Decoration: Body: PHAON SEATED WITH LYRE AND DEMONASSA WITH NECKLACE, APHRODITE IN CHARIOT DRAWN BY EROTES, ONE WITH WREATH, ONE WITH INCENSE BURNER, APOLLO WITH LAUREL, LETO WITH SCEPTRE, WOMEN, SOME SEATED, ONE WITH WREATH, ONE WITH FILLET (NAMED)
Last Recorded Collection: Florence, Museo Archeologico Etrusco: 81947
Publication Record: Arethusa: 46.1 (2013) FIG.12 (BD) Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1312.2 Beazley, J.D., Attische Vasenmaler des rotfigurigen Stils (Tübingen, 1925): 460.5 Beazley, J.D., Paralipomena (Oxford, 1971): 477 Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): 146, NO.2, FIG.286 (PARTS) Boardman, J., Greek Art, 4th edition (London, 1996): 206, FIG.204 (COLOUR OF PART) Burn, L., The Meidias Painter (Oxford, 1987): PL.27-29 Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 361 Castaldo, D., Giannachi, F.G., and Manieri, A. (eds.), Poesia, musica e agoni nella Grecia antica, Poetry, Music and Contests in ancient Greece. Atti del iv convegno internazionale di MOISA, Lecce, 28-30 ottobre 2010, Rudiae 22-23 (2010-2011): 239, FIG.8 (BD) Corpus Vasorum Antiquorum: FIRENZE, REGIO MUSEO ARCHEOLOGICO 2, III.I.57, III.I.58, FIG.2, PLS.(644-645,648-649) 60.2, 61.2, 64.1-3, 65.1-3 View Whole CVA Plates Dietrich, N., Figur ohne Raum? Bäume und Felsen in der attischen Vasenmalerei des 6. und 5. Jahrhunderts v. Chr., Image & Context 7 (Berlin, 2010): 508-509, FIG.430 (PART, DRAWING OF BD) Ducati, P., I vasi dipinti nello stile del ceramista Midia (Rome, 1909): 100 Esposito, A.M. and Tommaso, G. (eds.), Museo Archeologico Nazionale di Firenze, Vasi Attici (Firenze, 1993): 80, FIG.133 (COLOUR OF PART) Fedeli, F. et al., Populonia e il suo territorio, profilo storico-archeologico (Florence, 1993): 119, FIGS.103-104 (COLOUR OF PART, PART) Fellmuth, N. et al., Der Jenaer Maler, Eine Töpferwerkstatt im klassischen Athen (Wiesbaden, 1996): 52, FIG.44 (PART) Harvard University Art Museums Bulletin: SPRING 1997, 16, FIG.6 (PART) Heinemann, A., Der Gott des Gelages. Dionysos, Satyrn und Mänaden auf attischem Trinkgeschirr des 5. Jahrhunderts v. Chr. (Berlin, 2016): 83, FIG.29 (PART OF BD) Huf, L., Frauen jenseits der Konvention, Alterszüge, Tätowierungen und afrikanische Physiognomien im Frauenbild attischer Vasen des 5. Jahrhunderts v. Chr. (Munich, 2018): 21, FIG.3 (COLOUR OF PART) Lang-Auinger, C. and Trinkl, E. (eds.), Phyta kai Zoia. Pflanzen und Tiere auf griechischen Vasen, Beihefte zum Corpus Vasorum Antiquorum Österreich, Band 2 (Vienna, 2015): 23, FIG.8 (DRAWING OF PART OF BD) Lexicon Iconographicum Mythologiae Classicae: IV, PL.12, EROSORA 1 (PART), PL.21, EUDAIMONIA I 2 (PART) Lexicon Iconographicum Mythologiae Classicae: PL.381, HYGIEIA 2 (PART) Lexicon Iconographicum Mythologiae Classicae: VII, PL.104, PANNYCHIA, PANNYCHIS 1 (PART) Lexicon Iconographicum Mythologiae Classicae: VII, PL.318, PHAON 2 (PART) Milani, L.A., Monumenti scelti del R. Museo archeologico di Firenze (Florence, 1905): I, PL.3 Minerva, International Review of Ancient Art and Archaeology: 9 (1998) 2, 12, FIG.7B (PART) Nicole, G., Meidias et le style fleuri (Geneva, 1908): PL.3.1 Oakley, J.H. and Palagia, O. (eds.), Athenian Potters and Painters, Volume II (Oxford, 2010): 292, FIG.5 (PART) Reitzammer, L, The Athenian Adonia in Context, The Adonis Festival as Cultural Practice. Wisconsin studies in classics (Madison and London, 2016): 124, FIG.2 (PART) Robertson, C.M., The art of vase-painting in classical Athens (Cambridge, 1992): 240, FIG.244 Shapiro, H.A., Personifications in Greek Art, The Representation of Abstract Concepts 600-400 BC (Zurich, 1993): 68, 118, 128, FIGS.21, 69, 80 (INCLUDING DRAWING) Stewart, A., Art, Desire, and the Body in Ancient Greece (Cambridge, 1997): 150, FIG.90 (PART OF BD) Thesaurus Cultus et Rituum Antiquorum: I, PL.66.39 (PART)
CAVI Footnotes: {1} see D]. Also Threatte (1996), 115: probably formed from a gen. ηρος of
εαρ. (T.), cf. Εροσανθε̅ on London E 718. {2} Chrysope (Burn).
CAVI Comments: Aphrodite is about to take part in a festival in her honor: note the chariot
drawn by Erotes; the ritual objects carried by them; the names Herosora and
Pannychis. Found in the same tomb as Florence 81,948: the vases are a pair (Burn
44). Burn, p. 43 n. 94, cites E. Simon for the opinion that Demonassa is a form
of Aphrodite Pandemos (further bibl. in the note). - Inscriptions after the
transliteration in Simon–Hirmer (1981), except those marked {1} , which are from
AJA. The old drs. are rather unreliable. Erosora is translated "Frühlingshore"
by Simon. For parallels to Demonassa see Malibu 82.AE.38 and AttScr. - Ionic
alphabet.
