Decoration: A: DRAPED YOUTH WITH LYRE (VICTOR IN MUSIC CONTEST ?), NIKE FLYING WITH FILLET, SATYR, TRIPOD WITH FILLETS B: DRAPED MAN WITH SCEPTRE, BETWEEN WOMEN, ONE WITH WREATH, ONE WITH FILLET
Last Recorded Collection: Oxford, Ashmolean Museum: 1942.3
Publication Record: Beazley, J.D., Attic Red-Figure Vase-Painters, 2nd edition (Oxford, 1963): 1276.2 , 1324 Boardman, J., Athenian Red Figure Vases, The Classical Period (London, 1989): FIG.242 (A) Carpenter, T.H., with Mannack, T. and Mendonca, M., Beazley Addenda, 2nd edition (Oxford, 1989): 357 Froning, H., Dithyrambos und Vasenmalerei in Athen (Würzburg, 1971): PL.6.1 (A) International Congress of Classical Archaeology, 12, Athens, 1983. Praktika, 2-3 Tou XII Diethnous Synedriou Klasikes Archaiologias, Athena, 4-10 Sep: VOL.C, PL.60.2 (A)
CAVI Lemma: RF calyx krater. Marley Painter. Third quarter fifth.
CAVI Subject: A: Nike, with a sash, flying toward a tripod on a two-stepped base; between
Nike and the tripod, a youth with a lyre; at right, near the tripod, a wreathed
satyr, dancing. B: a man with a scepter and two women, one holding a chaplet,
the other a sash.
CAVI Inscriptions: On the top step of the base, in BG: καλε{1}.
CAVI Footnotes: {1} on the bottom step, four dots placed to cover the same area as the
inscription above them; I do not know what they represent.
CAVI Comments: kale: i.e, the Nike? Mixed alphabet if the lambda represents an Ionic lambda,
which is not certain, cf. AttScr (1990), 148. Beazley points out that the scene
on A must be derived from a dedication by a lyre player who had taken a solo
part in a victorious dithyramb; he compares Boston 10.206, fr. of of RF chous,
Meidian, ARV[2] 1324/37.
