Decoration: A: DIONYSOS WITH KANTHAROS AND VINE, SATYR PLAYING PIPES, SATYRS, MAENADS WITH THYRSOS, SNAKES B: KOMOS, MEN, YOUTH PLAYING PIPES, VOLUTE KRATER I: NAKED WOMEN WITH ALABASTRON, SPONGE
Last Recorded Collection: Naples, Museo Archeologico Nazionale: STG5
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 32.4 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 81.7 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 157 Keuls, E., The Reign of the Phallus (New York, 1985): 173, FIG.150 (I) Kilmer, M.F., Greek Erotica on Attic Red-Figure Vases (London, 1993): PL. AT P.82, NO.R73 (COLOUR OF I) Numismatica e Antichita Classiche, Quaderni Ticinesi: 16 (1987) 84-85, PLS.13-14 Vasi Antichi, Museo Archeologio Nazionale di Napoli (Naples 2009): 52-53 (COLOUR OF I, COLOUR OF PART OF B)
CAVI Lemma: RF CUP. FROM ETRURIA. PEZZINO GROUP{1}. EUXITHEOS, POTTER (?) (BLöSCH). LAST
QUARTER SIXTH.
CAVI Subject: INT.: A NAKED WOMAN, SEATED, SPONGING HER BOOT; A NAKED WOMAN WITH AN
ALABASTRON. A: DIONYSUS WITH SATYRS AND MAENADS. B: KOMOS AT A KRATER.
CAVI Inscriptions: NONSENSE: INT.: AT LEFT: (.)(ο)ιε{2}. BETWEEN HEADS: υχγ{2}. AT RIGHT:
ο(π)επχι. A: TO DIONYSUS' RIGHT: τετε, RETR. AND MANY MORE. B: BETWEEN THE LEGS
OF THE MAN AT THE KRATER: χλεχι. ELSEWHERE: απχ. εχο. χυ, RETR.?{3}.
CAVI Footnotes: {1} ARV[1] 81: CHELIS GROUP; SHOWS THE INFLUENCE OF EUTHYMIDES AND THE
KLEOPHRADES PAINTER IN HIS EARLIEST PHASE (FOR THE RELATIONSHIP SEE ARV[1] 120)
AND IS TO BE GROUPED WITH LEIDEN 18 H 36 [= PC 85] AND MUNICH 2420. ARV[2] 114:
NOW CONSIDERED BY THE SAME HAND AS THE LAST TWO [SEE ARV[2] 32/1 AND 3] AND
PLACED UNDER THE HEADING OF THE PEZZINO PAINTER. [BUT ON P. 32 ONLY THE PEZZINO
GROUP IS MENTIONED, WHICH IS SAID TO BE SOMEWHAT AKIN TO THE EARLIEST WORK OF
THE KLEOPHRADES PAINTER.] {2} THERE MAY BE MORE. {3} MORE INSCRIPTIONS?
CAVI Comments: SLOPPY WRITING; THE FIRST LETTER OF THE FIRST INSCRIPTION IS SMEARED, THE
SECOND WIDE OPEN AT THE LEFT; THE FIRST PI OF THE THIRD INSCRIPTION = IONIC
GAMMA. FOR THE NONSENSE TRADITION STEMMING FROM EUTHYMIDES SEE MY ARTICLE `THE
LETTERING OF EUPHRONIUS,' IN EUPHRONIOS UND SEINE ZEIT (1992) 52F. THE LETTERING
ON NAPLES STG. 5 IS PARTICULARLY CLOSE TO THAT ON MUNICH 2420.
