Publication Record: Ahlberg-Cornell, G., Myth and Epos in Early Greek Art, Representation and Interpretation (Jonsered, 1992): 303, FIG.74 (DRAWING OF A) American Journal of Archaeology: 100 (1996) 62, FIG.5 (A1) Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 97.27, 683 Beazley, J.D., Paralipomena (Oxford, 1971): 37 Boardman, J., The history of Greek vases, potters, painters and pictures (London, 2001): 240, FIG.263 (A1) Bonnechere, P., and Gagne, R. (eds.), Sacrifices humains, Perspectives croisees et representations, Human sacrifice, Cross-cultural perspectives and representations (Liege, 2013): PL.5 (COLOUR OF A) Bulletin van de Vereeniging tot Bevordering der Kennis van de Antieke Beschaving: 64 (1989) 46, FIG.46 (DRAWING OF A) Bulletin van de Vereeniging tot Bevordering der Kennis van de Antieke Beschaving: 68 (1993) 192, FIG.3C (PROFILE OF RIM) Bundrick, S.D., Athens, Etruria, and the Many Lives of Greek Figured Pottery (Madison, 2019): 56, FIG.3.4 (A) Carpenter, T.H., Art and Myth in Ancient Greece (London, 1991): FIG.23 (PART OF A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 26 Cook, R.M., Greek Painted Pottery (London, 1966): PL.20B (A) Cook, R.M., Greek Painted Pottery 3rd ed. (London, 1997): PL.20B (A) Gebauer, J., Pompe und Thysia, attische Tieropferdarstellungen auf schwarz- und rotfigurigen Vasen (Münster, 2002): 735, FIG.160 (A1) Grmek, M. and Gourevitch, D., Les maladies dans l'art antique (1998): 75, FIG.38 (A1) Hedreen, G., Capturing Troy, The Narrative Functions of Landscape in Archaic and Early Classical Greek Art (Ann Arbor, 2001): FIG.36 (PART OF A1) Himmelmann, N., Tieropfer in der griechischen Kunst, Nordrheinwestfälische Akademie der Wissenschaften, Vorträge G 349 (Opladen, 1997): 24, FIG.12 (PART OF A1) Journal of Hellenic Studies: 130 (2010) 115, FIG.4 (A) Latacz, J. and Korfmann, M. (eds.), Troja, Traum und Wirklichkeit (Stuttgart, 2001): 138, FIG.144 (COLOUR OF A) Latacz, J. et al., Homer, Der Mythos von Troia in Dichtung und Kunst (Munich, and Basel 2008): 405, NO.156 (COLOUR OF A) Lexicon Iconographicum Mythologiae Classicae: VII, PL.347, POLYXENE 26, PL.755, NESTOR 34 (PARTS OF A) Marconi, E. (ed.), The Oxford Handbook of Greek and Roman Art and Architecture (Oxford, 2015): 339, FIG.14.4 (A) Minerva, International Review of Ancient Art and Archaeology: 13.1 (JANUARY/FEBRUARY 2002) 14, FIG.5 (COLOUR OF A) Neils, J., Women in the ancient world (London, 2011): 46 (COLOUR OF A1) Oakley, J., The Greek Vase, Art of the Story Teller (London, 2013): 15, FIG.6 (COLOUROF A) Schafer, A, Unterhaltung beim griechischen Symposium (Mainz, 1997): PL.13.2 (B1) Schefold, K., Götter- und Heldensagen der Griechen in der Früh- und Hocharchaischen Kunst (Munich, 1993): 334, FIG.381 (PART OF A) Smith, T.J., Komast Dancers in Archaic Greek Art (Oxford, 2010): 317, PL.14B (B1) Spivey, N. and Rasmussen, T. (eds.) Looking at Greek Vases (Cambridge, 1991): 140, FIG.58 (A) Stampolidis, N.C. et al. (eds.), Beyond. Death and Afterlife in Ancient Greece (Athens, 2014): 60, FIG.6 (COLOUR OF A) Sweet, W.E., Sport and Recreation in Ancient Greece, A Source Book with Translations (Oxford, 1987): 190, PL.6.8 (B) Thesaurus Cultus et Rituum Antiquorum: I, PL.34, GR595 (A) Villing, A. et al., Troy, myth and reality (London, 2019): 108, FIG.90 (COLOUR OF A) van Straten, F.T., Hiera Kala, Images of Animal Sacrifice in Archaic and Classical Greece (Leiden, 1995): FIG.118 (DRAWING OF A)
CAVI Lemma: BF Tyrrhenian neck amphora. Timiades Painter (Bothmer). Middle period
(Kluiver). Second quarter sixth. 560-550.
CAVI Subject: A: The Sacrifice of Polyxena. B: komos: youths dancing between cocks.
CAVI Inscriptions: A: by a bearded hero: Nεστορ Πυλιος. By a bearded warrior, facing him:
Διομεδες. Between the legs of a bearded warrior: Nεοπτολεμος, retr. Above
Polyxena's head: Πολυσχενε, retr., for Πολυχσενε. Behind a warrior's legs:
Ανφιλοχος, retr. Behind another warrior's legs, similar: Αντ̣ιφατες, retr. To
right of another warrior's body, two inscriptions, both downward:{1}. Αιας v.
Ιλιαδες̣. Φοινιχς{ι}, retr. [[Addenda, a shorter version:]] C] Nεστορ Π̣υλιος.
Διομεδες. Nεοπτολεμος, retr. Πολυσχενε, retr.{2}. Ανφ̣ιλοχος, retr. Αντ̣ιφατες,
retr. Αια̣ς Ιλιαδες{3}. Φοινιχς, retr.
CAVI Footnotes: {1} For the arrangement of the two inscriptions and the extra iota see
AttScr. Ιλιαδες is probably for Οιλιαδες, referring to the Lesser Ajax, although
no omicron was ever written. {2} [[from Addenda]] σχ may be metathesis for χσ
(R. apud K.). {3} [[from Addenda]] need not be a misspelling as HRI, AttScr
(1990), 41 n. 24, suggests; "it is a synonym." [Meaning what?].
CAVI Comments: Large and coarse letters. Sigma is always reversed. Threatte (1996), 148,
gives parallels for the name Antiphates.
CAVI Number: 4697
AVI Bibliography: Bothmer (1944), 166/5. — ABV (1956), 97/27, 683. — Dugas (1960), pl. 42 (A).
— Para. (1971), 37 [[mentions the attribution by v. Bothmer]]. — Add.[2] (1989),
26 (much bibl.). — AttScr (1990), no. 175. — Kluiver (1995), 67/45 and 72/45
(inscriptions done by C.J. Ruijgh) (not ill.). — Threatte (1996), 148.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
