7239, ATHENIAN, Würzburg, Universität, Martin von Wagner Museum, Tokyo, Fujita, ZA20
- Vase Number: 7239
- Fabric: ATHENIAN
- Technique: RED-FIGURE
- Shape Name: HYDRIA
- Date: -500 to -450
- Attributed To: Manner of LENINGRAD P by SIMON
MANNERIST by UNKNOWN - Decoration: Shoulder: THEATRICAL, CHORUS OF SATYRS, DRAPED, SEATED ON CHAIRS WITH SCEPTRES, SPHINX ON ROCK (THEBAN ?), TREE
- Current Collection: Tokyo, Fujita
- Previous Collections:
- Würzburg, Universität, Martin von Wagner Museum: ZA20
- Publication Record: Agathos Daimon, Mythes et Cultes, Etudes d'iconographie en l'honneur de Lilly Kahil, BCH Supplement 38 (2000): 487, FIGS.3-4 (S)
Beihefte zum Corpus Vasorum Antiquorum Deutschland: IV (2009) 115, FIG.1 (S)
Green, J.R., Theatre in ancient Greek society (London, 1995): 40, FIG.2.15 (S)
Hyperboreus: 20 (2014) FIG.10 (SH)
Kressirer, K., Das Greisenalter in der griechischen Antike. Untersuchung der Vasenbilder und Schriftquellen der archaischen und klassischen Zeit (Hamburg, 2016): 858, NOS.597-601 (SH)
Krumeich, R., Pechstein, N., and Seidensticker, B. (eds.), Das griechische Satyrspiel (Darmstadt, 1999): PL.22B (S)
Kurtz, D. & Sparkes, B. (eds.), The Eye of Greece (Cambridge, 1982): PL.37A, B
Lexicon Iconographicum Mythologiae Classicae: VIII, PL.771 SILENOI 160 (S)
Mannack, T., Griechische Vasenmalerei, Eine Einführung, 2nd edition (Darmstadt, 2012): 51, FIG.19 (S)
Matheson, S.B. and Pollitt, J.J., Old Age in Greek and Roman Art (Yale, 2022): 244, APP.170 (COLOUR OF SH)
Mediterranean Archaeology: 17 (2004) PL.20.2
Mösch-Klingele, R., Braut ohne Bräutigam, Schwarz- und rotfigurige Lutrophoren als Spiegel gesellschaftlicher Veränderungen in Athen (Mainz, 2010): 7, FIG.2 (SH)
Petit, T., Oedipe et le Cherubin, Les sphinx levantins, cypriotes et grecs comme gardiens d'Immortalite (Fribourg, 2011): FIG.163 (S)
Schefold, K., Jung, F., Die Sagen von den Argonauten, von Theben und Troia in der klassischen und hellenistischen Kunst (Munich, 1989): 65, FIG.45
Simon, E., Das Satyrspiel Sphinx des Aischylos (Heidelberg, 1981): PLS.8-12
Simon, E., The Ancient Theatre (London, 1982): PL.7.1-2
Taplin, O. and Wyles, R. (eds.), The Pronomos Vase and its Context (Oxford, 2010): 134, FIG.8.2 (PART)
Tsiphaki, D. et al., AtticPOT, Attic painted pottery in ancient Thrace (6th – 4th century BC). New approaches and digital tools (Xanthi, 2022): 20. FIG.3 (SH)
Walsh, D., Distorted Ideals in Greek Vase-Painting, The World of Mythological Burlesque (Cambridge, 2009): 205, FIG.81 (PART OF S)
Wannagat, D., Archaisches Lachen, Die Entstehung einer komischen Bilderwelt in der korinthischen Vasenmalerei (Berlin and Boston, 2015): 21, FIG.8 (SH) - AVI Web: https://www.avi.unibas.ch/DB/searchform.html?ID=8431
- AVI Record Number: 8138
- LIMC ID: 8180
- LIMC Web: http://ark.dasch.swiss/ark:/72163/080e-741780cfe2054-a
- CAVI Collection: Würzburg (loan).
- CAVI Lemma: RF hydria (kalpis). Early Mannerist, probably Leningrad Painter (Simon).
Second quarter fifth. Around 467 (Simon).
- CAVI Subject: Shoulder: a satyr chorus: five white-haired satyrs seated with scepters and
fancy clothes before the sphinx facing them on a rock.
- CAVI Inscriptions: Shoulder: above the heads: between the first and second satyr: καλος{1}.
Between the second and third satyr: καλος.
- CAVI Footnotes: {1} the photo shows clearly only the last three letters but I assume the word
is complete.
- CAVI Comments: Loaned by Takuhiko Fujita of Tokyo. Aeschylus' satyr play Sphinx, part of the
Theban trilogy, was performed in 467 B.C.
- CAVI Number: 8138
- AVI Bibliography: Simon (1981) (publication). — Simon (1982), 141, pl. 37,a-b.
- CAVI / AVI Data from Henry Immerwahr's Corpus of Attic Vase Inscriptions (CAVI), updated by Rudoph Wachter's Attic Vase Inscriptions (AVI)
Link to this record using the address https://www.beazley.ox.ac.uk/record/6BCD0A1A-FFAF-441C-8D40-BE90A9A1443D
