Attributed To: OLTOS by BEAZLEY PAMPHAIOS by SIGNATURE
Decoration: A: SATYR ATTACKING MAENAD WITH LEOPARD SKIN AND SNAKE B: SATYR ATTACKING MAENAD WITH BRANCH Neck A: NAKED WOMAN IN SAKKOS SEATED ON CUSHION TYING SANDAL, CLOTH AND PIPESCASE SUSPENDED Neck B: NAKED WOMAN IN SAKKOS TYING SANDAL On handle1: YOUTH (WREATH TIED WITH FILLET), WITH WREATHS AND SPRIGS On handle2: YOUTH TIED WITH FILLET (VICTOR ?)
Last Recorded Collection: Paris, Musée du Louvre: S1409
Previous Collections:
Paris, Musée du Louvre: 9891014
Paris, Musée du Louvre: G2
Publication Record: Antike Welt: 1988, SONDERNUMMER, 6, FIG.8 (PART OF A) Antike Welt: 39.6 (2008) 37, FIG.1 (COLOUR OF NB) Antike Welt: 8 (1977) SONDERNUMMER, 59, FIG.75 (A) Barringer, J.M., Divine Escorts, Nereids in Archaic and Classical Greek Art (Ann Arbor, 1995): PL.91 (A) Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 320.13 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 53.2, 1622 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 34.4, 101.(2) Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 11.2 Beazley, J.D., Paralipomena (Oxford, 1971): 326 Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 79 Buschor, E., Griechische Vasenmalerei (Munich, 1914): 149 (A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 163 Cazzato, V. (ed.), The Symposion, Drinking Greek Style, Essays on Greek Pleasure 1983-2017 Oswyn Murray (Oxford, 2018): 204, FIG.15 (NA) Charbonneaux, J., Martin, R., and Villard, F., Archaic Greek Art (London, 1971): 317, FIG.364 (NECK A) Classical Antiquity: 22 (2003) FIG.6 AT 54 (NA) Cohen, B. (ed.), Not the Classical Ideal, Athens and the Construction of the Other in Greek Art (Leiden, Boston and Köln, 2000): 220, FIG.8.8 (A) Corpus Vasorum Antiquorum: PARIS, LOUVRE 5, III.IC.17, III.IC.18, PL.(364) 26.1.3-7 View Whole CVA Plates Denoyelle, M., Chefs-d Oeuvre de la Ceramique Grecque dans les collections du Louvre (Paris, 1994): 102-103, NO.46 RIGHT (COLOUR OF A, OR) Dierichs, A., Erotik in der Kunst Griechenlands (Mainz, 2008): 33, 94, FIGS.22, 69 (COLOUR OF B AND NA) Folsom, R., Attic Red-Figured Pottery (Parkridge, 1976): PL.13 (A) Gherchanoc, F. and Huet, V. (eds.), Vetements antiques, S'habiller, se deshabiller dans les mondes anciens (Arles, 2012): 16-17, 19-20, FIGS.1-2, 4-5 (COLOUR OF NA, NB, OH1 AND PART OF NA) Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 168, FIG.103 (A) Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): II,301 International Congress of Classical Archaeology, 12, Athens, 1983. Praktika, 2-3 Tou XII Diethnous Synedriou Klasikes Archaiologias, Athena, 4-10 Sep: B, PL.21.4 (A) Jacobsthal, P., Ornamente Griechischer Vasen (Berlin, 1927): PLS.44A, 45A Journal of Hellenic Studies: 114 (1994) PL.4B (A, B) Kaltsas N. (ed.), Agon, Exhibition catalogue (Athens, 2004): 74, FIG.1 (COLOUR OF OH1) Kephalidou, E., Nikitis, Eikonographiki meleti tou archaiou ellinikou athlitismou (Thessaloniki, 1996): PLS.16-17 (OH) Keuls, E., The Reign of the Phallus (New York, 1985): 376, FIG.318 (A) Kéi, N., L'esthétique des fleurs, kosmos, poikilia et kharis dans la céramique attique du VIe et du Ve siècle av. n. ère, ICON 22 (Berlin and Boston, 2022): 27, FIG.2 (A) Lexicon Iconographicum Mythologiae Classicae: VIII, PL.538, MAINADES 62 (A, B) Lindblom, A., Take a Walk on the Wild Side. The Behaviour, Attitude and Identity of Women Approached by Satyrs on Attic Red-Figure Vases from 530 to 400 B.C. (Stockholm, 2011): 257, NO.175 (A, B) Marcade, J., Eros Kalos (Geneva, 1962): 95, 158, 161 (A,B, NECK A) Martens, D., Une esthetique de la transgression, le vase grec de la fin de l'epoque geometrique au debut de l'epoque classique (Brussels, 1992): 141, FIG.60 (A) Mededelingen van het Nederlands Instituut te Rome: 11 (1985) PL.5.29 (A) Museum Helveticum: 38 (1981) PLS.5.2, 4, 6.2, 7.2, 8.2, 3, 5 (A,B, PARTS) Panto, G. (ed.), I modi dell'Eros. Reperti archeologici a tema erotico del Museo di Antichita di Torino (Turin, 2011): 11, LEFT (PART OF NB) Perrot, G., Chipiez, C., Histoire de l'art dans l'antiquite, vols. IX-X (Paris, 1911-14): X, 309 (A) Peschel, I., Die Hetäre bei Symposium und Komos in der attisch rotfigurigen Malerei des 6.-4. Jhs. v.Chr. (Frankfurt, 1987): PL.23 (NAB) Pfuhl, E., Malerei und Zeichnung der Griechen (Munich, 1923): FIG.362 (A) Pottier, E., Vases antiques du Louvre (Paris, 1897-1922): PL.88 Schöne, A., Der Thiasos, Eine ikonographische Untersuchung über das Gefolge des Dionysos i.d. att. Vasenmalerei des 6.u.5. Jhs.v.Chr. (Goteborg,1987): PL.21 (A, B) Simon, E. and Hirmer, M., Die Griechischen Vasen (Munich, 1976): PL.91, RIGHT (A) Tiverios, M.A., Elliniki techni, archaia angaia (Athens, 1996): 120, FIG.90 (COLOUR OF A) Villanueva-Puig, M-C., Menades, Recherches sur la genese iconographique du thiase feminin de Dionysos des origins a la fin de la period archaique (Paris, 2009): 220-221, FIGS.2-3 (A, B) Zeitschrift für Papyrologie und Epigraphik: 55 (1984) PL.22.21 (B)
CAVI Lemma: RF Nikosthenic neck amphora. From Etruria. Oltos. Pamphaios, potter. Last
quarter sixth.
CAVI Subject: Neck: a naked woman tying her sandal. B: similar. Body: A: a satyr carrying
off a maenad. B: a maenad defending herself against a crouching satyr. On each
handle: a victor.
CAVI Inscriptions: Body: A: above the scene, at the height of the maenad's head: Φανφαι^ος
εποιει.(1)
CAVI Footnotes: {1} Oltos has both εποιε and εποιει: Threatte (1996), 511 and 512; for the
former see Copenhagen, ARV[2] 59/57 (uncertain).
CAVI Number: 6379
AVI Bibliography: E. Pottier, CVA Louvre 5, France 8 (1928), III I c, pl. 26,1,3-7. —
Arias–Hirmer–Shefton (1962), pl. 99. — ARV[2] (1963), 11, 53/2 (much bibl.),
1618, 1622. — Para. (1971), 140/4 and 326. — Immerwahr (1984), 343 and 349/16
(not ill.). — Add.[2] (1989), 163 (much bibl.).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
