Decoration: I: ATALANTE (NAMED) IN BRASSIERE AND TRUNKS WITH STICK, POST, STRIGIL AND ARYBALLOS SUSPENDED
Last Recorded Collection: Paris, Musée du Louvre: CA2259
Publication Record: Annali del Seminario di Studi del Mondo Classico: 8 (1986), FIG.62.3 (I) Averna, E., Intrattentmenti ludici dalla preistoria al medioevo (Rome, 2009): 224, FIG.118 (I) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 797.137 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 359.53 Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 143 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 290 Childs, W., Greek Art and Aesthetics in the 4th Century B.C. (Princeton, 2018): FIG.254 (I) Cid Lopez, R. M. and Garcia Fernandez, E. (eds.), Debita Verba. Estudios en homenaje al profesor Julio Mangas Manjarres (Oviedo, 2013): vol.1, 472, FIG.1 (DRAWING OF A) Classical Antiquity: 15 (1996) FIG.27 AT P.77 (I) Hägg, R. (ed.), Ancient Greek Cult Practice from Archaeological Evidence, Proceedings of the 4th Seminar on Ancient Greek Cult (Stockholm, 1998): 206, FIG.15 (I) Kéi, N., L'esthétique des fleurs, kosmos, poikilia et kharis dans la céramique attique du VIe et du Ve siècle av. n. ère, ICON 22 (Berlin and Boston, 2022): 93, FIG.68 (I) Mayor, A., The Amazons. Lives and Legends of Warrior Women across the Ancient World (Princeton and Oxford, 2014): 5, FIG.P.1 (I) Nikephoros: 3 (1990) 324, FIG.14 (I) Nikephoros: 5 (1992) 332, PL.10.1 (I) Oakley, J.H. and Palagia, O. (eds.), Athenian Potters and Painters, Volume II (Oxford, 2010): 153, FIG.9A (DRAWING OF I) Paul-Zinserling, V., Der Jena-Maler und sein Kreis, Zur Ikonologie einer attischen Schalenwerkstatt um 400 v. Chr. (Mainz, 1994): PL.61.2 (I) Riviere, H. and Barthou, L., Les accroissements des musées nationaux le Musee du Louvre depuis 1914 Dons, Legs et Acquistions Tome Premier (Paris, 1919): III, PL.32 Schefold, K., Jung, F., Die Sagen von den Argonauten, von Theben und Troia in der klassischen und hellenistischen Kunst (Munich, 1989): 41, FIG.25 (I) Sweet, W.E., Sport and Recreation in Ancient Greece, A Source Book with Translations (Oxford, 1987): 139, PL.48 (I) Wünsche, R. and Knauss, F.S. (eds.), Lockender Lorbeer, Sport und Spiel in der Antike, Staatliche Antikensammlungen München (Munich, 2004): 348, FIG.32.7 (I)
CAVI Lemma: RF stemless cup. From Kerch. Euaion Painter. Second quarter fifth. Early
(Beazley).
CAVI Subject: Int.: Atalante frontal but looking left, with a pick axe in her left hand; at
left, a pillar on a base; above it, an aryballos and strigil hung up. Ext.:
plain.
CAVI Inscriptions: Int.: above Atalante's head, in a curve along the top margin: Αταλαντη.
CAVI Comments: Feytmans considers the inscription modern. Very clear and evenly spaced
letters. I do not see why they should be modern. Ionic lambda.
CAVI Number: 6674
AVI Bibliography: Photo. — anon. (1937), iii, 8,b. — Feytmans (1948), 66 n. 5 (mention). —
Chamoux (1957), 154, fig. 11 (exc. ph.). — ARV[2] (1963), 797/137. — Add.[2]
(1989), 290. — Paul-Zinserling (1994), 116, and 166 n. 1580 (bibl.), pl. 61,2
(Int.).
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
