Publication Record: Ahlberg-Cornell, G., Myth and Epos in Early Greek Art, Representation and Interpretation (Jonsered, 1992): 303, FIG.74 (DRAWING OF A) American Journal of Archaeology: 100 (1996) 62, FIG.5 (A1) Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 97.27, 683 Beazley, J.D., Paralipomena (Oxford, 1971): 37 Boardman, J., The history of Greek vases, potters, painters and pictures (London, 2001): 240, FIG.263 (A1) Bonnechere, P., and Gagne, R. (eds.), Sacrifices humains, Perspectives croisees et representations, Human sacrifice, Cross-cultural perspectives and representations (Liege, 2013): PL.5 (COLOUR OF A) Bulletin van de Vereeniging tot Bevordering der Kennis van de Antieke Beschaving: 64 (1989) 46, FIG.46 (DRAWING OF A) Bulletin van de Vereeniging tot Bevordering der Kennis van de Antieke Beschaving: 68 (1993) 192, FIG.3C (PROFILE OF RIM) Bundrick, S.D., Athens, Etruria, and the Many Lives of Greek Figured Pottery (Madison, 2019): 56, FIG.3.4 (A) Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.23 (PART OF A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 26 Cook, R.M., Greek Painted Pottery (London, 1966): PL.20B (A) Cook, R.M., Greek Painted Pottery 3rd ed. (London, 1997): PL.20B (A) Gebauer, J., Pompe und Thysia, attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen (Münster, 2002): 735, FIG.160 (A1) Grmek, M. and Gourevitch, D., Les maladies dans l'art antique (1998): 75, FIG.38 (A1) Hedreen, G., Capturing Troy, The Narrative Functions of Landscape in Archaic and Early Classical Greek Art (Ann Arbor, 2001): FIG.36 (PART OF A1) Himmelmann, N., Tieropfer in der griechischen Kunst, Nordrheinwestfälische Akademie der Wissenschaften, Vorträge G 349 (Opladen, 1997): 24, FIG.12 (PART OF A1) Journal of Hellenic Studies: 130 (2010) 115, FIG.4 (A) Latacz, J. and Korfmann, M. (eds.), Troja, Traum und Wirklichkeit (Stuttgart, 2001): 138, FIG.144 (COLOUR OF A) Latacz, J. et al., Homer, Der Mythos von Troia in Dichtung und Kunst (Munich, and Basel 2008): 405, NO.156 (COLOUR OF A) Lexicon Iconographicum Mythologiae Classicae: VII, PL.347, POLYXENE 26, PL.755, NESTOR 34 (PARTS OF A) Marconi, E. (ed.), The Oxford Handbook of Greek and Roman Art and Architecture (Oxford, 2015): 339, FIG.14.4 (A) Minerva, International Review of Ancient Art and Archaeology: 13.1 (JANUARY/FEBRUARY 2002) 14, FIG.5 (COLOUR OF A) Neils, J., Women in the ancient world (London, 2011): 46 (COLOUR OF A1) Oakley, J., The Greek Vase, Art of the Story Teller (London, 2013): 15, FIG.6 (COLOUROF A) Schafer, A, Unterhaltung beim griechischen Symposium (Mainz, 1997): PL.13.2 (B1) Schefold, K., Götter- und Heldensagen der Griechen in der Früh- und Hocharchaischen Kunst (Munich, 1993): 334, FIG.381 (PART OF A) Smith, T.J., Komast Dancers in Archaic Greek Art (Oxford, 2010): 317, PL.14B (B1) Spivey, N. and Rasmussen, T. (eds.) Looking at Greek Vases (Cambridge, 1991): 140, FIG.58 (A) Stampolidis, N.C. et al. (eds.), Beyond. Death and Afterlife in Ancient Greece (Athens, 2014): 60, FIG.6 (COLOUR OF A) Sweet, W.E., Sport and Recreation in Ancient Greece, A Source Book with Translations (Oxford, 1987): 190, PL.6.8 (B) Thesaurus Cultus et Rituum Antiquorum: I, PL.34, GR595 (A) Villing, A. et al., Troy, myth and reality (London, 2019): 108, FIG.90 (COLOUR OF A) van Straten, F.T., Hiera Kala, Images of Animal Sacrifice in Archaic and Classical Greece (Leiden, 1995): FIG.118 (DRAWING OF A)
CAVI Lemma: BF TYRRHENIAN NECK AMPHORA. TIMIADES PAINTER (BOTHMER). MIDDLE PERIOD
(KLUIVER). SECOND QUARTER SIXTH. 560-550.
CAVI Subject: A: THE SACRIFICE OF POLYXENA. B: KOMOS: YOUTHS DANCING BETWEEN COCKS.
CAVI Inscriptions: A: BY A BEARDED HERO: Nεστορ Πυλιος. BY A BEARDED WARRIOR, FACING HIM:
Διομεδες. BETWEEN THE LEGS OF A BEARDED WARRIOR: Nεοπτολεμος, RETR. ABOVE
POLYXENA'S HEAD: Πολυσχενε, RETR., FOR Πολυχσενε. BEHIND A WARRIOR'S LEGS:
Ανφιλοχος, RETR. BEHIND ANOTHER WARRIOR'S LEGS, SIMILAR: Αντ̣ιφατες, RETR. TO
RIGHT OF ANOTHER WARRIOR'S BODY, TWO INSCRIPTIONS, BOTH DOWNWARD:{1}. Αιας V.
Ιλιαδες̣. Φοινιχς{ι}, RETR. [[ADDENDA, A SHORTER VERSION:]] C] Nεστορ Π̣υλιος.
Διομεδες. Nεοπτολεμος, RETR. Πολυσχενε, RETR.{2}. Ανφ̣ιλοχος, RETR. Αντ̣ιφατες,
RETR. Αια̣ς Ιλιαδες{3}. Φοινιχς, RETR.
CAVI Footnotes: {1} FOR THE ARRANGEMENT OF THE TWO INSCRIPTIONS AND THE EXTRA IOTA SEE
ATTSCR. Ιλιαδες IS PROBABLY FOR Οιλιαδες, REFERRING TO THE LESSER AJAX, ALTHOUGH
NO OMICRON WAS EVER WRITTEN. {2} [[FROM ADDENDA]] σχ MAY BE METATHESIS FOR χσ
(R. APUD K.). {3} [[FROM ADDENDA]] NEED NOT BE A MISSPELLING AS HRI, ATTSCR
(1990), 41 N. 24, SUGGESTS; "IT IS A SYNONYM." [MEANING WHAT?].
CAVI Comments: LARGE AND COARSE LETTERS. SIGMA IS ALWAYS REVERSED. THREATTE (1996), 148,
GIVES PARALLELS FOR THE NAME ANTIPHATES.
CAVI Number: 4697
AVI Bibliography: BOTHMER (1944), 166/5. — ABV (1956), 97/27, 683. — DUGAS (1960), PL. 42 (A).
— PARA. (1971), 37 [[MENTIONS THE ATTRIBUTION BY V. BOTHMER]]. — ADD.[2] (1989),
26 (MUCH BIBL.). — ATTSCR (1990), NO. 175. — KLUIVER (1995), 67/45 AND 72/45
(INSCRIPTIONS DONE BY C.J. RUIJGH) (NOT ILL.). — THREATTE (1996), 148.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
