6.2, 6.3, 8.1 (A, B, PARTS)
    Meyer, M. and Adornato, G. (eds.), Innovations and Inventions in Athens c. 530 to 470 BCE, Two Crucial Generations. Wiener Forschungen zur Archäologie 18 (Vienna, 2020): FIG.8.15 (COLOUR OF A)
    Minerva, International Review of Ancient Art and Archaeology: 13.1 (JANUARY/FEBRUARY 2002) 15, FIG.9 (COLOUR OF A)
    Moignard, E., Master of Attic Black-Figure Painting. The Art and Legacy of Exekias (London and New York, 2015): 30, FIG.5 (A), PLATE 3 (COLOUR OF A)
    Neer, R.T., Art and Archaeology of the Greek World, a new history, c.2500-c.150 BC (London, 2012): 145, FIG.5.41 (COLOUR OF A)
    Papers on the Amasis Painter and his World (Malibu, 1987): 32, FIG.4 (DRAWING OF A)
    Pedley, J.G., Greek Art and Archaeology (New Jersey, 1993): 186, FIG.6.64 (A)
    Pedley, J.G., Greek Art and Archaeology. Fifth Edition (London, 2011): 194, FIG.6.78 (COLOUR OF A)
    Reusser, C. and Bürge, M. (eds.), Exekias hat mich gemalt und getöpfert, Ausstellung in der Archäologischen Sammlung der Universität Zürich, 9.11.2018-31.3.2019 (Zurich, 2018): 223-226, FIGS.153-157 (COLOUR OF A AND B, PARTS OF A AND B)
    Reusser, C. and Bürge, M. (eds.), Exekias und seine Welt, Tagung an der Universität Zürich vom 1.–2. März 2019, Züricher Archäologische Forschungen 8 (Zurich, 2022): PL.51E-F (DRAWINGS OF PARTS OF A)
    Rizzo, M.A. (ed.), Un Artista Etrusco e il suo mondo. Il Pittore di Micali (Rome, 1988): 16, FIG.7 (PART OF A)
    Sansone, D., Ancient Greek Civilization, 2nd edition (Oxford, 2009): 156, FIG.42 (A)
    Shapiro H.A., Myth into Art, Poet and Painter in Classical Athens (London, 1994): 152, FIG.107 (A)
    Siracusano, A., Arte greca, un'interpretazione (Messina, 2009): 110, FIG.8 (A)
    Stampolidis, N.C. et al. (eds.), Beyond. Death and Afterlife in Ancient Greece (Athens, 2014): 18, 59, FIG.5 (COLOUR OF A)
    Stansbury-O'Donnell, M.D, Pictorial Narrative in Ancient Greek Art (Cambridge, 1999): 177, FIG.75 (A)
    Stansbury-O'Donnell, M.D., A History of Greek Art (Oxford, 2015): 216, FIG.9.5 (COLOUR OF A)
    Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 88, FIG.49 (COLOUR OF A)
    Torelli, M., Semainein, Significare, Scritti vari di ermeneutica archeologica, a cura di Angela Sciarma (Pisa and Rome, 2012): 409, FIG.24 (A)
    Valavanis, P. and Kourkoumelis, D., Chaire kai piei, drinking vessels (1996): 46 (DRAWING OF PART OF A)
    Whitehouse, R.D., Lancaster in Italy (Lancaster, 1980): 196, FIG.9.1 (PART OF A)
    Wünsche, R., Der Torso, Ruhm und Rätsel (Munich, 1998): 129, FIG.188 (A)
  • LIMC ID: 30460
  • LIMC Web:
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