Decoration: A: PERSEUS WITH WINGED, AND BOOTS AND SPEAR, ANDROMEDA TIED TO POSTS, ROCK B: WOMEN, ONE WITH SCEPTRE
Last Recorded Collection: Agrigento, Museo Archeologico Regionale: A67
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1017.53 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1579 Beazley, J.D., Paralipomena (Oxford, 1971): 440 Belozerskaya, M. and Lapatin, K., Ancient Greece, Art, Architecture, History (London, 2004): 81 (COLOUR OF PART OF A) Boardman, J. (ed.), Cambridge Ancient History, Plates to Volumes 5 & 6 (Cambridge, 1995): 155, FIG.163 (A) Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.125 (A) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 154 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 315 Chiesa, G.S. (ed.), Vasi immagini collezionismo, La collezione di vasi Intesa Sanpaolo e i nuovi indirizzi di ricerca sulla ceramica greca e magnogreca, Milano, 7-8 novembre 2007 (Milan, 2008): 368, FIG.3 (A) De Miro, E., La Valle dei Templi (Palermo, 1994): PL.36 (COLOUR OF PART OF A) Green, J.R., Theatre in ancient Greek society (London, 1995): 21, FIG.2.4 (A) Kaltsas N. (ed.), Agon, Exhibition catalogue (Athens, 2004): 293, NO.171 (COLOUR OF A AND B) Klearchos: 97-100 (1983) 29-30, 34, FIGS.1-3 (A, PART OF A ,B) Lyons, D., Gender and Immortality, Heroines in Ancient Greek Myth and Cult (Princeton, 1997): 115, FIG.65 (COLOUR OF A) Mugione, E., Miti della ceramica attica in Occidente, Problemi di trasmissioni iconografiche nelle produzioni italiote (Taranto, 2000): 96, FIG.42 (A) Oakley, J.H., The Phiale Painter, Kerameus 8 (Mainz, 1990): PL.37, NO.53 (A,B) Padgett, J.M. (ed.), The Berlin Painter and His World, Athenian Vase-Painting in the Early Fifth Century B.C., Princeton University Art Museum Monograph Series (New Haven and London, 2017): 80, FIG.26 (COLOUR OF PART OF A) Rizza, G. (ed.), I vasi attici ed altre ceramiche coeve in Sicilia, Atti del convegno internazionale (Catania): I, 66, FIGS.1-2 (PARTS OF A AND B)
CAVI Lemma: WG CALYX KRATER. FROM AGRIGENTO. PHIALE PAINTER. CA. 450.
CAVI Subject: A: PERSEUS AND ANDROMEDA: P. GAZES AT A. TIED TO THREE STAKES. B: WOMAN WITH
A SCEPTER (CASSIOPEIA?) MOVING TOWARD ANOTHER WOMAN.
CAVI Inscriptions: A: HIGH ABOVE PERSEUS AND A BIT TO LEFT: Περσευς. TO RIGHT OF HIS HEAD, THE
FIRST LINE A BIT HIGHER, LEFT-ALIGNED STOICH. THREE-LINER: Ευαιων | καλος |
Αισχυλο. HIGH ABOVE ANDROMEDA'S HEAD: Ανδρομεδα.
CAVI Comments: THE KALOS-NAME EUAION IS FOUND WRITTEN IN MYTHOLOGICAL SCENES THAT COULD BE
USED IN TRAGEDY, SINCE HE WAS A POET OR ACTOR (OR BOTH) - THESE THOUGHT INSPIRED
BY PRODUCTIONS IN WHICH HE PARTICIPATED; SO TRENDALL–WEBSTER (1971: 4F.). SEE
ROBERTSON (1992), 207 WHO DOES NOT COMMIT HIMSELF. - SECOND WHITE USED.
