Decoration: Body: APOLLO SEATED BETWEEN EUNOMIA AND EUKLEIA WITH SPRIGS, ALL NAMED
Last Recorded Collection: Budapest, Hungarian Museum of Fine Arts: T754
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1324.41BIS Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.301 (PART) Bulletin du Musee Hongrois des Beaux-Arts, Budapest: 74 (1991), FRONTCOVER, 72, FIG.37.2.2 (PART, COLOUR OF PART) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 364 Hellstrom, P., and Alroth, B. (eds.), Religion and Power in the Ancient Greek World, Proc. of the Uppsala Symposium 1993 (Uppsala, 1996): 112, FIG.9 (PART) Jahrbuch des Deutschen Archäologischen Instituts: 102 (1987), 195, FIG.8 (PART) Lexicon Iconographicum Mythologiae Classicae: IV, PL.22, EUKLEIA 2 (PARTS) Shapiro, H.A., Personifications in Greek Art, The Representation of Abstract Concepts 600-400 BC (Zurich, 1993): 74, FIGS.26-27 Smith, A.C., Polis and Personification in Classical Athenian Art (Leiden, 2011): FIG.6.2 (PART)
CAVI Lemma: RF oinochoe (olpe). From Chiusi. Manner of Meidias Painter. Late fifth.
CAVI Subject: Woman (Eunomia) holding out a necklace; Apollo with a laurel branch, seated,
head turned left; woman (Eukleia) holding a branch(?).
CAVI Inscriptions: To right of the left woman's face: Ευνομια. Above Apollo's head: Απολλων.
Above the right woman's head: Ευκλεα.
CAVI Comments: Ex Alföldi Collection. Small lettering. Ionic alphabet. -On the cult of
Eukleia and her association with Eunomia, see Shapiro 71ff. Cf. also Hampe
(1955), 107-23.