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18549, ATHENIAN, Amsterdam, Allard Pierson Museum, RALS801

  • Vase Number: 18549
  • Fabric: ATHENIAN
  • Technique: BLACK-FIGURE
  • Shape Name: CUP, LITTLE MASTER BAND, FRAGMENTS
  • Date: -575 to -525
  • Inscriptions: Named: HERAKLES, IOLEOS, ATHENAIA
  • Attributed To: Compare AMASIS P by HEMELRIJK
  • Decoration: A: HERAKLES AND THE LION, IOLAOS WITH SWORD, ATHENA, ALL NAMED, ONLOOKERS
    B: WARRIOR, HORSES, BETWEEN ONLOOKERS (ACHILLES AND TROILOS ?), NONSENSE INSCRIPTIONS
  • Last Recorded Collection: Amsterdam, Allard Pierson Museum: RALS801
  • Publication Record: Corpus Vasorum Antiquorum: AMSTERDAM, ALLARD PIERSON MUSEUM 2, 65-67, FIGS.31-32, PL.(411) 102.1-2 View Whole CVA Plates
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=165
  • AVI Record Number: 0151d
  • CAVI Collection: Amsterdam, Allard Pierson Museum RALS 801a-b (loan).
  • CAVI Lemma: Fragmentary BF band cup. Circle of Amasis Painter (Heesen). Ca. 550 (Heesen).
  • CAVI Subject: A: handle zone: in the center, Heracles and the Lion; at his left, Iolaus holding out a sword; at his right, Athena to left; at the far left, two youths looking on; at the far right, a youth looking on (an eighth figure on the right is probably missing). B: handle zone: a fragmentary: warrior approaching two horses, one black, the other white; on each side three onlookers{1}.
  • CAVI Inscriptions: A: handle zone: between the two onlookers at left, vertically down, nonsense: υσλογ(α)σ;(2) behind Iolaus' upper body, vertically down and facing: [Ι]ολεος, retr. To left of Heracles' back, diagonally downward: hερακ{ε}λες, retr. (this inscription is in larger letters than the others); between the lion and Athena, in a curve that follows the lion's tail, a faint nonsense inscription of 10 very small letters. Behind Athena's back, downward and somewhat curved, partly facing: Αθεναια{3}. This inscription is also somewhat larger than the nonsense inscription, but is smaller than Heracles'. To right of the right-hand youth, downward, is another nonsense inscription of five preserved letters (unless at the top there is another letter to begin the inscription, with a break following, but the facs. does not indicate this). There are further traces at the right edge, I do not know whether of an inscription. B: each onlooker is given a downward nonsense inscription, usually not straight; the warrior has a horizontal inscription, of which the first four letters are preserved. The horses, which face right, seem not to be `inscribed'.
  • CAVI Footnotes: {1} P. H. thinks perhaps Achilles stalking Troilus. {2} the facs. however, has: λσλοσ(δ)σ. The delta may be a miswritten omicron rather than alpha. {3} The first letter is retr. and not facing; it takes with it the next two letters (ΑΘΕ), but the next four letters face Athena and are not retr. The nu is somewhat misshapen.
  • CAVI Comments: On loan from Amsterdam, R.A. Lunsingh Scheurleer collection. Not previously published. - An important vase for the mixture of sense and nonsense. Heesen 86 compares a vase in Winchester, ABV 303; the incriptions show that our vase is not by the Amasis Painter. - The nonsense inscriptions seem to use somewhat different letter forms, e.g lambda 1 (in the chart in AttScr) vs. lambda 2.
  • CAVI Number: 151d
  • AVI Bibliography: P. Heesen, CVA Amsterdam 2, Netherlands 8 (1996), pl. 102,1-2 (both show inscriptions), figs. 31 (profile) and 32 (small facs. of inscriptions on A) (no bibl.).
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
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Last updated 02/08/2024 04:11:00. Approved by Mannack, Thomas. Copyright © 2003-2025 Classical Art Research Centre, University of Oxford.

Link to this record using the address https://www.beazley.ox.ac.uk/record/931FCF05-2797-47A9-8355-A779ED2A15B7

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