Publication Record: Annali del Seminario di Studi del Mondo Classico: 10 (1988), FIG.11.2 (DRAWING) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1581.20 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 389 Corpus Vasorum Antiquorum: LONDON, BRITISH MUSEUM 5, III.IC.5, PL.(301) 51.1 View Whole CVA Plates Pallas, Revue d'etudes antiques: 93 (2013) 78, FIG.8 (DRAWING OF A) Proceedings of the Cambridge Philological Society: 27 (1981) 110, FIG.1 (DRAWING OF PART)
CAVI Lemma: Fragmentary RF Nolan amphora From Nola. Nikon Painter (HRI). Second quarter
fifth. Ca. 460.
CAVI Subject: A: Nike at a tripod on a three-stepped base.
CAVI Inscriptions: A: on the top step of the tripod base: Ακαμαντις | ενικ̣α φυλε. On the bottom
step: Γλαυκων καλος.
CAVI Comments: Pickard-Cambridge(2), Davies and Webster think Glaukon won a choral victory
of his tribe, but Glaukon is a very common kalos-name in this period (see AttScr
(1990), 100 n. 10). The same(?) victory is remembered on Athens, Acr. 504 (RF).
The victory inscription is Attic, the kalos-inscription, Ionic. The same
handwriting is found on Boston 68.163 [see Para. 402-403], which has Γλαυκων
καλος, Ionic, on a herm and Charmides kalos in the field in Attic letters. Since
that vase is attributed to the Nikon Painter, I think London E 298 should also
be, as the letter forms are identical.
CAVI Number: 4561
AVI Bibliography: CIG 4 (1855–77), no. 7806. — Kretschmer (1894), 92. — H.B. Walters and E.J.
Forsdyke, CVA London 5, Great Britain 7 (1930), III I c, pl. 51,1. — ARV[2]
(1963), 1581/20. — Pickard-Cambridge (1968), 78, n. 4, fig. 31. — J.K. Davies
(1971), 91. — Para. (1971), 403, 523. — Webster (1972), 48-49. — Francis–Vickers
(1981), 109, fig. 2. — Add.[2] (1989), 389. — AttScr (1990), no. 680, fig. 128.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
