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306483, ATHENIAN, London, British Museum, London, British Museum, London, British Museum, 1843,1103.77

  • Vase Number: 306483
  • Fabric: ATHENIAN
  • Technique: BLACK-FIGURE
  • Shape Name: HYDRIA
  • Date: -550 to -500
  • Inscriptions: ANTHYLE
    Kalos/Kale: MNESILA KALE, ANTHYLEKALE
    MNESILLA
  • Decoration: Body: WOMEN AT FOUNTAINHOUSE, LION HEAD SPOUT
    Predella: ANIMAL FRIEZE, BOARS, PANTHERS, SIREN
    Shoulder: FIGHT (HEROES QUARRELLING ?), WARRIORS, ONE WITH BOEOTIAN SHIELD, DRAPED MAN, BETWEEN WOMEN, DEVICE, LEG
  • Last Recorded Collection: London, British Museum: B333
  • Previous Collections:
  • Publication Record: Beazley, J.D., Attic Black-Figure Vase-Painters (Oxford, 1956): 676, 677.3, 678
    Chiarini, S., The so-called Nonsense Inscriptions on Ancient Greek Vases, Between Paideia and Paidiá (Leiden, 2018): 135, FIG.26 (COLOUR OF BD AND SH)
    Corpus Vasorum Antiquorum: LONDON, BRITISH MUSEUM 6, III.H.E.9, PLS.(349,350) 90.1, 91.3 View Whole CVA Plates
    Immerwahr, H., Attic Script, A Survey (Oxford, 1990): PL.22.92 (BD)
    Jahrbuch des Deutschen Archäologischen Instituts: 101 (1986) 67, FIG.5 (DRAWING OF PART)
    Jahrbuch des Deutschen Archäologischen Instituts: 117 (2002) 9, FIG.8 (BD AND PR)
    Papers on the Amasis Painter and his World (Malibu, 1987): 73, FIG.14 (PART)
    Stansbury-O'Donnell, M.D., Vase Painting, Gender, and Social Identity in Archaic Athens (Cambridge, 2006): 205, FIG.70 (S)
    Zardini, F., The Myth of Herakles and Kyknos, A Study in Greek Vase-Painting and Literature (Verona, 2009): 424, FIG.64 (S, PART OF BD)
  • AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=4460
  • AVI Record Number: 4288
  • British Museum Link: https://www.britishmuseum.org/collection/object/G_1843-1103-77
  • CAVI Collection: London B 333.
  • CAVI Lemma: BF hydria. From Vulci. Unattributed. 530-520.
  • CAVI Subject: Shoulder: fight of two warriors. Body: Women at the Fountain.
  • CAVI Inscriptions: Body: inside the fountain house, vertically: καλε. Above the girl at left, horizontally: Μνεσιλ[λ]α{1}. Between the lower parts of two figures, vertically: ελελειελν. Above and to right of the next girl, horizontally: Ροδον. As before: ελετειεν. Behind the head of the next girl: ΑΜΑΤ, complete. As before: ελετελειεν. ΕΡΙΣ{2}. In the position of the nonsense inscriptions: Ανθυλ[λ]ε καλε{3}.
  • CAVI Footnotes: {1} cf. London B 330. {2} a certain reading. Ηρις for Εαρις, (if that name exists)? {3} space between the first and second letters and before καλε; for the name see Hesp. 22 (1953) 215.
  • CAVI Comments: For the nonsense inscriptions see JHS; cf. Boulogne 417 (ABV 260/32, manner of the Lysippides Painter) and Brussels R 291 (270/52, by the Antimenes Painter). In ABV Beazley states that the vase is a replica, by a different hand, of Würzburg 304.
  • CAVI Number: 4288
  • AVI Bibliography: CIG 4 (1855–77), no. 8038. — Beazley (1927), 83, n. 50. — H.B. Walters, CVA London 6, Great Britain 8 (1931), III H e, pls. 90,1 and 91,3. — Dunkley (1935–6), 166, fig. 8. — ABV (1956), 676, 677/3, 678. — Tölle-Kastenbein (1986), 67, fig. 5 (dr., part). — Add.[2] (1989), 148. — AttScr (1990), no. 301, fig. 92.
  • CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
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Last updated 07/02/2025 08:19:00 by Mannack, Thomas. Approved by Mannack, Thomas. Copyright © 2003-2025 Classical Art Research Centre, University of Oxford.

Link to this record using the address https://www.beazley.ox.ac.uk/record/6C4B2D1B-5198-46FC-B005-5F98A9E3A0B7

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