Decoration: A,B: UNDECORATED I: YOUTH AT POINTED AMPHORA
Last Recorded Collection: Kassel, Staatliche Museen Kassel, Antikensammlung: T504
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 142.5 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 117.7 Bentz, M. and Kästner, U. (eds.), Konservieren oder restaurieren, Die Restaurierung griechischer Vasen von der Antike bis heute, Beiheft zum Corpus Vasorum Antiquorum Deutschland III (Munich, 2007): PL.16.1 (COLOUR OF HANDLE) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 88 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 178 Catalogue de la vente Somzee: PL.1.43 Catalogue de la vente Somzee: PL.37.III.3 Corpus Vasorum Antiquorum: KASSEL, ANTIKENABTEILUNG DER STAATLICHEN KUNSTSAMMLUNGEN 1, 59-60, FIG.18, PLS.(1719-1720) 39.1, 40.2 View Whole CVA Plates Hartwig, P., Die griechischen Meisterschalen (Stuttgart, 1893): 181 Martens, D., Une esthetique de la transgression, le vase grec de la fin de l'epoque geometrique au debut de l'epoque classique (Brussels, 1992): 182, FIG.79 (I) Panvini, R. and Giudice, F. (eds.), Ta Attika, Attic Figured Vases from Gela (Rome, 2003): 277.E12 (I)
CAVI Collection: Kassel, Staatliche Kunstsammlungen T 504.
CAVI Lemma: RF cup. From Gela. Group of Adria B 300 (Coarser Wing II){1}. Last quarter
sixth. Ca. 510 (Lullies).
CAVI Subject: Int.: naked youth squatting beside an amphora and holding a hand to it to see
(by its temperature) how full it is. Ext.: plain.
CAVI Inscriptions: Int.: above the youth: καλος Χα[ιριας]{2}.
CAVI Footnotes: {1} ARV[1] 117/7 attributed the cup to the manner of the Pithos Painter.
Lullies does not have a separate attribution. {2} so Lullies; Klein's reading of
the name is probably correct, although Χα[ροφς] is an alternative, cf.
Copenhagen, NM 127, CAVI 3235, by the Charops Painter. καλος Χα[--], Blösch. Not
in Beazley.
