Attributed To:Manner of ONESIMOS by BEAZLEY Perhaps EUPHRONIOS by SIGNATURE
Decoration: A: SEATED MAN WITH SPEAR B: MAN WITH KANTHAROS I: ATHENA
Last Recorded Collection: Athens, National Museum, Acropolis Collection: 2.434
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 330.5, 313 Beazley, J.D., Attic Red-figure Vase-painters, 1st ed. (Oxford, 1942): 217.11 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 170.58 Benndorf, O., Griechische und sicilische Vasenbilder (Berlin, 1883): PL.29.1 (A, B) Burn, L. and Glynn, R., Beazley Addenda (Oxford, 1982): 108 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 217 Graef, B. and Langlotz, E., Die antiken Vasen von der Akropolis zu Athen 2 (Berlin, 1933): PLS.35, 33 Journal of Hellenic Studies: 14 (1894) 383 Mertens, J., Attic White Ground, its development on shapes other than lekythoi (New York, 1977): PL.27.2 (I) Metropolitan Museum Journal: 9 (1974) 99, FIGS.16-17 (I,A,B) Murray, O. and Tecusan, M. (eds.), In Vino Veritas (London, 1995): 128, FIG.2 (DRAWING) Philippart, H., Les coupes attiques a fond blanc (Brussels, 1936): PL.15 (I) Thesaurus Cultus et Rituum Antiquorum: III, PL.16.GR43 (A, B) Wehgartner, I., Attische Weissgrundige Keramik (Mainz, 1983): PL.17.1-2 (I,A,B)
CAVI Lemma: FRS. OF RF/WG CUP. FROM ATHENS. MANNER OF ONESIMOS (PANAITIOS PAINTER) (BUT
SEE BELOW!). EUPHRONIOS, POTTER. EARLY FIFTH.
CAVI Subject: INT., WG: ATHENA TO LEFT POURING LIBATION; OWL AT LEFT. EXT., RF: A: FR. A:
SEATED MAN TO LEFT WITH PHIALE AND SPEAR. B: FR. C: HAND OF MALE HOLDING
KANTHAROS TO LEFT, OFFERING A LIBATION.
CAVI Inscriptions: INT.: IN ZONE OUTSIDE OF PICTURE: [Ευφρο]νι[ο]ς εποιεσεν{1}. A: FR. A: TO
LEFT OF MAN'S OPEN MOUTH: Ζεῦ Σο̃τερ, RETR.{2}. AT LEFT: κυι̣(3) AND BELOW, THE
FIRST LETTER OF ANOTHER WORD. B: FR. C: ABOVE AND TO RIGHT OF HAND HOLDING
KANTHAROS (CLEARLY ISSUING FROM THE LOST MOUTH), HORIZONTAL AND EVENTUALLY
BENDING DOWN SHARPLY: σπένδο̅ το̃ι Δαίμονι το̃ι Ἀγαθ[ο̃ι]{4}.
CAVI Footnotes: {1} WILLIAMS (1991), N. 16 (LISTING), ATTRIBUTES TO THE ANTIPHON PAINTER. {2}
THE IOTA UNCERTAIN (ARV[2] 1646); GRAEF–LANGLOTZ HAS ONLY νι.ς; ARV[2] ADDS THE
εποιεσεν; IS IT ON THE LOST FR.? {2} THE PH.SHOWS ONLY Ζευ̣ AND A BREAK. {3} THE
IOTA UNCERTAIN (ARV[2] 1646); GRAEF–LANGLOTZ PRINTS: κυλH IN ATTIC LETTERS. {4}
SO ARV[2]; GRAEF–LANGLOTZ HAS [σπ]ενδο.
CAVI Comments: FRS. A - C + A LOST PIECE. SEE GRAEF–LANGLOTZ'S DISCUSSION OF THE LIBATIONS.
LONG DISCUSSION AND BIBL. IN D(ELIGHT) TOLLES, THE BANQUET LIBATIONS OF THE
GREEKS (BRYN MAWR DISS. 1943) 61-62. SHE THINKS THE AGATHOS DAIMON IS = ZEUS
SOTER. CF. ALSO IBID. 70 N. 119. - WILLIAMS (1991), ...., N. 16 (LISTING),
ATTRIBUTES TO THE ANTIPHON PAINTER.
CAVI Number: 1361
AVI Bibliography: PHOTO. — BENNDORF (1868–83), PL. 29,1 (INCOMPLETE, BUT WITH THE LOST PIECE).
— RICHARDS (1894), 383 (EXT.). — GRAEF–LANGLOTZ (1925–33), II, NO. 434, PL. 33
(EXT.) AND 35 (INT., DR.). — ARV[2] (1963), 330/5, 333, 1646. — MERTENS (1974),
99, FIGS. 16-17 (ALL). — MERTENS (1977), PL. 27,2 (INT.). — WEHGARTNER (1983),
PL. 17,1-2 (ALL). — ADD.[2] (1989), 217. — LISSARRAGUE (1990B), 205 N. 55.
CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
