Decoration: Body: SATYRS, SOME WITH KANTHAROI, SOME WITH OINOCHOAI, ONE WITH PETASOS, ONE WITH WINESKIN, CUP, KANTHAROS, ONE WITH KERYKEION IN THRACIAN COSTUME
Last Recorded Collection: London, British Museum: E768
Publication Record: Alcock, S. and Osborne, R. (eds.), Classical Archaeology, Second Edition (Malden, 2012): 486-487, FIG.11.22 (BD) Averna, E., Intrattentmenti ludici dalla preistoria al medioevo (Rome, 2009): 334 (PART) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1566 Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 446.262 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 209.126 Beazley, J.D., Paralipomena (Oxford, 1971): 375 Boardman, J., Athenian Red Figure Vases (London, 1975): FIG.299 (PART) Boardman, J., Greek Art, 4th edition (London, 1996): 119, FIG.108 (PART) Boardman, J., L'art grec (Paris, 1989): FIG.97 (PART) Boardman, J., The history of Greek vases, potters, painters and pictures (London, 2001): 249, FIG.273 (PART) Buitron-Oliver, D., Douris, A Master-Painter of Athenian Red-Figure Vases (Mainz, 1995): PLS.54-55, NO.84 Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 118 Buschor, E., Griechische Vasenmalerei (Munich, 1914): 175 Carpenter, T.H., Dionysian Imagery in Fifth-Century Athens (Oxford, 1997): PL.16A (PART) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 241 Cazzato, V. (ed.), The Symposion, Drinking Greek Style, Essays on Greek Pleasure 1983-2017 Oswyn Murray (Oxford, 2018): PL.12 (COLOUR OF PART) Corpus Vasorum Antiquorum: LONDON, BRITISH MUSEUM 6, III.I.C.12, PL.(380) 105.1A-D View Whole CVA Plates Dierichs, A., Erotik in der Kunst Griechenlands (Mainz, 2008): 41, FIG.30 (COLOUR OF PART OF BD) Fraser, J., Luxury and power, Persia to Greece, British Museum (London, 2023): 143, FIG.138 (COLOUR OF PART) Furtwängler, A. and Reichhold, K., Griechische Vasenmalerei (Munich, 1904-32): PL.48 Gaultier, F. et al. (eds.), Gli Etruschi e il Mediterraneo. La citta di Cerveteri (Rome, 2014): 236-237, NO.284 (COLOUR OF PARTS OF BD) Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 208-209, 234, 483, FIGS.133, 234, 332 (PARTS OF BD, DRAWINGS OF PARTS OF BD) Hoppin, A., A handbook of Attic red-figured vases signed by or attributed to the various masters of the sixth and fifth centuries B.C. (Cambridge, 1919): I, 242 Hornblower, S. and Spawforth, A. (eds.), The Oxford Companion to Classical Civilization (Oxford, 1998): 638 (PART) Hornblower, S. and Spawforth, A. (eds.), The Oxford Companion to Classical Civilization, Second Edition (Oxford, 2014): 702 (PART OF BD) Isler-Kerenyi, C., Dionysos in Classical Athens. An Understanding through Images (Leiden and Boston, 2014): 60, FIG.32 (DRAWING OF BD) Jenkins, I. and Turner, V., The Greek Body (London, 2009): 16, FIG.9 (COLOUR OF PART) Jenkins, I. et al., Defining Beauty, The Body in ancient Greece (London, 2015): 191, LEFT, UNNUMBERED (COLOUR OF PART OF BD) Kilmer, M.F., Greek Erotica on Attic Red-Figure Vases (London, 1993): PL. AT P.146, R581 (PART) Les mythes fondateurs à la Petite Galerie du Louvre, Dossiers d'Archéologie: 372, NOVEMBER/DECEMBER 2015, 32 BOTTOM (COLOUR OF PARTS) Lexicon Iconographicum Mythologiae Classicae: V, PL.271, HERMES 891 (PART) Lissarrague, F., La cite des satyres. Une anthropologie ludique (Athenes, VIe-Ve siecle avant J.-C.) (Paris, 2013): 146-147, FIGS.122-123 (COLOUR OF PART OF BD, COLOUR OF BD) Lydakis, S., Ancient Greek Painting and its Echoes in Later Art (Athens, 2002): 106, FIG.85 (DRAWING OF BD) Mediterranean Archaeology: 27 (2014) PL.6.2 (COLOUR OF PART OF BODY) Metis: 2 (1987) 1, 82, FIG.7 (PART) Oakley, J., The Greek Vase, Art of the Story Teller (London, 2013): 18, FIG.9C (COLOUR OF PART) Osborne, R., Archaic and Classical Greek Art, Oxford History of Art (Oxford, 1998): 164, FIG.89 (COLOUR OF PART) Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 93, FIG.86 (PART) Sanchez, C., Kunst und Erotik in der Antike (Berlin, 2013): 70, FIG.29 (PART OF BD) Valavanis, P. and Kourkoumelis, D., Chaire kai piei, drinking vessels (1996): 74-75 (COLOUR OF PARTS) Vout, C., Sex on show, Seeing the erotic in Greece and Rome (London, 2013): 73, FIG.59 (COLOUR OF PART OF BD) Wyke, M., Gender and the Body in the Ancient Mediterranean (1998): 92, FIGS.4A-B (PARTS)
CAVI Lemma: RF psykter. From Cerveteri. Douris. Early middle (Beazley). Transitional II
(Bare) (Buitron-Oliver). First quarter fifth.
CAVI Subject: Revel of eleven satyrs.
CAVI Inscriptions: Above two satyrs dancing over a kantharos: to right of the first satyr's
head: Αρισταγορας; to left of the second satyr's head: καλος. Below the name,
starting at the second alpha and extending to the face of the second satyr, in
smaller letters: Δορις εγραφσεν{1}.
CAVI Footnotes: {1} B.-O. 42 says the signature is placed above a satyr in an unusual
position of which Douris may have been especially proud.
CAVI Comments: Now cleaned. Robertson follows Beazley in noting the influence of the Berlin
Painter. One satyr dressed up as Hermes. Delta not dotted. Tailed rho.
CAVI Number: 4645
AVI Bibliography: C.H. Smith in BM Cat. E (1896), 363. — FR (1904–32), i, 246-48, pl. 48 (much
reproduced). — Hoppin (1919), i, 242 (from FR i). — H.B. Walters, CVA London 6,
Great Britain 8 (1931), III I c, pl. 105,1a-d. — CB (1931–63), ii, 7, A, A 20
(shape). — ARV[2] (1963), 446/262 (much bibl.), 426. — Para. (1971), 375. —
Drougou (1975), 17/A 30, 65-6, pls. 18-19 (ph. of side; profile). — Add.[2]
(1989), 241 (much bibl.). — Robertson (1992), 92, fig. 86. — Buitron-Oliver
(1995), 42, 78/84, pls. 54-55.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
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