Decoration: A,B: UNDECORATED Neck A1: SYMPOSIUM, DRAPED MEN RECLINING ON KLINAI, ONE WITH CUP, TABLES WITH FOOD, DOGS, BETWEEN SPHINXES, BETWEEN EYES Neck A2: DIONYSOS MOUNTING CHARIOT, WITH DRINKING HORN, SATYRS, ONE EROTIC WITH MULE, ONE WITH WINESKIN, MAENADS, SOME WITH KROTALA, SOME RIDING MULES Neck B1: FIGHT, WARRIORS, ONE WITH BOEOTIAN SHIELD, SOME FALLING, HORSEMEN IN THRACIAN CLOAKS, DEVICES, DOLPHIN, DISC AND CRESCENT (?), BETWEEN SPHINXES, BETWEEN EYES Neck B2: WARRIORS DEPARTING, CHARIOT TURNING, ARCHERS, HORSEMEN
Last Recorded Collection: Taranto, Museo Archeologico Nazionale: 20334
Publication Record: Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 195.3 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 52 D'Amicis, A. et al., Catalogo del Museo Nazionale Archeologico di Taranto I.3, Atleti e Guerrieri, Tradizioni aristocratiche (Taranto, ca. 1994): 294, NO.81.37 (A, B) De la Geniere, J. (ed.), Le cratere a volutes. Destination d'un vase de prestige entre Grecs et non-Grecs (Paris, 2014): 25, PL.5.2 (A) Dell'Aglio, A., and Zingariello, A. (eds.), MARTA, Il Museo Nazionale Archeologico di Taranto (Taranto, 2010): 54 (COLOUR OF B AND PART OF NA) Dell’Aglio, A. and Zingariello, A., MARTA. Il Museo Nazionale Archeologico di Taranto (Taranto, 2019): 54 (COLOUR OF B AND PART OF NA) Filser, W., Die Elite Athens auf der attischen Luxuskeramik, Image & Context 16 (Berlin, Munich, Boston, 2017): 521, FIG.355 (NB1,2) Ostraka: 6 (1997) 2, 366, FIG.7 (A) Prospettiva Rivista dell' arti antica e moderna (Siena): 63 (1991) 7, FIGS.5-6 (B, NA)
